Special Issue INTERNATIONAL JOURNAL OF HUMANITIES AND March 2016 CULTURAL STUDIES ISSN 2356-5926 Art Illustration of Khaghani and Sanai with Beloved Figure Fazel Abbas Zadeh, Parisa Alizadeh1 1.Department of Persian Language and Literature, Parsabad Moghan Branch, Islamic Azad University, Parsabad Moghan, Iran Abstract In this paper, a beloved figure in the poetry of Khaghani and Sanai and art illustration of the beloved poet both studied and analyzed. Both Sanai with entering his poetic mysticism, poetry and pomp Khaghani a special place in Persian poetry and the tradition of its time focused on the issue of love and beloved. However, this possibility is the mystical dimension or later Ghanaian or other dimensions. The themes are discussed in this article, from the perspective of artistic imagery and imagery in describing the beloved and important way overnight. For each poetic images and titles to mention a poem by each poet control is sufficient. Finally, the author focuses on the overall analysis and the desired result is achieved. Keywords: beloved, Khaghani, Sanai, poetry, lyrics, imagery. http://www.ijhcs.com/index.php/ijhcs/index Page 2146 Special Issue INTERNATIONAL JOURNAL OF HUMANITIES AND March 2016 CULTURAL STUDIES ISSN 2356-5926 Introduction: In Persian poetry lover and beloved literary tradition is one of the themes in literature, especially in Ghana and its lyric, there has been much attention and centuries, in every period of Persian poetry, there have been two specific attitudes towards it. In fact, the beloved main role is decisive and in other words, the circuit is of Iranian literature. Art imaging, the main focus centered and superficial beauty of the beloved, the imaginary form of the simile, metaphor, virtual instruments and diagnostics (animation); that is the beauty and wonders of nature poet pays to describe the beloved around. For example spring, which is the manifestation of beauty and rejuvenation of nature, the poet who uses it as imaginary, image and the image that comes from feeling and his imagination, create a form of love; feel yourself in the beauty of the beloved expression compared to the most beautiful and most intuitive around the image, for example, each member of her lover's one of the beauties of nature around, such as: On the goal, eye narcissus, hyacinth hair to; therefore, important for imaginary (simile, metaphor, etc.) to describe the apparent beauty and poetic lover is very attentive. The view of the poet in their environment, more subtle and deeper, the picture that motivated his imaginative, poetic and will be a more imaginative; in other words, the imaginary circle is more poet than for his ability to reproduce and to portray the beloved, will be more pronounced. Of course, if imaginary circle of different poets. If you use the imaginary frequency in some high and some low poets. Like the much attention as a means for creating image beloved poets; That is, the poet has to see the beauty around likeness between vehicle and vehicle and this similarity has made for her lover flowers, violets and lavender hair to like it and but the intention of the beloved poetic epithets and titles, names of poets based on his poetic imagination as well as using your imaginary faces its most beloved titles, and titles, have called. Most of these titles infrastructure descriptive composition, similes and metaphors are; that their high frequency of repetition and descriptive mode, your similes and metaphors lost and have become beloved poetic name. Although the lyrical poetic as both poet repeated, initiatives and innovations are sometimes seen in pronouncing her lover. Titles and titles may be common in the lyric of the poets, but the difference is in the way overnight and its content. It depends on the widespread use of facilities for imaginary poet, fine imagination, power and dominance over the Persian poet and innovator or follower of his being. Introduction to Sanai poetic style: On the subject of discussion and analysis of the concept of love and lover of poetry Sanai have said in the course of analysis of the beloved poets, including Rudaki number of poets called Khorasani style, Manuchehri Damghani and Farrukhi Sistani and others turned more to the praise of rulers and speaking of kings and beloved land. But when it comes to lyrics Hakim Sanai is at the beginning of the same style of previous poets, but after dealing with personal poems called "lai-eater" in Ghazni written, it seems that social and moral behavior poetic wisdom has changed. That's why Hakim Sanai has been a turning point in the sense that love poems to the poetry of mystical transformation. Since everything is in the first phase of hardship and a lot of hardship, sage naturally could not be exempted from it. And it turns out the way to goal and opinions at the time, has endured problems. Actually Sanai able to expand the realm of ideas and experience in the art of Persian poetry and lyrical poetry that http://www.ijhcs.com/index.php/ijhcs/index Page 2147 Special Issue INTERNATIONAL JOURNAL OF HUMANITIES AND March 2016 CULTURAL STUDIES ISSN 2356-5926 until then disperse in the land and praise experience so the new arrangement, and it became religious and mystical emotions and Couplets in the form of didactic literature and the philosophical mysticism. The Masnavi of Hadiqat-ul Haqiqah one of the most effective teaching and mystical literature in Persian language. As other Persian poets, including Rumi and Attar's Couplets were adjusted their style of Sanai and many others Couplets created to imitate the style of Sanai. However, Sana has a personality out of character of those present at the time, he is a multi-dimensional personality in a way that is both lyrical and people from worship, both from the religious and the skeptics, the ascetic poetry and the poetry Qalandari. Sanai bipolar viewpoints, fight over the wisdom and love, the confrontation between the royal palace and monastery, religion and spirituality, and so implies an open attitude of his character. Nevertheless, Hakim Sanai was born in an era when dealing with mystical poetry, were not relevant and love and lovers in the ground space was discussed, poets often praise the kings and princes and rulers, and because of the financial resources that were earned by getting ,maintaining and gratuity; and rather than lovers were changed. (Khorasani style) and its land lovers were involved. Sanai was also out first of these categories, but in the beginning he was recently praised the sultans of fun but soon disowned this method and to the world of mysticism and gold turned away from God chooses force. So, Sanai Ghaznavi was the first Persian ghazals both in terms of the format and content both in terms of structure, gave independence. That is inspired by the great Sufi mystical teachings, because Shibli, Bayazid Bastami, and Hallaj, Sufism that had been common in the fifth century, in this age, the strength formally format called ghazals and mystical Persian poetry as lyric founded. The same type of poem that later in its evolution from both the poets after him grew. From the perspective of structure, through Anvari, Zaheer irrigation and Kamal al-Din Isfahani culminated in Saadi and Hafiz, and the content (knowledge) through Attar, Rumi and Hafiz Kamal found Khaghani and military. Sanai another part of the lyrics to the theme of romantic mysticism form. These themes, in a variety of poetic forms in place, instead of his works can be seen. Odes to the Court that the general atmosphere surrounding their souls is Qalandari and the implications of these odes is often of the kind raised in the romantic mysticism is the expression of love and states of love and beloved. Also in this kind odes, with beliefs and way of thinking primarily encountered blame which in terms of content, they also have one of the poems on the theme of romantic mysticism fit. In the latter, the poet puts on the appearance of denying and denouncing places and persons infected but have esoteric (like Allen, mosque) considered sacred and what is religious as anti-valued (such as pubs, drunkenness, etc.), and his purpose in this collection (of course) the negative campaign against the hypocrisy that was later continued by the keeper. Another part of the romantic mysticism Sanai, the lyrics have been raised. His poems, in terms of themes divided into two categories; first odes include the romantic mysticism and other themes related to the underlying meanings of the more unreal love of pure love heaven and the earth. He also blame beliefs (which is proportional to the romantic mysticism) has been proposed many times in the lyrics. The idea of some of the romantic mysticism Sanai should he be found in the poems of symbolic and allegorical, while this kind, it is dedicated to Sanai devotional mysticism. In some allegorical stories Hadigh though rarely, sometimes, we come across cases that the content should be placed in the following verses of romantic mysticism such that it can be said that despite warnings from lover to lover tale that in sober and vigilant not to cross the Tigris, enter the Tigris and perish. According to the story, the love in the way that it should not drink it with caution and this is what forms the core of romantic mysticism. http://www.ijhcs.com/index.php/ijhcs/index Page 2148 Special Issue INTERNATIONAL JOURNAL OF HUMANITIES AND March 2016 CULTURAL STUDIES ISSN 2356-5926 Beloved poetic titles in poetry of Sanai: Sanai on the beloved mystical and poetic as that used his divine