Physics 111 Human Hearing

Physics 111 Human Hearing

Human Hearing Physics 111 Lecture 30 (Walker: 14.4-6) Human Hearing & Sound Perception Doppler Effect Nov. 20, 2009 Lecture 30 1/32 Lecture 30 2/32 Lecture 30 3/32 Lecture 30 4/32 Lecture 30 5/32 Lecture 30 6/32 Frequency Range of Human Hearing 0 20 Hz 20 kHz Audible (Audio) Frequencies Infrasonic Ultrasonic The ear perceives the pitch of a sound from Threshold of the repetition frequency, or fundamental frequency, of the waveform Hearing: ∆P=2x10-5 Pa 10 (Patm/10 ) Lecture 30 7/32 Lecture 30 8/32 The Ear and its Response; Loudness Audiogram - Chart of Hearing Loss The ear’s sensitivity varies with frequency. These curves translate the intensity into sound level at different frequencies. Lecture 30 10/32 Fundamental Frequency Range Waveforms & Sound “Quality” of Musical Instruments •The waveform of a sound wave is the pattern of air pressure changes over one cycle Piccolo Sine Wave: Soprano Perceived as a “pure Voice tone”. Excites only Bass one region of the Voice Basilar Membrane Piano Triangle Wave: Perceived Freq (Hz) 27.5 82 131 262 523 1046 2093 4186 as “complex tone”. Pitch A E C C C C C C Excites several areas of 2 3 4 5 6 7 8 Basilar Membrane. Can Note(!) that going up an octave in pitch doubles frequency be made by combining sine wave “building blocks”. Lecture 30 11/32 Lecture 30 12/32 Musical Waveforms Waveform Spectrum (Harmonics) • Complex tones (triangle wave, clarinet waveform) can be made by combining sine waves with different frequencies. • The sine wave frequencies used, and the amount of each, determine the spectrum of the waveform Tuning Fork Clarinet Cornet • Compare to the situation of “complex light” such as white light, which is made Demonstration – Listen to & see some waveforms up of a mixture of the “pure” colors of the rainbow Lecture 30 13/32 Lecture 30 14/32 Lecture 30 15/32 Lecture 30 16/32 Musical “Tone Quality” Harmonics • Complex music tones (waveforms) built up from: (Timbre) –A fundamental sine wave (frequency f) • Tone quality, or timbre, is determined – Harmonics of the fundamental – i.e., sine waves whose frequencies are integer multiples of the by the waveform, or alternately, by the fundamental frequency f spectrum or harmonic content of the •2nd harmonic: sine wave of frequency 2f sound. •3rd harmonic: sine wave of frequency 3f, etc. • For example, “A above middle C” on a cornet has – 3 units 440 Hz sine wave (fundamental) – 4.5 units 880 Hz sine (2nd harmonic) – 8 units 1320 Hz sine (3rd harmonic) – 3 units 1760 Hz sine (4th harmonic), etc. Lecture 30 17/32 Lecture 30 18/32 Lecture 30 19/32 Lecture 30 20/32 Doppler Effect Doppler Effect: Moving Observer • Change in observed frequency when source For an observer moving at speed u towards a and observer are in relative motion stationary source, observed frequency f’ is: • A. Fixed Source; Moving Observer ⎛ u ⎞ f ′ = ⎜1+ ⎟ f ⎝ v ⎠ Observed frequency and pitch shifted higher. If observer moving away at speed u: ⎛ u ⎞ f ′ = ⎜1− ⎟ f ⎝ v ⎠ Observed frequency and pitch shifted lower. Lecture 30 21/32 To summarize, for observer moving at speed u: Example • Fixed siren putting out sound wave of frequency 500 Hz. You drive toward it at a speed of 20 m/s. What frequency do you hear? ⎛ u ⎞ f ′ = ⎜1+ ⎟ f ⎝ v ⎠ Top sign for observer moving toward source; bottom sign for observer moving away. ⎛ 20m / s ⎞ Speed of sound is v. f ′ = ⎜1+ ⎟500Hz = 529 Hz ⎝ 343m / s ⎠ Lecture 30 23/32 Lecture 30 24/32 The Doppler Effect - Moving Source, Fixed Observer Doppler Shift – Moving Source The Doppler effect from a moving source can be analyzed similarly; now it is the wavelength that appears to change: Lecture 30 25/32 Lecture 30 26/32 Doppler Effect: Moving Source Example: Moving Source For a source moving at speed u • Siren on police car putting out sound wave of frequency 500 Hz. Car is driving toward you at a speed of 20 m/s. What frequency do you hear? ⎛ 1 ⎞ f '= ⎜ ⎟ f ⎝1− u / v ⎠ Top sign for source moving toward observer ⎛ 1 ⎞ (observed frequency shifted up; bottom sign = ⎜ ⎟500Hz = 531 Hz for source moving away from observer ⎝1− 20 / 343⎠ (observed frequency shifted down). Speed of sound is v. Lecture 30 27/32 Lecture 30 28/32 Doppler Effect: Source & Doppler Applications Observer Moving At left, a Doppler radar shows the hook echo characteristic of tornado formation. At right, a Doppler blood flow speed meter. Top signs for source and observer moving toward each other (observed frequency shifted up; bottom sign for source and observer moving away from each other (observed frequency shifted down). Lecture 30 29/32 Lecture 30 30/32 Doppler Bloodflow Measurement • E.g., “Doppler blood flow End of Lecture 30 velocity waveforms in the fetal renal artery” • For Monday, Nov. 30, read Walker 14.7-8. (Archives of Gynecology and Obstetrics) • Homework Assignment 14b is due at 11:00 PM on • Fetal Doppler Heart Sunday, Nov. 29. Monitor Specifications: Heart Rate Range 50- 240 Bpm Ultrasound Frequency 2 MHz Lecture 30 31/32 Lecture 30 32/32.

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    8 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us