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- Reference, Appropriation Or Plagiarism?
- Appropriation & Attribution
- University of Western Sydney the Cross-Cultural Appropriation of Manga and Anime in Australia by Craig Jeffrey Norris BA
- Fair Use and Epistemological Humility
- Fandom's Alchemy in the Classroom
- Vidding and Vidwatching As Collaborative Interpretation Tisha Turk
- Etudes Appropriating Keyboard Performances As the Occur
- Cultural Appreciation Or Cultural Appropriation?
- Fan (Fiction) Acting on Media and the Politics of Appropriation
- From Found Footages to Video Appropriation
- The Otaku Lifestyle: Examining Soundtracks in the Anime Canon
- The Problem with Plagiarism
- Pop Art and Nostalgia: the New Lessons of David Vandermeulen’S Ric Remix Hugo Frey
- Avoiding Plagiarism, Self-Plagiarism, and Other Questionable Writing Practices: a Guide to Ethical Writing Miguel Roig, Ph.D
- Sound Appropriation and Musical Borrowing As a Compositional Tool in New Electroacoustic Music 89
- Audacious Appropriations: Barbara Hammer’S First Half Century by Greg Youmans
- Fair Use and Appropriation Art Niels Schaumann
- The Transformation of Appropriation in Contemporary Art
- The Archive Effect: Archival Footage As an Experience of Reception
- Art by Intention and Art by Appropriation: "Authenticity," Western Encounters, and Ethics of Collection and Display of African Art
- Vidding and Its Media Territories: a Practice- Centred Approach to User-Generated Content Production
- The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, Or Other?
- Copyright, Borrowed Images, and Appropriation Art: an Economic Approach William M
- Full Text (PDF)
- Cultural Appropriation in Spirituality
- Appropriation in the Visual Arts – Concepts and History with Examples from Finnish Contemporary Art
- Japanese Popular Culture Influences in Contemporary Black American Rap and Hip-Hop
- The Art of Appropriation
- Appropriation Art and Fair Use
- The Age of Musical Reproduction and John Oswald's Plunderphonics
- How Maoist Propaganda Transformed Into a Global Art Commodity
- Copyright in a Nutshell for Found Footage Filmmakers
- Rights, Remixes, and Respect UNIT 3
- Appropriation Appropriated: Ethical, Artistic, and Legal Debates in Canada
- Winner of the Caml Student Paper Award 2012
- Copyright's One-Way Racial Appropriation Ratchet
- The Rules of Appropriation from the Perspective of a Contemporary Artist
- Fandom and Creativity, Including Fan Art, Fan Fiction, and Cosplay Jon M
- Decolonization 101 Zine
- The Legal Culture of Appropriation Art: the Future of Copyright in the Remix Age
- Cultural Appropriation
- Plunderphonics, Or Audio Piracy As a Compositional Prerogative As Presented by John Oswald to the Wired Society Electro-Acoustic Conference in Toronto in 1985
- Appropriating Japaneseness and the Postmodern Cool in Sucker Punch
- Bringing Smexy Back: Fangirl Production, Amvs, and Transgressive
- An Investigation of the Fan Music Video
- Musical Sampling and Cultural Appropriation in Hip-Hop
- Art and Politics of Appropriation
- Fictional Appropriation of Ernest Hemingway and F. Scott Fitzgerald
- Case Study 2 ARTS 202 Liberty University Mikaylla Stephens What Is Appropriation
- "Adaptation" Or "Appropriation": Re-Narrating the Victorian Past As an Ethical Decision
- Reading Acts of Narrative Appropriation: Four Instances of Fraudulent Memoir Baillie, Amber Laine
- When Real People Become Fictional: the Collision of Trademark, Copyright, and Publicity Rights in Online Stories About Celebrities
- Appropriation-Art-Wikipedia.Pdf
- "Plunderphonics, Or Audio Piracy As a Compositional Prerogative" - As Presented by John Oswald to the Wired Society Electro-Acoustic Conference in Toronto in 1985
- Co-Vidding Shakespeare: Creating Collective Videos from Shakespeare’S Plays During the COVID-19 Pandemic