DOCSLIB.ORG
Explore
Sign Up
Log In
Upload
Search
Home
» Tags
» Carlo Lizzani
Carlo Lizzani
The Myth of the Good Italian in the Italian Cinema
UC Berkeley
Roberto Rossellinips Rome Open City
Intervista a Giuliano Montaldo, Protagonista Nella
Audiovisual Authors' Rights and Remuneration in Europe
1 Revisiting the Past As a Means of Validation: Bridging the Myth of The
Il '68 Nel Cinema Italiano? Cercatelo Nei Western Perché Nei Tardi Anni 60
Conexão Espaguete: Cinema E Política Na Itália Spaghetti Connection: Cinema and Politics in Italy
Are You Suprised ?
Film Neorealism and the Postwar Italian Condition
PREVENTION IS BETTER THAN the CURE. PRE-CENSORSHIP in ITALIAN CINEMA by Enrico Gaudenzi
Socio-Economic Critique, Cognitive Engagement and Gender Roles in Carlo Lizzani’S La Celestina P
The Best of Youth (La Meglio Gioventù)
Echoes of Pier Paolo Pasolini in Contemporary Italian Cinema: the Cases of Marco Tullio Giordana and Aurelio Grimaldi
Gian Maria Volonte:Programme Notes.Qxd
Once You're Born…
Film Guide August 2018
WINTER 2011 National Gallery Of
Top View
Adaptations and Appropriations in the Works of Vittorio De Sica and Cesare Zavattini
Programma Settembre:Layout 1
The Films of Federico Fellini
Roberto Rossellini's War Trilogy
BARATTONI PRINT.Indd 7 22/08/2012 16:09 ITALIAN POST-NEOREALIST CINEMA
Carla Gravina, La Nicoletta Dei “Soliti Ignoti”
Download Article
Bilan Italy - 2001
An Introduction Filmed and Released in 1945, Roma Città Aperta Is Set Just
The Death's-Head Beneath : Film's Image of History
Once Upon a Time in Italy by Daniel Paris-Clavel
Les Films Font De Plus En BERTOLUCCI on La Cinémathèque Française
Roberto Rossellinips Rome Open City
Programme 2011
Jean-Louis Bory [1919-1979] Luc Chaput
Geocorpographical Assemblages of Plants
Lizzani Ricorda Pubblichiamo Un Ampio, Significativo Colloquio Con Il Regista E Studioso Di Cinema Romano, Svoltosi Nove Anni Fa
BITTER RICE (1949, 108 Min) Online Versions of the Goldenrod Handouts Have Color Images & Hot Links
ROME, OPEN CITY Program Note
BEYOND the LIMITS of REALITY. ITALIAN CENSORSHIP and the FILM DOCUMENTARY by Marco Bertozzi