DOCSLIB.ORG
Explore
Sign Up
Log In
Upload
Search
Home
» Tags
» Contrafactum
Contrafactum
03
Trent 91; First Steps Towards a Stylistic Classification (Revised 2019 Version of My 2003 Paper, Originally Circulated to Just a Dozen Specialists)
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Univeristy of California Santa Cruz Cultural Memory And
Reshaping American Music: the Quotation of Shape-Note Hymns by Twentieth-Century Composers
UCLA Electronic Theses and Dissertations
Translating, Adapting, and Performing Opera in Eighteenth-Century Cosmopolitan Europe: Lorenzo Da Ponte at the King's Theatre" (2017)
Whose Music Is It Anyway?: How We Came to View Musical Expression As a Form of Property – Part I
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
“The Future Is Medieval”: Orality and Musical Borrowing in the Middle Ages and Online Remix Culture
Use of Parody Techniques in Jacques Offenbach's Opérettes and Germaine Tailleferre's Du Style Galant Au Style Méchant
The Ideology and Aesthetics of Andrew Lloyd Webber's Musicals
Avisn FORUM Journal of the Association Ellard De Honnecourt for the Interdisciplinary Study of Medieval Technology, Science, and Art
Society for American Music Forty-Third Annual Conference
Remixing Overwatch: a Case Study in Fan Interactions with Video Game Sound Etelle Shur Scripps College
Parody As a Borrowing Practice in American Music, 1965–2015
Composer As Appropriator: Semiotic Analysis of Musical Works Based on Appropriated Materials
Communicating in Song: the American Sung-Through Musical from in Trousers (1979) to Caroline, Or Change (2004)
Top View
Troubadour Contrafacta in the Provencal Drama
Contemporary New Art Music Musics Music in Belgium
Contrafactum and Alternatim Praxis in Two Eighteenth Century Requiem Settings by Manuel De Sumaya by Therese Irene Fassnacht
Light Music in the Practice of Australian Composers in the Postwar Period, C.1945-1980
The Myth of Piers Plowman
Jackie Mittoo at Home and Abroad: the Cultural and Musical Negotiations of a Jamaican Canadian
Bricolage in the Music of Elena Kats-Chernin
From the Magnus Liber Organi to Adam De La Halle CATHERINE A
7665.01 Music AS 2 Pt 2 (Written) (Summer 2012).Indd
Manuscripts and Medieval Song : Inscription, Performance, Context / Edited by Helen Deeming and Elizabeth Eva Leach
Music, Power, and Politics
01 Title Page
Abstract Book (2Nd Edition)
4146-002-Final Pass-0FM.Indd
Society for American Music Forty-First Annual Conference
How to Become a Certified Translator
Good Vibrations: Brian Wilson and the Beach Boys in Critical Perspective
Whose Music Is It Anyway? How We Came to View Musical Expression As a Form of Property
Summeiffall 1986
DECAMERONS WITHOUT WOMEN: the SPIRITUALIZATION of ITALIAN LITERATURE in the SIXTEENTH and SEVENTEENTH CENTURIES by Alyssa Falcon
Genre Issues in Troubadour Tensos and Partimens Kelli Mcqueen University of Wisconsin-Milwaukee
Shakespeare As Jukebox Musical John R. Severn
An Analysis and Revisioning of the Korean National Music Theory of Lee Geon Yong with Implications for Church Music and the Reunification of South and North Korea
“The Future Is Medieval”: Orality and Musical Borrowing in the Middle Ages and Online Remix Culture
Singing to Another Tune”: Contrafacture and Attribution in Troubadour Song
SEM 65Th Annual Meeting