Martin Lohse Hymn for brass quintet Martin Lohse Hymn for brass quintet Composed 2008/2009 Martin Lohse Hymn chamber work for brass quintet composed in 2008/2009 Parts www.mirror-music.com 1st. edition 1st. print Published 2018 by Mirror Music Vodroffsvej 22, 2.th DK-1900 Frederiksberg C Denmark [email protected] www.mirror-music.com Mirror Music 1-35-18085 ISBN 979-0-706807-01-0 Martin Lohse © All rights reserved Preface Short biography Martin Lohse began his education at the Musical Science Institute in Copenhagen (1990–92). In 1995 he was admitted to the Royal Danish Academy of Music, Copenhagen, where he studied composition and music theory as a pupil of Hans Abrahamsen and Niels Rosing-Schow. In 2000 he started a postgraduate course in composition and in 2004 he had his debut from the Royal Academy of Music. In 2003, he received the 3-year Grant from The Danish Arts Foundation. Besides composing acoustic and electro acoustic music, he does abstract paintings – usually with a clash of disintegration and pure and clear colours. Music In my music, I try to encircle small musical moments and atmospheres, which can timeless progress and unfold. The collocation and collision of a “pure” and clear music with a disintegrated and multi-layered music is one of the main characteristic of my music. In the heart, the music often emanate a harmonic and melodic reminiscence of past experiences in glints or longer periods which combined with a floating sensation (accelerando, decelerando etc.) creates a music with the organic form as one of its main foundations. — Martin Lohse: www.martinlohse.com Romantic and, to some extent, Baroque music are key elements in the music of Martin Lohse. Smoke, Koncert, 8 Momenti Mobile... and In remembrance... all have a reminiscence of the romantic style: Small motives and longer themes within a gliding tonality, mixed with a floating sensation of times, sometimes with long and continues accelerandoes or decelerandoes and at other times with tempos slowly departing from each other. The Baroque style is clear in a piece like Concerto in tempi, but it's also a part of works like In remembrance... In liquid... and Entity. The music has some polystylist elements, not in the form of big clashes of different styles, but more in the sense of polytonality including polytempoes, f. ex in the work In liquid... for accordion and piano, where the accordion in the 1st movement starts slowly together with the piano, but gradually makes a forceful accelerando toward a brilliant baroque figure in a direct collision with the piano, which keeps the slow steady music from the start. New Simplicity is an essential part of his music, with a direct input from his teacher Hans Abrahamsen, but also evolved with the meeting with Arvo Pärt and his music. It is used to concentrate the music, finding the essence in a motive, a harmonic progression or in a structural complex created by the composer. In works like Slow movement, Sorrow and 4th movement of In liquid... for violin and piano the minimalism is transformed or rather reduced to a nearly pure transcendental form. Mobile A musical technique developed by Martin Lohse in 2009 where he combines the polystylistic elements with a simple repeating sequence of chords, creating a music with both baroque and romantic elements, all in different tempos but with no or very few dissonances. Wikipedia, February 2018 Hymn for brass quintet Ensemble 2 trumpets in Bb Horn in F Tenor trombone Tuba/bass trombone Program note Hymn is partly a recomposition of Menuetto (2008) for solo accordion. It starts with a choral before a melody emerges in 3/4 in the two trumpets. In the second phrase there comes an accompaniment in 7/8 as a counter rhythm to the melody in the trumpets, and the rest of this part continues with melody and accompaniment in different tempoes/time signatures until the choral comes back in the end. Duration app. 3 min. Martin Lohse 2009 Hymn for brass quintet Moderato Martin Lohse 2008/2009 q = 108-112 poco rit. A tempo Trombe I ° 3 ˙ œ œ œ 4 œ 3 U in Bb & 4 œ œ œ œ 4 ˙ œ 4 œ œ œ ˙ pœ cantabile œ Trombe II 3 bœ 4 3 U in Bb & 4 ˙ bœ b˙ ˙ bœ 4bœ ˙ bœ 4 ˙ œ ˙ pœ cantabile œ Corno U in F. 3 bœ 4 3 & 4 œ œ œ ˙ œ œ œ 4 œ ˙ œ 4 œ œ œ pœ cantabile b˙ œ œ U œ Trombone ? 3 b˙ ˙ bœ 4 b˙ 3 ˙ bœ ˙ tenor 4 bœ b˙ œ 4bœ œ 4 p cantabile Tuba/ bœ U bœ Tombone ? 3 b˙ bœ 4 b˙ 3 bœ ˙ basso 4 bœ b˙ œ b˙ 4bœ bœ 4 ˙ ¢ p cantabile = 7 A rit. q = e U Tr.I ° ˙ œ œ œ bœ 4 œ 3 ˙ 3 (Bb) & œ œ œ 4 ˙ œ 4 œ œ œ Œ 8 Tr.II U (Bb) œ œ 4 3 ˙ Œ 3 & œ œ œ ˙ ˙ 4 œ ˙ bœ 4 ˙ œ 8 Cor. U (F) b˙ œ œ œ bœ 4 3 ˙ Œ 3 & œ œ œ 4 œ ˙ œ 4 œ œ œ 8 ˙ œ ˙ bœ bœ ˙ U Trb.t b˙ œ 4 3 ˙ bœ 3 ? 4 bœ 4 ˙ Œ 8 Tuba/ œ ˙ œ b˙ ˙ U Trb.b ? b˙ 4 œ 3 ˙ bœ Œ 3 ¢ œ 4 bœ 4 b˙ 8 Martin Lohse © All rights reserved ISBN 979-0-706807-01-0 Mirror Music 1-35-18085 6 Moderato grazioso con espressione B e = 112 C Tr.I ° 3 (Bb) & 8 r œ œ œ œ œ œ bœ. œ œ œ œ œ œ œ œ mœf cantabile œ œ œ Tr.II (Bb) 3 r œ bœ œ ∑ ∑ & 8 œ œ œ œ bœ œ œ œ œ#œ œ œ œ œ mp œ œ œ œ œ bœ œ œ Cor. 3 r œ (F) & 8 ∑ ∑ ∑ ∑ ‰. ‰ œ bœ œ œ œ œ œ œ mp œ bœ œ œ Trb.t 3 B . ? 8 ∑ ∑ ∑ ∑ ∑ ‰ œ bœ ‰ ‰ ¢ mp legato J = D 19 Tr.I ° 7 3 (Bb) œ œ bœ œ ≈ œ œ & œ. œ#œ 16 œ œ œ 8 œ œ bœ œ œ œ œ œ œ œ œ mp œ œ œ œ bœ œ Tr.II 7 r 3 œ œ œ œ (Bb) & ∑ 16 ‰ ‰ ‰ 8 œ œ œ œ bœ. œ œ œ mœf cantabile Cor. (F) œ œ œ 7 3 ∑ ∑ ∑ ∑ & œ#œ 16 œ œ œ œ 8 œ œ œ œ œ œ Trb.t B 7 bœ. 3 bœ œbœ bœ ‰ œ 16 J ‰ ‰ 8 ‰ ‰ ‰ ‰ ‰ ‰ 1) Tuba/ ? 7 3 œ. œ œ. œ Trb.b ∑ ∑ bœbœ. œ œ bœbœ bœ œ . œ bœ œ ¢ 16 8bœ œ œ œbœ mp poco marcato 1) The brackets shows rhythms that are across the timesignatures. ISBN 979-0-706807-01-0 Mirror Music 1-35-18085 7 25 E Tr.I ° 7 (Bb) & œ œ œ ≈ œ œ œ #œ œ œ#œ 16 r‰ Œ ∑ ∑ œ œ œ œ œ#œ œ œ Tr.II œ. œ 7 j (Bb) & œ œ œ#œ œ. œ#œ 16 œ. Œ ∑ ∑ Cor. 7 œ. œ œ œ œ (F) & ∑ ∑ ∑ 16 ‰. ≈ J J œ. œ#œ J #œ mf poco eJspress. J œ œ œ œ . œ. Trb.t B #œ 7 ? œ. œ j #œ j ‰ ‰ ‰ ‰ 16 R ‰ ≈ J œ œ œ œ œ#œ œ mp poco marcato . œ. Tuba/ ? œ œ œ 7 œ œ J Trb.b bœ bœ œ #œ œ œ 16 œ œ ‰. œ œ #œ ‰ œ œ ¢ œ. œ œ J mJp lJegato R J J = 31 F Cor. #œ. œ œ #œ œ (F) ° œ. ≈ #œ. œ#œ #œ #œ. œ 3 ∑ ∑ & J J J J J J J 8 œ. #œ. œ œ œ œ Trb.t ? #œ j #œ j #œ œ 3 œ œ œ œ. j œ œ œ #œ#œ œ œ#œ . ≈ R 8 œ œ œ #œ mf cantabile Tuba/ œ œ. œ œ œ. Trb.b ? ‰ ≈ #œ ‰ œ œ #œ ‰ œ œ R ‰ ‰ j 3 œ . œ œ œ œ ¢ R J R J J R J J #œ 8 œ œ œ mp poco marcato = 37 œ. œ œ œ œ Trb.t °? œ œ œ œ #œ œ. œ#œ 7 #œ. œ 3 œ œ 16 j 8 œ. œ . Tuba/ . œ . #œ œ ? œ œ #œ œ œ œ œ.<n>œ œ œ #œ #œ#œ 7 #œ œ œ 3 Trb.b œ œ œ #œ #œ 16 œ ≈ R 8 ¢ nœ mf = 43 G Cor. ° 3 œ (F) & 8 ≈ œ œ œ œ œ œ #œ œ œ œ #œ#œ. œ#œ. œ œ. œ . œ œ #œ. œ œ . #œ#œ . œ mp œpoco marcato œ œ œ œ œ . œ . œ œ œ.#œ Trb.t ? 3 ≈ œ. œ œ. œ. œ œ #œ #œ 8 œ œ . œ œ œ œ œ mp poco marcato œ œ . œ œ œ. #œ Tuba/ ? 3 œ œ œ œ œ œ œ œ #œ œ #œ#œ Trb.b 8 ¢ cantabile ISBN 979-0-706807-01-0 Mirror Music 1-35-18085 8 49 H > Tr.II ° 2 5 bœ. œ bœ bœ œ œ œ (Bb) & ∑ 8 ∑ 16 bœ. œ œ œ bœ. ≈ J J mf poco espress. Cor. #œ 2 #œ 5 j j bœ (F) & #œ#œ. 8 #œ 16 bœbœ bœ œbœ bœbœ bœbœ. J œ #œ œ .