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Adelina Patti
A Guide to Vibrato & Straight Tone
UNIVERSITY of CALIFORNIA Los Angeles Reexamining Portamento As an Expressive Resource in Choral Music, Ca. 1840-1940 a Disserta
Adelina Patti Galt Als Eine Herausragende Opernsängerin Internationalen Ranges Des Italienischen Belcanto
This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At
Newsletter 21 – April 2013 Adelina Patti Special Welcome to Our Newsletter
Confronting "Carmen" Beyond the Pyrenees: Bizet's Opera in Madrid, 1887-1888
'Reconstructing Historical Singing: Reality Or
Adelina Patti and Clara Louise Kellogg in the Chicago Tribune, 1860-1876
19 Biennial International Nineteenth-Century Music Conference
Expressive Tempo Modifications in Adelina Patti's
Michael Christoforidis and Elizabeth Kertesz. Carmen and the Staging of Spain
Schweizer Jahrbuch Für Musikwissenschaft Annales
The English Trade in Nightingales Ingeborg Zechner
EARLY DAYS of GRAND OPERA in HOUSTON and GALVESTON by Joseph S, Gallegly *
The Recorded Legacy of Enrico Caruso and Its Influence on the Italian Vocal Tradition
Downloadable PDF
Cincinnati Opera Festivals During the Gilded Age
View 1999 Rome - Teatro Dell' Opera
Top View
The Musical World (1866-1891) Copyright © 2006 RIPM Consortium Ltd Répertoire International De La Presse Musicale ( the Musical World (1866-1891)
Sept-Oct 2007
ARSC Journal
Casts for the Verdi Premieres in London, 1845-1977 (Part 2) Martin Chusid New York University
Changing Vocal Style and Technique in Britain During the Long Nineteenth Century Sarah Potter
Blackface at the Met: an Exploration of the Casting of Performers of Color in the Roles of Aida and Othello from 2007-2017
Volume 27, Number 05 (May 1909) James Francis Cooke
LINEAGES of VOCAL PEDAGOGY in AUSTRALIA, 1850-1950 Volume 2
The Musical Alternatives of Donizetti's Lucia Di Lammermoor
Pope, Andrew S. (1935- )
DONIZETTI Lucia Di Lammermoor Lucia Di Lammermoor (1797–1848) Lucia Di Lammermoor Lucia
Musical Discourse , 1928 (Extract on Adelina Patti and Gottschalk)
Lucia Di Lammermoor Gaetano Donizetti (1797-1848)
A Foucauldian Experiment with Nineteenth-Century HIP
Mechanized Voices and Machinic Bodies: the Music Box in US Popular Media
ARSC Journal XXV I Ii 1994
Ifind No Water Fat Than Stick: to My Own Bones
Bellini's Norma