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Adelina Patti

  • A Guide to Vibrato & Straight Tone

    A Guide to Vibrato & Straight Tone

  • UNIVERSITY of CALIFORNIA Los Angeles Reexamining Portamento As an Expressive Resource in Choral Music, Ca. 1840-1940 a Disserta

    UNIVERSITY of CALIFORNIA Los Angeles Reexamining Portamento As an Expressive Resource in Choral Music, Ca. 1840-1940 a Disserta

  • Adelina Patti Galt Als Eine Herausragende Opernsängerin Internationalen Ranges Des Italienischen Belcanto

    Adelina Patti Galt Als Eine Herausragende Opernsängerin Internationalen Ranges Des Italienischen Belcanto

  • This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At

    This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At

  • Newsletter 21 – April 2013 Adelina Patti Special Welcome to Our Newsletter

    Newsletter 21 – April 2013 Adelina Patti Special Welcome to Our Newsletter

  • Confronting

    Confronting "Carmen" Beyond the Pyrenees: Bizet's Opera in Madrid, 1887-1888

  • 'Reconstructing Historical Singing: Reality Or

    'Reconstructing Historical Singing: Reality Or

  • Adelina Patti and Clara Louise Kellogg in the Chicago Tribune, 1860-1876

    Adelina Patti and Clara Louise Kellogg in the Chicago Tribune, 1860-1876

  • 19 Biennial International Nineteenth-Century Music Conference

    19 Biennial International Nineteenth-Century Music Conference

  • Expressive Tempo Modifications in Adelina Patti's

    Expressive Tempo Modifications in Adelina Patti's

  • Michael Christoforidis and Elizabeth Kertesz. Carmen and the Staging of Spain

    Michael Christoforidis and Elizabeth Kertesz. Carmen and the Staging of Spain

  • Schweizer Jahrbuch Für Musikwissenschaft Annales

    Schweizer Jahrbuch Für Musikwissenschaft Annales

  • The English Trade in Nightingales Ingeborg Zechner

    The English Trade in Nightingales Ingeborg Zechner

  • EARLY DAYS of GRAND OPERA in HOUSTON and GALVESTON by Joseph S, Gallegly *

    EARLY DAYS of GRAND OPERA in HOUSTON and GALVESTON by Joseph S, Gallegly *

  • The Recorded Legacy of Enrico Caruso and Its Influence on the Italian Vocal Tradition

    The Recorded Legacy of Enrico Caruso and Its Influence on the Italian Vocal Tradition

  • Downloadable PDF

    Downloadable PDF

  • Cincinnati Opera Festivals During the Gilded Age

    Cincinnati Opera Festivals During the Gilded Age

  • View 1999 Rome - Teatro Dell' Opera

    View 1999 Rome - Teatro Dell' Opera

Top View
  • The Musical World (1866-1891) Copyright © 2006 RIPM Consortium Ltd Répertoire International De La Presse Musicale ( the Musical World (1866-1891)
  • Sept-Oct 2007
  • ARSC Journal
  • Casts for the Verdi Premieres in London, 1845-1977 (Part 2) Martin Chusid New York University
  • Changing Vocal Style and Technique in Britain During the Long Nineteenth Century Sarah Potter
  • Blackface at the Met: an Exploration of the Casting of Performers of Color in the Roles of Aida and Othello from 2007-2017
  • Volume 27, Number 05 (May 1909) James Francis Cooke
  • LINEAGES of VOCAL PEDAGOGY in AUSTRALIA, 1850-1950 Volume 2
  • The Musical Alternatives of Donizetti's Lucia Di Lammermoor
  • Pope, Andrew S. (1935- )
  • DONIZETTI Lucia Di Lammermoor Lucia Di Lammermoor (1797–1848) Lucia Di Lammermoor Lucia
  • Musical Discourse , 1928 (Extract on Adelina Patti and Gottschalk)
  • Lucia Di Lammermoor Gaetano Donizetti (1797-1848)
  • A Foucauldian Experiment with Nineteenth-Century HIP
  • Mechanized Voices and Machinic Bodies: the Music Box in US Popular Media
  • ARSC Journal XXV I Ii 1994
  • Ifind No Water Fat Than Stick: to My Own Bones
  • Bellini's Norma


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