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Animerica
Meta-Con-2014-FINAL.Pdf
1 the Cool Japan Project and the Globalization of Anime
Tanuki Magazine. Japanese Culture Worldwide
Protoculture Addicts #65
Protoculture Addicts #67
A Study of Ukiyo-E's Place in the Development
Anime in the North American Context: (Post)Modern Cultural Transmission, Content, and Meanings^
Sample File PRESENTATION 3 PROTOCULTURE ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ✾ PRESENTATION
Abstract Political Science Fuller, Frank R. B.A
Western Audiences and Japanese Animation
Carter, Laz. "Marketing Mononoke: the Daihitto Becoming Disney." Princess Mononoke: Understanding Studio Ghibli’S Monster Princess
ANIME from Akira to Princess Mononoke Experiencing Contemporary Japanese Animation
Protoculture Addicts #62
Protoculture Addicts Promotional Issue
Animerica' American Animation Influenced By
2005 Program Guide (Beta)
Protoculture Addicts #70: March / April 2002
Mamoru Oshii Filmography
Top View
Manga Truisms: on the Insularity of Japanese Manga Discourse
STRAY DOG of ANIME: the Films of Mamoru Oshii
Friday at Anime Midwest Saturday at Anime Midwest
A Study of Japanese Animation
2010 Online PG.Pdf
“Japan's Illustrated Storytelling”:1 a Thematic Analysis of Globalized
2004 Program Guide
Sample File CONTENTS 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ P R O T O C U L T U R E a D D I C T S # 7 8 September / October 2003
Comics Worlds and the World of Comics: Towards Scholarship on a Global Scale (Series Global Manga Studies, Vol
XXV:10) Isao Takahata, HOTARU NO HAKA/GRAVE of the FIREFLIES (1988, 89 Min)
THE CULTURAL DIFFUSION of ANIME and MANGA a Thesis Presented to the Faculty of the Department of Sociology C
Fan Distribution, Copyright, and the Explosive Growth of Japanese Animation
Protoculture Addicts # 64