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Dario Argento
Pictorial Imagery, Camerawork and Soundtrack in Dario Argento's Deep
Art, Argento and the Rape-Revenge Film
© 2018 Donata Panizza ALL RIGHTS RESERVED
University of Edinburgh Postgraduate Journal of Culture and the Arts Issue 07 | Autumn 2008
First Line of Title
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Argento's Aesthetic Alignments
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41 Red Feather Journal 4.2 Fall 2013 the House of the Screaming Child
Genre, Gender, Giallo: the Disturbed Dreams of Dario Argento
Art, Argento and the Rape-Revenge Film
A Blade in the Dark: Translating the Giallo Killer Into the Slasher
The Ballerina Body-Horror: Spectatorship, Female Subjectivity and the Abject in Dario Argento’S Suspiria (1977)
Read Book Dario Argento : the Man, the Myths & the Magic
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The American Giallo
Dissertation Dario Argento
Suspiria-Film-Paper
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Luciano Tovoli, ASC, AIC Recalls the Details of His Approach to Dario Argento’S Legendary Horror Film Suspiria
Interacting with Horror: Archaeology of the Italian Horror Genre from Its Origins Until the Eighties
Pictorial Imagery, Camerawork, and Soundtrack in Dario Argento's Deep
Italian Horror Cinema Austin Fisher, Bournemouth University
'Why Are There Always Three?': the Gothic Occult in Dario Argento's Three Mothers Trilogy Lindsay Hallam, University of Ea
12 Brutal Facts About Dario Argento's Supernatural Thriller
Gothic/Giallo/Genre: Hybrid Images in Italian Horror Cinema, 1956-82
Artistic Imagery in Dario Argento's Cinema