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Anton Kannemeyer
Robyn Sassen Under Covers: South Africa's Apartheid Army
Jack Shainman Gallery
South African Family Stories Reflections on an Experiment in Exhibition Making
Biography Page 2
Expressions of Coloured Identity in Cape Town-Based Hiphop
Under Covers: South Africa’S Apartheid Was Conscripted to the SADF
19939597.Pdf
Kleinboer As Johannesburgse Flaneur, Met Spesifieke Verwysing Na Werfsonde Bibi Burger
Anton Kannemeyer: Very Very Good, 2011, Acrylic on Canvas, 63 by 687⁄8 Inches; at Jack Shainman
A Critical Analysis of Masquerading Strategies in the Artworks of Contemporary South African Visual A
Anton Kannemeyer's Tactics of Translation As Critical Lens
The Bitter Comix of Anton Kannemeyer
Curriculum Vitae
The South African ‘Miracle’ and Its Disappointments
Synthesis: an Anglophone Journal of Comparative Literary Studies
The Changing Symbolism of the 1938 Voortrekker Centenary Monuments
ILLUSTRATING AUTOBIOGRAPHY Rearticulating Representations of Self in Bitterkomix and the Visual Journal
South Africa - the Bigger Picture
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