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Cleansed
Sarah Kane's Postdramatic Strategies in Blasted
Sarah Kane's Post-Christian Spirituality in Cleansed
“4.48 Psychosis” As a Suicide Note of Sarah Kane? IVO ČERMÁK, VLADIMÍR CHRZ, KATEŘINA ZÁBRODSKÁ
Death of an Author: Sarah Kane and the Significance of Biography
Dystopian Performatives: Negative Affect/Emotion in the Work of Sarah Kane
Enacting the Lost: Theatrical Form of Mourning in Sarah Kane’S Cleansed
Prevođenje Suvremenih Drama Sarah Kane
Studying the Concept and Effect of Power on the Matter of Identity in Sarah Kane’S Play, Cleansed, a Foucauldian Reading
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Directing for the Nineties Generation
Graeae Commissions Plays by Disabled People and Encourages
1 an Exploration of Sarah Kane's Plays Through A
Changing Spectatorship in the Theatre of Sarah Kane
Kane” Mark: a Dual Construct
4.48 Psychosis: Sarah Kane's
University of Huddersfield Repository
Physical, Sexual and Verbal Dimensions of Violence in Sarah Kane’S Experiential Theatre
Challenges to Overcoming Madness in Sarah Kane's
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35.Sayı Nisan.Indd
Postdramatic Theatre and the Work of Sarah Kane
An Analysis of Sarah Kane's 4.48 Psychosis
A Psychoanalytic Study of Sarah Kane 'S Blasted and Cleansed
Graeae Commissions Plays by Disabled People and Encourages
The Term 'In-Yer-Face' Is an Increasingly Inadequate Label With
Cleansed Free
Royal Court Theatre