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Coup de glotte
Kenneth E. Querns Langley Doctor of Philosophy
Using Bel Canto Pedagogical Principles to Inform Vocal Exercises Repertoire Choices for Beginning University Singers by Steven M
Unraveling the Discussion of Vocal Onset
University of Alberta the ACOUSTICAL EFFECTS of THE
The Baritone to Tenor Transition
Metáforas E Terminologia Vocal: Hipóteses Para Uma Leitura 21 Crítica
Vespro Della Beata Vergine
Abstract Effects of Training in Vocalises on Singing
The German School of Singing: a Compendium of German Treatises 1848-1965
Effects of Gesture Height on Individual and Ensemble Singing: Acoustic and Perceptual Measures Lesley Maxwell Mann
The Vocality of Sibyl Sanderson in Massenet's Manon and Esclarmonde Tamara D. Thompson
ROBYN CATHCART: M.A. CANDIDATE in MUSICOLOGY the UNIVERSITY of VICTORIA, VICTORIA BC -The Singing School of Manuel Garcia
Early Twentieth Century Vocal Performance Practice and the French School: an Exploration of the Lectures and Selected Songs by Reynaldo Hahn
A Conductor's Guide to the Incorporation of Bel Canto
The Prevention of Vocal Hyperfunction in Singers
CONTEMPORARY VOCAL TECHNIQUE in the CHORAL REHEARSAL: EXPLORATORY STRATEGIES for LEARNING Brian J. Winnie a Dissertation Submitt
Book Reviewslcomptes Rendus Anmer (Among Others) of the Qualifi James Stark
The Influence of the Spread of Bel Canto on the Chinese National Vocal Music
Top View
Mathilde Marchesi: a Study of Her Life and Work In
L'impresario Delle Smirne
Applying the Study of Bel Canto Vocal Technique to Artistic Horn Playing: Perfect Legato, Beautiful Sound, Agility, and Musical Expression
The Vocal Principles of Garcia As Represented by His Pupils : Battaille, Marchesi, and Stockhausen
Les Dysfonctionnements De La Voix Chantée Nicole Scotto Di Carlo
U·M·I University Microfilms International a Bell & Howell Information Company 300 North Zeeb Road
Singing Terminology Usage: a Quantitative, Inter-Disciplinary Study