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Busby Berkeley
A Sheffield Hallam University Thesis
February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
The Lack of Recognition for the Film Choreographer in Hollywood
Ronald Davis Oral History Collection on the Performing Arts
“Can't Help Singing”: the “Modern” Opera Diva In
REF Working Paper 2 WB Musicals
“We Rule the Waves”
Examining the Careers and Artistic Contributions of Fred Astaire's
``From Painting to Film: Abstract Cinema and Synaesthesia
DANCE and the USE of TECHNOLOGY a Thesis Presented
Narrative and Number in Busby Berkeley's Footlight Parade
Cinematography and Choreography: "It Takes Two to Tango"
Download (507Kb)
The National Film Registry: Acquiring Our Film Heritage. INSTITUTION Southeast Missouri State Univ., Cape Girardeau
Footlight Parade by Randy Skretvedt
Directors Have Been Putting Music on Film Since the First Talking Pictures
Gotta Sing! Gotta Dance! the MGM Musical at BFI Southbank
Cinema Dance: the Evelopmed Nt of an Art Form As Defined Yb Busby Berkeley's Work with the Hollywood Musical During the Great Depression Carol Bender
Top View
The Roots of the American Musical Film (1927-1932)," To
Architecture and Design in Hollywood Movies of the 1930S Gabrielle Esperdy
Director Mervyn Leroy Dance Director Busby Berkeley Writers David Boehm (Dialogue), Erwin S
'S GREATEST MOVIE MUSICALS
1930S Gold Digger Films and #Metoo: Collaging Modernist Moments
Theorizing the Golden Age Musical: Genre, Structure, Syntax
Fulfillment of the Requirements
American Movement: in the Steps of a National Style of Dance by Megan
UC Berkeley UC Berkeley Electronic Theses and Dissertations
Swimming Pretty: the Spectacle, Strength, and Star Text of Esther
Choreography, Masculinity, and the American Film Musical Amy Weintraub
Jacqueline Stewart on the Politics of Film Preservation: Selected Filmography
RACE and GENDER in the BROADWAY CHORUS by Kellee
August 8 Esther Williams, 1923