Line 6 Helix Effect Models Distortion Models Model Subcategory Based on Minotaur Mono, Stereo Klon® Centaur Compulsive Drive Mono, Stereo Fulltone® OCD Valve Driver Mono, Stereo Chandler Tube Driver Top Secret OD Mono, Stereo DOD® OD-250 Scream 808 Mono, Stereo Ibanez® TS808 Tube Screamer® Hedgehog D9 Mono, Stereo MAXON® SD9 Sonic Distortion Vermin Dist Mono, Stereo Pro Co RAT Arbitrator Fuzz Mono, Stereo Arbiter® Fuzz Face® Triangle Fuzz Mono, Stereo Electro-Harmonix® Big Muff Pi® Industrial Fuzz Mono, Stereo Z.Vex Fuzz Factory Tycoctavia Fuzz Mono, Stereo Tycobrahe® Octavia Megaphone Mono, Stereo Megaphone Added with firmware 1.06 Teemah! Mono, Stereo Paul Cochrane Timmy® Overdrive Benadrian Kowloon Walled Bunny Dis- KWB Mono, Stereo tortion Bitcrusher Mono, Stereo Line 6 Original Added with firmware 2.0 Wringer Fuzz Mono, Stereo Garbage’s special BOSS® FZ-2 Added with firmware 2.10 Stupor OD Mono, Stereo BOSS® SD-1 Overdrive Added with firmware 2.20 Darkglass Electronics® Microtubes B7K Obsidian 7000 Mono, Stereo Ultra bass preamp/overdrive/EQ Wounded Paw Battering Ram bass over- Clawthorn Drive Mono, Stereo drive Added with firmware 2.30 Kinky Boost Mono, Stereo Xotic® EP Booster Thrifter Fuzz Mono, Stereo Line 6 Original Added with firmware 2.60 Deranged Master Mono, Stereo Dallas Rangemaster Treble Booster BOSS© DS-1 distortion pedal (classic Deez One Vintage Mono, Stereo Made-in-Japan version) BOSS© DS-1 distortion pedal (Keeley Deez One Mod Mono, Stereo mod version) Added with firmware 2.80 Dhyana Drive Mono, Stereo Hermida Zendrive Analogman Prince of Tone (basically half Heir Apparent Mono, Stereo a King of Tone) Analogman King of Tone V4 (basically Tone Sovereign Mono, Stereo two Prince of Tones in one) ZeroAmp Bass DI Mono, Stereo Tech 21® SansAmp Bass Driver DI V1 Ampeg Scrambler Mono, Stereo Ampeg® Scrambler Bass Overdrive Added with firmware 2.90 Alpaca Rouge Mono, Stereo Way Huge® Red Llama (modded) Carvin VLD1 Legacy Drive (high gain Legendary Drive Mono, Stereo channel) Xenomorph Fuzz Mono, Stereo Subdecay Harmonic Antagonizer Added with firmware 3.00 Horizon Devices Precision Drive. In- cludes an extra Gate Range parameter Horizon Drive Mono, Stereo that, when set to „Extended,“ drops the gate‘s threshold down to -90dB BOSS® HM-2 Heavy Metal Distortion Swedish Chainsaw Mono, Stereo (Made in Japan black label) Pocket Fuzz Mono, Stereo inspired by the Jordan Boss Tone Fuzz 1973 Electro-Harmonix® Ram‘s Head Bighorn Fuzz Mono, Stereo Big Muff Pi Ballistic Fuzz Mono, Stereo Euthymia ICBM Fuzz Added with firmware 3.10 Ratatouille Dist Mono, Stereo 1984 Pro Co RAT • Gain—Sets the amount of distortion • Filter—Sets the amount of high cut (low pass) filter applied to the distortion, basically letting more treble through (lower values) or filtering it out (higher values) • Level—Sets the overall level of the block Dynamic Models Model Subcategory Based on Deluxe Comp Mono, Stereo Line 6 Original Red Squeeze Mono, Stereo MXR® Dyna Comp LA Studio Comp Mono, Stereo Teletronix® LA-2A® Noise Gate Mono, Stereo Line 6 Original Hard Gate Mono, Stereo Line 6 Original Added with firmware 2.20 3-Band Comp Mono, Stereo Line 6 Original multiband compressor Autoswell Mono, Stereo Line 6 Original Added with firmware 2.30 Kinky Comp Mono, Stereo Xotic® SP Compressor Added with firmware 2.90 Ashly® CLX-52 and created in conjunc- Rochester Comp Mono, Stereo tion with Billy Sheehan Added with firmware 3.00 Horizon Devices Precision Drive‘s gate circuit. Includes an extra Gate Range Horizon Gate Mono, Stereo parameter that, when set to „Exten- ded,“ drops the gate‘s threshold down to -90dB. Works best before an amp. Eq Models Model Subcategory Based on Simple EQ Mono, Stereo Line 6 Original Low Cut/High Cut Mono, Stereo Line 6 Original Parametric Mono, Stereo Line 6 Original 10-Band Graphic Mono, Stereo MXR® 10-Band Graphic EQ Added with firmware 2.0 Cali Q Graphic Mono, Stereo MESA/Boogie® Mk IV’s 5-band EQ Added with firmware 2.80 Low/High Shelf Mono, Stereo Line 6 Original Line 6 Original. Tilt is a subtle 6dB EQ that boosts high frequencies while si- multaneously attenuating low frequen- cies (or vice versa). Great for quickly Tilt Mono, Stereo making tones a bit brighter or darker. The Center Freq parameter sets the fre- quency around which the boost and cut pivot Added with firmware 3.00 Acoustic Sim Mono, Stereo BOSS® AC-2 Acoustic Simulator Modulation Models Model Subcategory Based on Optical Trem Mono, Stereo Fender® optical tremolo circuit 60s Bias Trem Mono, Stereo Vox® AC-15 Tremolo Script Mod Phase Mono, Stereo MXR® Phase 90 Ubiquitous Vibe Mono, Stereo Shin-ei Uni-Vibe® Gray Flanger Mono, Stereo MXR® 117 Flanger Harmonic Flanger Mono, Stereo A/DA Flanger Courtesan Flange Mono, Stereo Electro-Harmonix® Deluxe EM Chorus Mono, Stereo Line 6 Original 70s Chorus Mono, Stereo BOSS® CE-1 Trinity Chorus Stereo DyTronics Tri-Stereo Chorus Bubble Vibrato Mono, Stereo BOSS® VB-2 Vibrato Vibe Rotary Stereo Fender® Vibratone 122 Rotary Stereo Leslie® 122 145 Rotary Stereo Leslie® 145 AM Ring Mod Mono, Stereo Line 6 Original Pitch Ring Mod Stereo Line 6 Original Added with firmware 1.06 Dynamix Flanger Mono, Stereo Line 6 Original Deluxe Phaser Mono, Stereo Line 6 Original Tremolo Mono BOSS® PN-2 Tremolo/Autopan Stereo BOSS® PN-2 Added with firmware 2.0 Harmonic Tremolo Mono, Stereo Line 6 Original Added with firmware 2.20 PlastiChorus Mono, Stereo modded Arion SCH-Z chorus Added with firmware 2.30 Bleat Chop Trem Mono, Stereo Lightfoot Labs© Goatkeeper Double Take Mono, Stereo Line 6 Original doubler Added with firmware 2.90 Pebble Phaser Mono, Stereo Electro-Harmonix® Small Stone phaser Added with firmware 3.00 Poly Detune Mono, Stereo Line 6 Original Added with firmware 3.00 Line 6 Original effect that simulates playing a signal back from an analog Retro Reel Mono tape machine. This signal can be distor- ted, filtered to sound older or more lo-fi, and modulated with wow and flutter. • Wow Fluttr—Determines how much warbly tape sound is heard • Saturation—Adds analog tape saturation and at high enough settings, distorti- on. At lower settings, it‘s great for simply warming up a tone • Low Cut—Determines the frequency of the Low Cut (High Pass) filter. At higher settings, can provide a lo-fi effect • High Cut—Determines the frequency of the High Cut (Low Pass) filter. At lower settings, can provide the natural high-end roll-off of old tape • Tape Speed—Changes both the rate of the modulation applied by the Wow Flut- tr control and the filtering response of the analog tape emulation • Level—Sets the overall level of the block • Texture—Adjusts the amount of the NAB tape EQ in the simulated tape path. When Saturation is set to 0.0, the texture is invisible. When Saturation is turned up, the texture will affect the tightness (or looseness) of the distortion Delay Models Model Subcategory Based on Simple Delay Mono, Stereo Line 6 Original Mod Chorus Echo Mono, Stereo Line 6 Original Multitap 4 Stereo Line 6 Original Multitap 6 Stereo Line 6 Original Ping Pong Stereo Line 6 Original Sweep Echo Mono, Stereo Line 6 Original Ducked Delay Mono, Stereo TC Electronic® 2290 Transistor Tape Mono, Stereo Maestro® Echoplex EP-3 Harmony Delay Stereo Line 6 Original Bucket Brigade Mono, Stereo BOSS® DM-2 Adriatic Delay Mono, Stereo BOSS® DM-2 w/ Adrian Mod Electro-Harmonix® Deluxe Memory Elephant Man Mono, Stereo Man Added with firmware 1.04.1 New Line 6 Original stereo delay with separate time, feedback, and mix per Dual Delay Stereo channel. Includes high and low cut fil- ters and Chorus or Vibrato modulation New Line 6 Original; whatever you play Reverse Delay Mono, Stereo in comes back at you backwards (up to four seconds mono, two seconds stereo) Added with firmware 2.0 Vintage Digital Mono, Stereo Line 6 Original Added with firmware 2.10 Pitch Echo Mono, Stereo Line 6 Original Added with firmware 2.20 Vintage Swell Mono, Stereo Line 6 Original Adriatic Swell Mono, Stereo Line 6 Original Added with firmware 2.30 Cosmos Echo Mono, Stereo Roland® RE-201 Space Echo Added with firmware 2.50 (New HX Effects) Line 6 Original bandpass-filtered multi- Multi Pass Mono, Stereo tap delay Added with firmware 3.00 Line 6 Original performance delay that lets you freely manipulate the repeats‘ Glitch Delay Mono, Stereo behavior in real time. • Time - Sets the delay time; press the knob to toggle between ms/sec and note values • Delay Div - Divides the delay time into smaller increments • Mix - Controls the wet/dry mix of the delay. When set to 0%, no delay is heard; when set to 100%, no dry signal is heard • Feedback - Controls the overall number of repeats heard for the entire se- quence • SliceFdbk - Controls the number of repeats heard for individual slices. At high- er values, you could call this „Super Chaotic Feedback“ • Shuffle - Determines the likelihood of repeats shuffling/reordering • Octaves - Determines the likelihood of repeats playing back an octave higher or lower • Reverse - Determines the likelihood of repeats playing backward • Seq Drift - Determines the likelihood of the entire sequence changing every time it loops around. When set to 0%, the same sequence loops forever. TIP: Assign this parameter to a footswitch set to toggle between a higher num- ber and 0%. If you hear a random sequence you want to maintain, press the switch to set Seq Drift to 0%, and it‘ll repeat that way indefinitely • Smoothing - Higher values apply smoothing between slices and can give a synth-pad type quality, lower values maintain transients.