DOCSLIB.ORG
Explore
Sign Up
Log In
Upload
Search
Home
» Tags
» Cristoforo Landino
Cristoforo Landino
Stony Brook University
Leonardo Da Vinci on Nature Alessandro Nova E Gerhard Wolf Knowledge and Representation
Simonetta Cattaneo Vespucci: Beauty. Politics, Literature and Art in Early Renaissance Florence
Notes on the Presence of Boccaccio in Cristoforo Landino's <I>Comento
Marsilio Ficino, Philosopher, and Head of the Platonic Academy of Florence
Profiling Women in Sixteenth-Century Italian
Coexistence and Contamination of Vernacular and Latin in Alessandro Braccesi's Bilingual Tribute to Camilla Saracini. the Sien
Machiavelli's Reading of Aristotle. a Reassessment
Illustrations for Dante's Inferno
Leonardo Da Vinci and Flemish Painting ─On the Portrait of Ginevra De’ Benci─
Representations of Self and City in Botticelli's Illustrations of Dante's Commedia
Alberti on the Surface
Introduction 1
___1 Sandro Botticelli, Calumny of Apelles. Florence, Uffizi, Galleria
Charles Eliot Norton's "Medicean Dante"
Botticelli Past and Present Ever, the Significant and Continued Debate About the Artist
Download Download
The Letters of Marsilio Ficino 1
Top View
PHILOLOGY AS THANATOLOGY: a STUDY on ANGELO POLIZIANO's INTELLECTUAL BIOGRAPHY by Francesco Caruso a Dissertation Submitted T
WRAP THESIS Comiati 2015.Pdf
Petrarch and the Canon of Neo-Latin Literature
Research Questions
SCN 77 Spring-Summer COMPLETE ISSUE.Pdf (611.2Kb)
Bruce Mcnair. 'Cristoforo Landino. His Works and Thought.' Medieval and Renaissance Authors and Texts, 21
Francesco Sansovino's Editorial Additions As a Form of Authorship
Download File
Editing and Translating Pliny in Renaissance Italy: Agency, Collaboration and Visibility
Open Thesis Draft 4.Pdf
Catana, Readings of Platonic Virtue Theories (Preprint)
The Commentary on Dante's Comedy
Editing and Translating Pliny in Renaissance Italy
Download Download
Plutarch and Poliziano
A Bibliographical Introduction to the Italian Humanists
Virtue and Beauty, Ren Image of Ideal Woman, Smithsonian, S.Pdf
Disruption and Recovery in the Work of Botticelli and Piero Di Cosimo