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Burlesque
The Rise and Fall of Fair Use: the Protection of Literary Materials Against Copyright Infringement by New and Developing Media
Rose La Rose and the Re-Ownership of American Burlesque, 1935-1972
The Untitled Black Burlesque History Project
Classical Mythology in the Victorian Popular Theatre Edith Hall
Thesis-1969-P769l.Pdf
When Authors Won't Sell: Parody, Fair Use, and Efficiency in Copyright Law Alfred C
The Mid-Victorian Opera Burlesque and Its Bourgeois Audience Abstract
Political Challenges in the Neo-Burlesque Spectacle
San Diego's Bygone Burlesque: the Famous
GILBERT and SULLIVAN: Part 1
Plimpton Collection of Dramas 1675-1920 (Bulk 1850-1900)
Burlesque of Literary Property As Infringement of Copyright Patrick J
Who's on First?"--Abbott and Costello (October 6, 1938) Added to the National Registry: 2002 Essay by Ron Palumbo (Guest Post)*
Feminist Identity and the Burly-Q
Requirements to Be a Burlesque Dancer
The Study of Burlesque As It Originally Appeared in the Seventeenth Century in the Play the Beggar's Opera and As It Appears Today in the Play of Thee I Sing
Moral Reform and the Rise of the Burlesque Industry in London, Ontario
Opéra-Comique Overtures
Top View
31295011762530.Pdf (3.587Mb)
The Evolution of Broadway Musical Entertainment, 1850-2009: Interlingual and Intermedial Interference
Stranger in Parodies: Weird Al and the Law of Musical Satire
APOLLO THEATER (Originally Hurtig & Seamon's New (Burlesque) Theater), 253 \-Jest L25th Street, Borough of Nanhattan
Why Are Comedy Films So Critically Underrated?
Turn of the Century British Musical Comedy in an American Performance Library Victoria Peters University of Wisconsin-Milwaukee
Burlesque: Then and Now
THEA-1100: Survey and Appreciation of American Musical Theatre 1
Legal Perils of Parody and Burlesque Thomas Paul Demeter
John Gay's 'Achilles': the Burlesque Element
International Conference
At My Mother's Knee (And Other Low Joints)
Neo-Burlesque, Gendered Spectacle and New Subcultural Forms
The Unsung W. S. Gilbert
The W. S. Gilbert of His Own Letters by H
Variety and Vaudeville by Gillian Rodger
OR the LITES O' SYDNEY: [Burlesque] Txt. W. Horace Bent; Mus
Parody Without Ridicule: Observations on Modern Literary Parody
Reclaiming the Musical Burlesque: a Reconstruction of the 1855 Musical Score to John Brougham's <I>Po-Ca-Hon-Tas: Or, Th
The American Musical Theatre
Neo-Burlesque Striptease and the Case of the Sexual Overtones As a Theatre of Resistance
Allusion, Burlesque and Parody in Huck Finn
A Guide to Online Vaudeville Theater Resources Justin Baumgartner University of Iowa,
[email protected]