K Problematice Intertextuality V Dramatickém Díle Jeana Anouilhe

K Problematice Intertextuality V Dramatickém Díle Jeana Anouilhe

UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra romanistiky K problematice intertextuality v dramatickém díle Jeana Anouilhe On the problematic of intertextuality in the dramatic works of Jean Anouilh Jiřina Matoušková Dizertační práce Vedoucí práce: Doc. PhDr. Marie Voždová, Ph.D. Olomouc 2015 Čestné prohlášení Prohlašuji, ţe jsem práci na téma „K problematice intertextuality v dramatickém dìle Jeana AnouilheŖ vypracovala samostatně s pouţitìm uvedených pramenů a literatury. V Olomouci dne 30. 1. 2015 Jiřina Matoušková 2 Děkuji tìmto své vedoucì práce doc. PhDr. Marii Voţdové, Ph.D. za odborné vedení, cenné rady a čas, který mi při zpracovánì této práce věnovala. 3 OBSAH ÚVOD ......................................................................................................................................... 7 I VYMEZENÍ POJMU INTERTEXTUALITA................................................................... 11 I.1 VZNIK A FORMOVÁNÍ POJMU ............................................................................................. 11 I.2 INTERTEXTUALITA V POJETÍ GÉRARDA GENETTA ............................................................. 14 I.3 TEORIE INTERTEXTUALITY VYCHÁZEJÍCÍ Z GENETTOVA ODKAZU ..................................... 19 I.3.1 Nathalie Piégay-Gros ................................................................................................ 20 I.3.2 Tiphaine Samoyault .................................................................................................. 21 I.3.3 Anne Claire Gignoux ................................................................................................ 24 I.4 INTERTAXTUALITA V OBLASTI DRAMATU ......................................................................... 25 II ANOUILHOVO DRAMATICKÉ DÍLO .......................................................................... 31 II.1 SPECIFICKÉ RYSY ANOUILHOVY DRAMATICKÉ TVORBY .................................................. 32 II.1.1 Tematika .................................................................................................................. 32 II.1.2 Tragično a komično ................................................................................................. 35 II.1.3 Postavy jako typy a hrdinové „na útěkuŖ ................................................................ 37 II.1.4 Čas a prostor ............................................................................................................ 38 II.1.5 Jazyk ........................................................................................................................ 39 II.2 ANOUILH V KONTEXTU KOMEDIÁLNÍHO DIVADLA ........................................................... 43 II.2.1 Commedia dell´arte ................................................................................................. 43 II.2.2 Bulvární divadlo ...................................................................................................... 44 II.3 ANOUILHOVY LITERÁRNÍ VZORY ..................................................................................... 45 II.3.1 Vzory antické .......................................................................................................... 46 II.3.2. Dva stěţejnì vzory klasické literatury .................................................................... 47 II.3.2.1 Molière ............................................................................................................. 47 II.3.2.2 William Shakespeare ........................................................................................ 50 II.3.3 Anouilhovi současnìci ............................................................................................. 51 II.3.3.1 Luigi Pirandello ................................................................................................ 51 II.3.3.2 Jean Giraudoux ................................................................................................. 53 II.3.3.3 Roger Vitrac ..................................................................................................... 54 III ANOUILHOVY INSPIRACE DÍLY JINÝCH AUTORŮ ............................................ 56 III.1 INTERTEXTUALITA ......................................................................................................... 56 III.1.1. Divadlo na divadle ................................................................................................ 56 III.1.1.1 Zkouška aneb Potrestaná láska ...................................................................... 57 4 III.1.1.2. Colombe ......................................................................................................... 61 III.1.1.3 Hurluberlu aneb Zamilovaný reakcionář ....................................................... 64 III.1.1.4 A hlavně neprobuďte madam .......................................................................... 67 III.1.1.5 Kalhoty ............................................................................................................ 76 III.1.2 „Poezie na divadleŖ ................................................................................................ 80 III.1.3 „Román na divadleŖ ............................................................................................... 86 III.1.4 Ostatní reference a citáty ....................................................................................... 88 III.2 ARCHITEXTUALITA NA PŘÍKLADU „FRAŠKOVITÝCHŖ HER .............................................. 95 IV ANOUILHOVY INSPIRACE VLASTNÍM DÍLEM ................................................... 102 IV.1 TYPY POSTAV............................................................................................................... 102 IV.1.1 Hlavnì muţská postava ........................................................................................ 103 IV.1.1.1 Julien Paluche ............................................................................................... 104 IV.1.1.2 Antoine de Saint-Flour ................................................................................. 111 IV.1.1.3 Léon de Saint-Pé ........................................................................................... 117 IV.1.2 Hlavnì ţenské postavy ......................................................................................... 122 IV.1.2.1 Postava manţelky ......................................................................................... 122 IV.1.2.2 Postava milenky ............................................................................................ 124 IV.1.3 Postavy dětì .......................................................................................................... 129 IV.1.3.1 Toto ............................................................................................................... 129 IV.1.3.2 Marie-Christine ............................................................................................. 132 IV.1.3.3 Dospělé dcery ............................................................................................... 134 IV.1.3.4 Vnoučata ....................................................................................................... 137 IV.1.4 Dalšì postavy z kruhu rodiny ............................................................................... 138 IV.1.4.1 Postava zetě .................................................................................................. 138 IV.1.4.2 Postava přìţivnìka ......................................................................................... 141 IV.1.4.3 Postava lékaře ............................................................................................... 143 IV.2 KONSTELACE POSTAV .................................................................................................. 148 IV.3 POSTAVY V PROSTORU ................................................................................................. 151 IV.3.1 Scénický prostor .................................................................................................. 151 IV.3.2 Mimoscénický prostor ......................................................................................... 153 IV.4 INTERTEXTUÁLNÍ CHARAKTER MLUVY POSTAV ........................................................... 155 IV.4.1 Aluze .................................................................................................................... 155 IV.4.1.1 Aluze jednoslovné ........................................................................................ 155 IV.4.1.2 Aluze větné ................................................................................................... 158 5 IV.4.2 Plagiát .................................................................................................................. 162 IV.4.3 Citáty a autorská řeč ............................................................................................ 164 ZÁVĚR .................................................................................................................................. 170 RÉSUMÉ ............................................................................................................................... 175 BIBLIOGRAFIE ................................................................................................................... 179 PŘÍLOHY .............................................................................................................................. 183 ANOTACE ...........................................................................................................................

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