A publication of –empyre- soft-skinned space Sydney, Australia January 2007 A collaboration with documenta 12 magazine project Featuring special guests Melinda Rackham Chris Molinski Claudia Reiche Ollivier Dyens Christiane Robbins Ricardo Rosas Illyana Nedkova Sharon Daniel Deborah Kelly And moderator Christina McPhee On the topic “what is to be done (education)? “ edited linear pdf from the original hypertext archived at https://mail.cofa.unsw.edu.au/pipermail/empyre/2007-January Introduction by Christina McPhee, January 5, 2007 This month we are returning to the Documenta Magazine Project www.documenta12.de/english/magazines.html , in which we’re collaborating with Documenta to generate a discussion around “what is to be done (education)?” Background: the editors of Documenta Magazine project approached us last year to integrate a series of three questions into this year’s programming (2006), with an eye towards publishing some of our conversation in 2007 in connection with the launch of Documenta 12 , in Kassel, Germany. It’s been a pleasure to already launch one such conversation, “Is Modernity our Antiquity?” in March 2006. https://mail.cofa.unsw.edu.au/pipermail/empyre/2006-March and “What is Bare Life?” https://mail.cofa.unsw.edu.au/pipermail/empyre/2006-July/ This month marks our third and last collaboration with Documenta. Posts from readers, especially the quiet ones, are most welcome. If you want to post in a language other than English, please feel free to do so, Editor’s introduction: Are we at the margins of a huge flattening and empty-ing out process leaving the shells of modern structures yet producing something of an ethos, a critical space? A 'third space' (Soja) always destabilzing a dialectical or binary debate or opposition -- what Bojana Cvejic speaks of as 'affirming positive practices' and 'enabling a heterogenesis' ? " Artists educate themselves by working through form and subject matter; audiences educate themselves by experiencing things aesthetically. How to mediate the particular content or shape of those things without sacrificing their particularity is one of the great challenges of an exhibition like documenta. But there is more to it than that. The global complex of cultural translation that seems to be somehow embedded in art and its mediation sets the stage for a potentially all-inclusive public debate (Bildung, the German term for education, also means "generation" or "constitution," as when one speaks of generating or constituting a public sphere). Today, education seems to offer one viable alternative to the devil (didacticism, academia) and the deep blue sea (commodity fetishism)." --Roger Beurgel, artistic director, documenta 12 -------------------------------------------------------------- >Ricardo Rosas (BR) editor of the Rizoma e-magazine and a former member of the Midiatatica.org network. Rosas helped organize the Mídia Tática Brasil 2003 and the Digitofagia 2004 festivals in São Paulo, both of them aimed at discussing the tactical media scene, free software, and the creation of collaborative projects in art and activism involving new media. Rosas was the Net Art curator of the Prog:Me festival, in Rio de Janeiro (2005); and a lecturer at the fourth edition of the Next 5 Minutes festival, in Amsterdam (2003), the first international event dedicated to the mapping of tactical media. He also participated in the Super Demo Digital festival in Rio de Janeiro (2004); in the Networks, Arts, a Collaboration conference at the State University of New York, in Buffalo (2004); and in the 15th Videobrasil International Electronic Art Festival. Rizoma, his edited website on arts and activism is currently taking part on the Documenta project of publications for the Documenta 2007. http:// www.rizoma.net/hp10.htm --------------------------------------------------------------- >Melinda Rackham (AU) Dr Rackham is the Executive Director of the Australian Network for Art and Technology (ANAT), Australia’s peak body for artists working with science and technology, creating opportunities for innovation, research and development both locally and globally. As an artist, writer and curator she worked with Networked Media for over a decade in web, 3d multi- user, game and mobile environments. Her award winning artworks are widely shown and her writing appears in diverse art and theory publications. Melinda founded -empyre- media arts forum in 2002 and in 2003-4 was curator of Networked Media at the Australian Centre for the Moving Image (ACMI), Melbourne. http://www.anat.org.au/home.htm --------------------------------------------------------------------- >Sharon Daniel (US) An Associate Professor of Film and Digital Media at the University of California, Santa Cruz, Sharon teaches classes in digital media theory and practice. Her research involves collaborations with communities that focus on the use and development of information and communications technologies for social inclusion. Her role as an artist is that of "context provider," - working with communities, collecting their stories, soliciting their opinions, and building online archives to make this data available across social, cultural and economic boundaries. http://arts.ucsc.edu/sdaniel/ ---------------------------------------------------------------------- >Chris Molinski (US) director of The Art Gallery of Knoxville, a community space devoted to discussions of new and emerging art in Knoxville, Tennessee. Recent exhibitions have involved collaborations with the Center for Urban Pedagogy, Max Neuhaus, and the exhibition "Distribution Religion" with Critical Artware, People Powered, and Temporary Services. http:// www.theartgalleryofknoxville.com/ -----------------------------------------------------------------------> Claudia Reiche (DE) is a media theorist, artist, and curator. Her work focuses on (cyber)feminist approaches to questions of how man/ machine relations are designed with words and images. She is a member of thealit Frauen.Kultur.Labor, Bremen ( http:// www.thealit.de ) and of the first international cyberfeminist alliance 'old boys network' http://www.obn.org. She has been director of the European project 'Cyberfeminism.Lab' (Culture 2000 programme of the European Union). Currently she is curating with Helene von Oldenburg The Mars Patent, the first exhibition site on Mars http://mars-patent.org, and with Andrea Sick, do not exist, europe, women, digital medium, a transnational European conference and exhibition lab , http://thealit.de/lab/donotexist/program.htm. http://www.claudia-reiche.net ------------------------------------------------------------------------ ->Ollivier Dyens (CA) is Chair of the Department of French at Concordia University in Montreal, Canada. He is the founder and webmaster of Metal and Flesh (metalandflesh.com) 1998-2003, as well as Continent X (continentx.com). He is also the author of Metal and Flesh, The Evolution of Man, Technology Takes Over, published by MIT Press Ollivier Dyens has lectured in Europe, the United States and Canada. His digital artwork has been exhibited in Brasil, Canada, Venezuela, Germany, Argentina and the United States. http:// www.continentx.com/ ------------------------------------------------------------------------ ---->Deborah Kelly (AU) has been making socially engaged artwork since 1983. Collaborative projects include the ongoing artists gang boat-people.org, and the prize-winning public artwork series, “Hey, hetero!”, with Tina Fiveash. She has given lectures and workshops around Australia and in Berlin, Amsterdam, San Francisco, Los Angeles and Ottawa. She was invited by Martha Rosler to a political artists' residency in 2002, and produced a large collaborative artwork with that crew for Utopia Station in the 2003 Venice Biennale. Her current project, Beware of the God, was commissioned by the Museum of Contemporary Art, Sydney. It is a cross- media artwork considering the rise of religiosity in public life; documented and extended at www.bewareofthegod.com More work can be seen at: http://www.abc.net.au/tv/yours/artists/kelly.htm http:// abc.net.au/arts/visual/stories/venice/hh_01.htm http://www.mca.com.au/default.asp?page_id=10&content_id=1947 ------------------------------------------------------------------------ -->Iliyana Nedkova (BG/SCT) Iliyana is a Sofia-born Edinburgh-based curator, producer and critic of contemporary art and design. Currently, Creative Director New Media at Horsecross, Perth where she is responsible for curating the Threshold artspace, Scotland's first dedicated gallery for digital public art. A founding Co-Director of ARC: Art Research Communication (with Chris Byrne), a curatorial practice working nationally and internationally with artists, exhibitions, art fairs, editions and critical context. Latest ARC Projects include the international symposium of curating new media Art Place Technology, Liverpool and a series of limited editions by artists Susan Collins, Alla Georgieva, Pravdoliub Ivanov, Ivan Moudov and Dan Perjovschi. ---------------------------------------------------------------------- >Christiane Robbins (US) is a visual/media artist and scholar working in video, digital imaging, database aesthetics, and locative/ spatial studies. Her work is found in permanent collections including the Stedlijck Museum, Amsterdam, Museum of Modern Art, NY, the Kitchen, NY, the Banff Centre for the Arts, the San Francisco Museum of Modern Art, and The Getty Museum. Her films have won international awards including best in category at the