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Dafne (Opitz-Schütz)

  • Mora Wade the RECEPTION of OPITZ's Ludith DURING the BAROQUE by Virtue of Its Status As the Second German Opera Libretto, Martin

    Mora Wade the RECEPTION of OPITZ's Ludith DURING the BAROQUE by Virtue of Its Status As the Second German Opera Libretto, Martin

  • 3. Monody and Opera

    3. Monody and Opera

  • Histories of Heinrich Schu¨ Tz

    Histories of Heinrich Schu¨ Tz

  • Death and the Female Body in Homer, Vergil, and Ovid

    Death and the Female Body in Homer, Vergil, and Ovid

  • Echos in Und Um »Dafne«*

    Echos in Und Um »Dafne«*

  • Bernini Struts

    Bernini Struts

  • RLT Conductor Repertoire 2017

    RLT Conductor Repertoire 2017

  • The Metamorphosis As a Figure of the Boundary Between Life and Death

    The Metamorphosis As a Figure of the Boundary Between Life and Death

  • Busenello Satirico: New Sources for Apollo and Dafne

    Busenello Satirico: New Sources for Apollo and Dafne

  • Johann Nauwach's <I>Teütscher Villanellen</I>

    Johann Nauwach's <I>Teütscher Villanellen</I>

  • Apollo & Dafne.Indd

    Apollo & Dafne.Indd

  • Heinrich Schütz – Meister Der Motette

    Heinrich Schütz – Meister Der Motette

  • Histories of Heinrich Schu¨ Tz

    Histories of Heinrich Schu¨ Tz

  • Histories of Heinrich Schu¨ Tz

    Histories of Heinrich Schu¨ Tz

  • The Metamorphoses of Dafne (And Apollo): the Birth of Opera at the Crossroads of Genres

    The Metamorphoses of Dafne (And Apollo): the Birth of Opera at the Crossroads of Genres

  • Apollo & Daphne

    Apollo & Daphne

  • Heinrich Schütz – Meister Der Motette

    Heinrich Schütz – Meister Der Motette

  • Program I Gloria Ad Modum Tubae Guillaume Dufay Cal J

    Program I Gloria Ad Modum Tubae Guillaume Dufay Cal J

Top View
  • Heinrich Schütz's Weihnachtshistorie Trombones for the Three Kings?
  • Musical Rhetoric: an Agency of Expression in Heinrich
  • Ensemble Marsyas Peter Whelan Director Ensemble Marsyas Peter Whelan Director
  • SPEAKING in TONES: PLAINCHANT, MONODY, and the EVOCATION of ANTIQUITY in EARLY MODERN ITALY by BARBARA DIANNE SWANSON Submit


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