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Dafne (Opitz-Schütz)
Mora Wade the RECEPTION of OPITZ's Ludith DURING the BAROQUE by Virtue of Its Status As the Second German Opera Libretto, Martin
3. Monody and Opera
Histories of Heinrich Schu¨ Tz
Death and the Female Body in Homer, Vergil, and Ovid
Echos in Und Um »Dafne«*
Bernini Struts
RLT Conductor Repertoire 2017
The Metamorphosis As a Figure of the Boundary Between Life and Death
Busenello Satirico: New Sources for Apollo and Dafne
Johann Nauwach's <I>Teütscher Villanellen</I>
Apollo & Dafne.Indd
Heinrich Schütz – Meister Der Motette
Histories of Heinrich Schu¨ Tz
Histories of Heinrich Schu¨ Tz
The Metamorphoses of Dafne (And Apollo): the Birth of Opera at the Crossroads of Genres
Apollo & Daphne
Heinrich Schütz – Meister Der Motette
Program I Gloria Ad Modum Tubae Guillaume Dufay Cal J
Top View
Heinrich Schütz's Weihnachtshistorie Trombones for the Three Kings?
Musical Rhetoric: an Agency of Expression in Heinrich
Ensemble Marsyas Peter Whelan Director Ensemble Marsyas Peter Whelan Director
SPEAKING in TONES: PLAINCHANT, MONODY, and the EVOCATION of ANTIQUITY in EARLY MODERN ITALY by BARBARA DIANNE SWANSON Submit