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Aaron Hill (writer)
Handel's Oratorios and the Culture of Sentiment By
Passion and Language in Eighteenth- Century Literature
Pregnancy and Performance on the British Stage in the Long Eighteenth Century, 1689-1807
The Public Molding of Handel's Esther Into an English Oratorio (1732)
Eliza Haywood and the Erotics of Reading in Samuel Richardson's Clarissa Kate Williams
By Barry James 0' Connor a Thesis Submitted in Fulfilment of the Requirements for the Degree of Doctor of Philosophy. School Of
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“Restless and Still Unsatisfied We Roam”: Politics and Gender in Eliza Haywood’S
The Actor, the Mirror, the Soul and the Sylph Finding the Passions
02 Tilmouth 1780
Mid-Eighteenth Century Theater in London and in the American Colonies| a Comparison
Barbara Valentino Pierre Rémond De Sainte-Albine and John Hill
London, 1732); Thomas Shadwell, Timon of Athens; Or the Man - Hater
Article RIP382.Pdf
University Microfilms, a XEROX Company, Ann Arbor, Michigan |
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