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Controllerism
Cue Point Aesthetics: the Performing Disc Jockey In
Controllers As Musical Instruments, Controllerism As Musical Practice
Politics of Musical Interfaces: Ideologies and Digital Disenchantment Enrique Tomás Interface Culture Lab - University of Art and Design of Linz
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Proceedings Template
S-Notation: a Complete Musical Notation System for Scratching and Sample Music Derived from "Theory of Motions"
MINE Progettazione Di Un Controller Modulare Per Dj Studente
Digital Sampling and Appropriation As Approaches to Electronic Music Composition and Production Gene Shill
Dancecult 6(1)
Read PDF # Djing
The Dj As Critic, “Constructing a Sort of Argument”
Modular Synthesis to Digital Artifacts, Current Practices in Computer Music
Consonance at the Intersection of Composition and Performance
Der Godfather of Controllerism: Moldover Matt Moldover Gilt Als Pionier Der Kreativen
The Interface-Score Electronic Musical Interface Design As Embodiment of Performance and Composition
Musikmesse and Prolight + Sound 2019: Sample Music Festival Area
Music Technology and the Hip Hop Beat Making Tradition: a History and Typology of Equipment for Music Therapy
Theory of Motions -Abstract Volume 1- Alexander Sonnenfeld
Authenticity and Liveness in Digital DJ Performance
Top View
S-Notation: a Complete Musical Notation System for Scratching and Sample Music Derived from “Theory of Motions”
MINE Progettazione Di Un Controller Modulare Per Dj Studente
The Implications of Technology on Music Composition and Performance
The Attitudes of Djs
Moldover Vs. Traktor Kontrol F1, in Live Sampling-Mash Mayhem [Videos]
Rock-The-Dancefloor-By-Phil-Morse
Improvisatory Poetics and Digital DJ Interfaces1
Dancecult: Journal of Electronic Dance Music Culture, Vol 3, No 1
THE DJ TEST DISCOVER YOUR DJ SCORE and Find out Exactly How You Can Become a Better DJ CONGRATULATIONS on TAKING the DJ TEST
Listening with Hands Takuro Mizuta
Turntablist Performance Practice
S-Notation: a Complete Musical Notation System for Scratching and Sample Music Derived from “Theory of Motions”
A Conversation with Dr. Mark V. Campbell