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Charlie Chan
1 Exploring Detective Films in the 1930S and 1940S: Genre, Society and Hollywood
Robert C. Schmitt
Charlie Chan Films, 1929 to 1949, Ranked from Highest to Lowest “Quality”
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Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
Or Why Are We Still Talking About Yellowface in Twenty-First-Century Cinema?
Charlie Chan at the Museum of Modern Art
Movies in Hawaii, 1897-1932 Robert C. Schmitt on February 4, 1897, A
Chinese Face/Off
Anna May Wong, Keye Luke, and James Shigeta in the Classical Hollywood Detective Film
Commission's Hearings on Chilamls Television (Washington, D.C., January 8-10, 1973)
Looper and the Rise of China In
The Chinese Diaspora on American Screens
The Marginalization and Stereotyping of Asians in American Film
Keye Luke Historical Lesson" As Well As "A Quality Short Film, Period
American Independent Cinema
Cinecon Films
Expounding the Doubtful Points Wing Tek Lum
Top View
2News Summer 05 Catalog
The Manipulation and Role of Stereotypes in the Rush Hour Trilogy by Matt Lee — 5
Library of Congress Genre/Form Terms for Library and Archival
Charlie Chan: the Making of an Immortal
Eastern Progress Eastern Progress 1935-1936
This Month On
Allied Artists & Monogram Pictures Historical* Resume
100+ Charlie Chan Sayings and Proverbs. a Surprisingly Good Selection of Truisms and Insights for Your Reading Pleasure
Case 3 “Disenchanted?” Charlie Chan Is a Fictional Chinese
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations
The Asianization of the Future Metropolis in Post-Blade Runner Cinema
Elm Grove Public Library Adult Movies and TV on DVD
Charlie Chan Advance
Broken English and Fixed Stereotypes: the Portrayal of Asian Americans in the Popular Media Alice C
The Chinese Parrot: Technê-Pop Culture and the Oriental Detective Film
Charlie Chan and the Orientalist Exception