Bryan Gilliam (Curriculum Vitae) 073 Mary Duke Biddle Durham, NC 27708 Telephone: +1 919 660 3340 (office) E-mail: [email protected] Education: * PhD Harvard University, 1984 * Honors in Music History University of Cincinnati, 1975 Areas of Research * German Opera, Vienna, Wagner, Strauss, Korngold, Weill, Film Music, and 19th & 20th Century German Music (especially fin-de-siècle Vienna and Weimar era), German musical aesthetics and German critical theory Professional Experience / Employment History Duke University Secondary department: German, 2013- Affiliated: Jewish Studies, 2010- Bass Professor in Humanities, 2009- present Frances Hill Fox Professor in Humanities, 2004 -2009 Professor, 1999 - present Associate Professor, 1993 - 1999 Assistant Professor, 1986 - 1993 Colby College Assistant Professor, Music, 1983 - 1986 Professional Work Books Rounding Wagner's Mountain: Richard Strauss and Modern German Opera. Cambridge University Press, 2014. Music, Image, Gesture. Ed. Bryan Gilliam. Duke University Press, 2005 (1- 176 pp.). (Essays on ballet, film music, melodrama, modern dance, and opera) The Life of Richard Strauss, Cambridge University Press, 1999. (Chinese edition, 2001; Spanish edition, 2003, German edition 2014, revised under the name Richard Strauss: Magier der Töne. Bestseller (number 7) in German non-Fiction Music and Performance during the Weimar Republic. Ed. Bryan Gilliam. Cambridge University Press, 1994. (Paperback edition, 2005) Richard Strauss and His World. Ed. Bryan Gilliam. Princeton University Press, 1992. Richard Strauss: New Perspectives on the Composer and His Work. Ed. Bryan Gilliam. Duke University Press, 1992. (Paperback edition, with new introduction, 1997) Richard Strauss's Elektra. Oxford University Press, 1991. (Paperback edition, 1996) Richard Strauss’s 'Daphne': Opera and Symphonic Continuity. Harvard Ph.D. Dissertation, 1984. Richard Strauss on Stage (in progress for Cambridge U. Press) Articles and Chapters “Erich Wolfgang Korngold and his Return to Vienna after World War II,” Korngold and his World (Princeton: Princeton University Press, 2019), in progress. “Richard Strauss and his Champions,” Richard Strauss in Context, ed. Joseph Jones and Morten Kristansen (Cambridge: Cambridge University Press, 2018), in press. “Richard Strauss Reception in America after World War II,” Richard Strauss: Der Komponist und sein Werk (Überliefeung, Interpretation, Rezption), ed. Sebastian Bolz, Adrian Kech, Hartmut Schick (Munich: Allitera Verlag), 2017), pp. 583-94. “The Great War and Its Aftermath: Strauss and Hofmannsthal’s ‘Third-Way Modernism,’ “Modernism and Opera, ed. Richard Begam and Matthew Wilson Smith (Baltimore: Johns Hopkins University Press, 2016), pp. 129- 47. “Der Rosenkavalier-Ariadne auf Naxos-Die Frau ohne-Schatten” Richard Strauss: Handbuch, ed. Walter Werbeck (Stuttgart: Metzler, 2014), pp. 183- 223. “In the Shadow of Bach: Lyonel Feininger as Musician"." Lyonel Feininger: On the Edge of the World, ed. Barbara Haskell (New Haven: Yale University Press (June 2011), pp. 208-15. "A House Divided: The Tragic History of Dresden's Semper Opera House"." Opera News (May 2010). “The Strauss-Hofmannsthal operas,” The Richard Strauss Companion, ed. Charles Youmans (Cambridge: Cambridge University Press, 2010), pp. 119- 35. “Strauss and the sexual body: the erotics of humor, philosophy, and ego- assertion” TheRichard Strauss Companion ed. Charles Youmans (Cambridge: Cambridge University Press, 2010), pp. 269-280. “Between Resignation and Hope: The Late Strauss". Late Thoughts (Getty Institute, 2006): pp. 167-80. “ 'Ich bin ein anderer als ich war': Ariadne auf Naxos - das Konzept der Verwandlung und die Ablehnung der griechischen Tragödie”. Richard Strauss: Der griechischer Germane. Edition Text+Kritik (2005): 69-80. “ 'Friede im Innern': Strauss's Inner and Outer Worlds in the mid-1930s". JAMS (2005): 563-95. "Introductory Essay." The Richard Strauss Companion (Greenwood, 2003). “Ariadne, Daphne, and the Problem of Transformation". Cambridge Opera Journal 15.1 (2003): 67-81. Anthologized in Opera after 1900: An Anthology of Critical Essays, Volume 6 of The Ashgate Library of Essays in Opera (Farnham, UK: Ashgate, 2010), ed. Margaret Notley. “From Hollywood to Berlin: The Influence of American Film on Weimar Music Theater”. Americanism/Amerikanismus/Weill: Die Suche nach kultureller Indentität in der ersten Hälfte des 20. Jahrhunderts (2003): 147- 59. “Die Rezeption der von Einem Opern in Amerika und die Ideologien des Stils". Gottfried von Einem Kongress (Hans Schneider, 2003): 303-13. “Biography (19,000 words) of Richard Strauss"." Revised New Grove Dictionary of Music and Musicians 24 (2001). “Biography of Stephen Jaffe"." New Grove 12 (2001). “ 'Friede im Innern': Aussenwelt und Innenwelt von Richard Strauss um 1935". Richard Strauss und die Moderne (2001): 93-111. Published conference paper “Elektras Tanz and Auflösung". Festschrift Reinhold Schlötterer (Wissner, 1999), pp. 251-60. "Prefatory essay in honor of Günter Brosche." Fetstschrift Günter Brosche (Hans Schneider, 1999). “A Viennese Opera Composer in Hollywood: Erich Wolfgang Korngold's Double Exile in America". Driven from Paradise: The Musical Migration from Nazi Germany to the United States (California, 1999): 334-57. “The Tone Poems of Richard Strauss". The 19th-Century Symphony (Schirmer, 1997): 345-68. “The Annexation of Anton Bruckner: Nazi Revisionism and the Politics of Appropriation". The Musical Quarterly 78 (Fall, 1994): 558-83. “Stage and Screen: Kurt Weill and Operatic Reform in the 1920s". Music and Performance during the Weimar Republic (Cambridge, 1994), pp. “The Two Versions of Bruckner’s Symphony no. 8". 19th-Century Music 15 (Summer, 1992): 59-69. “Daphne's Transformation". Richard Strauss and His World (Princeton, 1992): 33-66. “Richard Strauss’s Intermezzo: Innovation and Tradition"." Richard Strauss: New Perspectives on the Composer and his Work (Duke, 1992): 259-83. “Richard Strauss's Preliminary Opera Sketches: Thematic Fragments and Symphonic Continuity". 19th Century Music 9 (Spring, 1986): 176-88. “Stefan Zweig’s Contribution to Strauss Opera after Die schweigsame Frau”. Stefan Zweig:The World of Yesterday’s Humanist Today (SUNY, 1983), pp. 217-26. Essays The New York Times (Arts & Leisure), Opera News, Salzburg Festival, Royal Opera (Covent Garden), Leipzig Gewandhaus Magazine, Santa Fe Opera, Opera Barcelona, and others Papers “Salome, the Body, and Jewishness (conference keynote), University of Turin, 16 February 2018. “Crossing Double Borders: Erich Wolfgang Korngold.” UCLA International Conference, The Jews and 20th-Century American Culture, 5-7 November 2017.” “The Great War and Its Aftermath: Strauss’s and Hofmannsthal’s Third- Way Modernism.” Harvard University, October 2014 “Zur Strauss Rezeption in Amerika nach 1945.“ The University of Munich, June 2014 . “Richard Strauss und das Problem der Ehe.” Leipzig Gewandhaus Conference on Richard Strauss, May 2014 “Rhetoric and the Human Condition in Mozart’s Last Three Symphonies”. Lincoln Center Mostly Mozart Festival. August 2013. The Problem of Trauma and Memory in Elektra, Ariadne auf Naxos, and Die aegytische Helena. Stanford Conference on Freud after Wagner, January 2013 “Erinnerung und Trauma in Ariadne auf Naxos. 100 Jahre Ariadne auf Naxos in Stuttgart, October 2012) “Dirty Dancing: Strauss, ‘Redemption,’ and the Affirmation of the Body,” keynote address for the international conference, “Strauss Among the Scholars”. July 2008 Oxford University “Richard Strauss’s Feuersnot: The Erotics of Humor, Philosophy, and Ego- Assertion”. January 2008 U.C. Davis and University of S. California “ 'Ich bin ein anderer als ich war': Ariadne auf Naxos and the Rejection of Greek Tragedy." 2006 Stanford University Alexander Lecture (2006) “Music during the Holocaust: Viktor Ullmann’s Der Kaiser von Atlantis". July 2005 Temple Shalom, panel presentation with James Conlon and Wels Kaufman, Chicago “Don Quixote and the Cinematic Strauss". June 2005 Ravinia Music Festival, Chicago "Richard Strauss and the National Socialist Regime". November 2004 American Philosophical Society, Philadelphia “Body and Spirit in the Slow Movement of Beethoven's Op. 130". March 2004 Lincoln Center Chamber Players, New York “Ariadne, Daphne, und das Problem der Verwandlung". October 2002 University of Würzburg “Between Resignation and Hope: The Late Strauss". May 2002 Ojai Music Festival Symposium of the Concept of the "Late Style" “Strauss's 'Crazy Jewish Girl': Salome and fin-de-siècle Modernism". January 2002 University of Toronto Symposium on Salome “Utopia und Katastrophe: Richard Strauss während des dritten Reiches." November 2000 Katastrophen und Utopien: Exil und innere Emigration, 1933-45, Berlin, Freie Universität "Politics and the Spirit: Richard Strauss and the 1930s." October 2000 Eastman Distinguished Lecture Series “The String Quartet and Its Changing Audiences in the 19th Century". October 2000 Rediscovering the String Quartet, Johns Hopkins University "Sound, Image, Music: Hollywood Film Music." May 2000 Duke Board of Trustees "From Hollywood to Berlin: The Influence of American Film on Weimar Music Theater." February 2000, Berlin, Humboldt University “ 'Friede im Innern': Strauss's Inner and Outer Worlds in the 1930s." October 1999 York University (Canada) International Symposium on Music and Nazism "'Friede im Innern': Die innere und äußere Persönlichkeit des Richard Strauss um die Mitte der dreißiger Jahre." July 1999 University of Munich Symposium: "Richard