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Chromaticism
Computational Methods for Tonality-Based Style Analysis of Classical Music Audio Recordings
Out of Death and Despair: Elements of Chromaticism in the Songs of Edvard Grieg
Kostka, Stefan
MTO 18.4: Chenette, Hearing Counterpoint Within Chromaticism
Chromatic Sequences
Mystic Chord Harmonic and Light Transformations In
Secondary Dominant Chords.Mus
Transfer Theory Placement Exam Guide (Pdf)
MUTH M202 Theory
Class Notes for Counterpoint
Theory IV – Study Guide Dr. Amy Dunker Clarke College Dubuque, IA 52001 Classical Serialism Arnold Schoenb
The Consecutive-Semitone Constraint on Scalar Structure: a Link Between Impressionism and Jazz1
The Interval Dissonance Rate in Chopin's Études Op. 10, Nos
Expanded Tonality: the Rt Eatment of Upper and Lower Leading Tones As Evidenced in Sonata "Undine,” IV by Carl Reinecke Joshua Blizzard University of South Florida
Changd75304.Pdf
The Death and Resurrection of Function
Henry Burnett & Roy Nitzberg, Composition, Chromaticism and The
MTO 9.1: Hussey, Triadic Post-Tonality and Linear Chromaticism
Top View
ONLINE CHAPTER 2 CHROMATIC CHORDS FUNCTIONING AS the PREDOMINANT Artist in Residence: Jacqueline Du Pré
Progressive Chromatic Processes in Rachmaninoff's ÛTude-Tableau Op
Diatonic Seventh Chords
THE EVOLUTION of WHOLE-TONE SOUND in LISZT's ORIGINAL PIANO WORKS. the Louisiana State University and Agricultural and Mechanical College, Ph.D., 1974 Music
COMPUTATIONAL ANALYSIS of QUARTER-TONE COMPOSITIONS by CHARLES IVES and IVAN WYSCHNEGRADSKY a Thesis Submitted to the College Of
Diatonicism and Chromaticism in Richard Strauss' Tone
Theory of Music-Introduction to Chromaticism
The Interval Dissonance Rate: an Analytical Look Into Chromaticism of Chopin’S Op
Compositional Craft and Theory Across Tonal Languages
Mathematical Harmony Analysis on Measuring the Structure, Properties and Consonance of Harmonies, Chords and Melodies
Kallis, Principles of Pitch Organization in Scriabin's Early Post-Tonal Period
Introduction to Secondary Functions
Copyright by Yu-Hsuan Liao 2007
Scale Networks and Debussy
Bartók's Polymodality
TONAL AMBIGUITY in DEBUSSY's PIANO WORKS by RIKA UCHIDA A
A Quantitative Study of Chromaticism: Changes Observed in Historical Eras and Individual Composers
Other Uses of Secondary Dominants
Chromatic Techniques in Baroque Variation Sets and Their Relationship to Late Madrigals by © 2019 Christopher W
Graduate Music Theory Diagnostic Exam
An Analysis of and Performance Guide to Lou Harrison's Suite for Piano
Added-Tone Sonorities in the Choral Music of Eric Whitacre Angela Hall
Atonality and Serialism
Music 233 Secondary Functions I Chromaticism: • Pitches That Are Foreign to the Key of a Passage • Nonessential/Nonfunctiona
A STYLISTIC ANALYSIS of BELA BARTOK's MIRROKOSMOS TIMSIS Presented to the Graduate Council of the North Texas State
Music of the Twentieth Century a Study of Its Elements and Structure
An Examination of Innovations in Alexander Scriabin's Late Etudes
A Field Guide to Chromaticism
Chapter 29, Symmetrical Harmony
A Model of the Tonal-Chromatic System and Its Application To
Modality and Chromaticism in the Madrigals of Don Carlo Gesualdo
Svetlana Kurbatskaya on Serial Music
Schoenberg, Serialism and Cognition: Whose Fault If No One Listens? Philip Ball Address for Correspondence: 18 Hillcourt Road Ea
1 Elgar and Theories of Chromaticism
The Development of Expressionism in Alexander Scriabin's Piano Sonatas
(2017). Magical Serialism: Modernist Enchantment in Elisabeth Lutyens's
A.P. Music Theory Class Expectations and Syllabus Pd
Music in Theory and Practice