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Black gospel music
Southern Black Gospel Music: Qualitative Look at Quartet Sound
I Sing Because I'm Free‖: Developing a Systematic Vocal Pedagogy For
The Production of Gospel Music: an Ethnographic Study of Studio-Recorded Music in Bellville, Cape Town
Double Consciousness, Cultural Memory, and Cultural Representation in College Gospel Choirs
The Ties That Bind: Gospel Music, Popular Music, And
How They Got Over: a Brief Overview of Black Gospel Quartet Music
A Sociological Analysis of Christian Contemporary Music and Aural Piety
Exploring the Gospel Fusion Arrangements of the Recording Collective
African American Sacred Music and the Romantic Aesthetic
Aesthetics and Utilitarian Values of Selected African
Black Gospel Music and the Civil Rights Movement
If I Could Hear My Mother Pray Again”--Thomas A
Great Women of Gospel Music and the Transmission of Tradition
Music in American Evangelical Culture Today Nancy A
The Blues and Gospel Music Session One: the Blues and Gospel Music
The Pennsylvania State University the Graduate School College Of
Relevance, Self-Determination, and Universality Through St
The Role of Gospel Music in the Formation of Early Twentieth Century Chicago Culture Monica C
Top View
The Gospel Truth About the Negro Spiritual
Unleashing the Cultural Pedagogy of Black Gospel Singing by Darryl
Arthur D. Beard III Thesis
How I Got Over”--Clara Ward and the Ward Singers (1950) Added to the National Registry: 2017 Essay by Don Cusic (Guest Post)*
Birgitta J. Johnson, Ph.D
A Beautiful Noise: a History of Contemporary Worship Music in Modern America
Belief, Worship, and Community in a Southern Gospel Sing Service Jason T
Musical Style and Experience in a Brooklyn Pentecostal Church: an "Insider's" Perspective!
Preserving America's Black Gospel Heritage
The Transculturalisation of African American Gospel
The Saxophone As a Solo Instrument in Gospel Music: the Musical Contributions of Dr
Washington, D.C./ Gospel Music City