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Decorum
Celinda, a Tragedy
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G
Bundells of Pamphlets in Quarto’ Valued at 20D., and Eleven ‘Bundles in Viijo’ Valued at 4S.; in the Gallery ‘Xlty Panphelets’ Valued at 2S
Challenges to Traditional Authority: Plays by French Women Authors, 1650–1700
Neoclassical Theatre
Fama and Fiction in Vergil's Aeneid
Ethos, Logos, Pathos and Mythos: Adding Mystery to Rhetoric for Effective Product Development Richard E. Fry, IDSA, Brigham Young University
Aristotle's Poetics
Artikel Als PDF Herunterladen
Drama 203.3 History of Theatre from 600 B.C To
A Funny Thing Happened on the Way to Decorum: Quintilian's Reflections on Rhetorical Humor
Philosophical Decorum and the Literarization of Rhetoric in Cicero's Orator
Week 03 Classical Literary Theories Session Plan
They Keep It All Hid
In Aristotle, Poetics 4
A World of Appearances: Sperone Speroni and the Debate Over
Marriage in Seventeenth-Century French Theater Adam Michael Babin Louisiana State University and Agricultural and Mechanical College,
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Toward a Definition of Moral Decorum: Understanding the Pennsylvania Hall Address As an Ethical Response to the Constraints of P
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In Aristotle's Poetics, Horace's Ars Poetica and William Wordsworth's
The Stylistic Category of Clarity (Σαφήνεια, Explanatio
Two Laureates and a Whore Debate Decorum and Delight: Dryden, Shadwell, and Behn in a Decade of Comedy A-La-Mode
The Dullest Book of the Aeneid
The Pennsylvania State University the Graduate School College Of
Combining Political Theory and Theatre History Richard A
Contents More Information
The Universal Art of Samuel Van Hoogstraten (1627-1678) Painter, Writer, and Courtier Amsterdam University Press
A Theater of the Senses: a Cultural History of Theatrical Effects in Early Modern England
Shakespearean Tragedy
The Roles of Servant Characters in Restoration Comedy, 1660 - 1685
Drama and the Notions of Literary Propriety and Verisimilitude in Francesco Robortello's Paraphrase on Horace's Ars Poetica
Costuming the Shakespearean Stage: Visual Codes of Representation in Early Modern Theatre and Culture
Contextualizing an Essay on Criticism
Sperone Speroni. Canace. Translated with an Introduction and Notes by Elio Bran- Caforte
Literary Change/Critical Exchange