˙¯ÂÁ¯Á˘„ÈÁȆ˙ÂίÚ˙†‰¯˘Ú≠˘˘ Sixteen Solo Exhibitions Brunette ˙¯ÂÁ¯Á˘ Sixteen Solo Exhibitions „ÈÁȆ˙ÂίÚ˙†‰¯˘Ú–˘˘ 2000-2001 ≤∞∞±≠≤∞∞∞ Heinrich Böll Foundation, Tel Aviv ·È·‡†Ï˙†¨Ï·†ÍȯÈȉ†Ô¯˜ Curator: Tal Ben Zvi È·ˆ†Ô·†Ïˆ∫˙¯ˆÂ‡ Editors: Tal Ben Zvi, Moran Shoub ·Â˘†Ô¯ÂÓ†¨È·ˆ†Ô·†Ïˆ∫‰ÎÈ¯Ú Design & Production: Dina Shoham Studio ̉˘†‰È„†ÂÈ„ÂËÒ†∫‰˜Ù‰Â†·ÂˆÈÚ English Translation: Daria Kassovsky ȘҷÂÒ˜†‰È¯„†∫˙ÈÏ‚‡Ï†Ì‚¯˙ Arabic Translation: Nawaf Athamna ‰Ó‡˙چۇ†∫˙È·¯ÚφÌ‚¯˙ Prepress: Kal Press Ϙ†ÒÂÙ„†∫ÒÂÙ„†Ì„˜ Printing: Kal Press Ϙ†ÒÂÙ„†∫‰ÒÙ„‰ Binding: Sabag ‚·Ò†∫‰ÎȯΠThe curator wishes to thank: Shelly Cohen, ¨ÔÈʯ†Èψ¨Ô‰Î†ÈÏ˘Ï†˙„‰φ˙˘˜·Ó†˙¯ˆÂ‡‰ Tali Rosin, Hadas Maor and Asaf Zippor ¯ÂÙȈ†Û҇†¯Â‡Ó†Ò„‰ Special Thanks to The Heinrich Böll Foundation: ∫·È·‡†Ï˙†¨Ï·†ÍȯÈȉ†Ô¯˜Ï†˙„ÁÂÈÓ†‰„Â˙ Julia Scherf, Ayana Segal-Cohen, Ulrike ¨ËÏ·„Ï‚†‰˜È¯Ï‡†¨Ï‚Ò†‰ÈÈÚ†¨Û¯˘†‰ÈÏÂÈ Goldenblatt, Ravit Aizenberg, Cloude Weinber ®¯·Ú˘Ï†‚Ȉ©†¯·È†„ÂϘ†‚¯·ÊÈȇ†˙ȯ (former representative) Danacode: 462-137 462-137 ¥∂≤≠±≥∑†∫„˜‡„ ISBN 965-512044-9 ISBN 965-512044-9 ISBN 965-512044-9 All rights reserved to Tal Ben Zvi È·ˆ†Ô·†ÏËφ˙¯ÂÓ˘†˙ÂÈÂÎʉ†ÏÎ and Babel Publishers © © ©†Ï··†˙‡ˆÂ‰Ï No part of this publication may be reproduced, ÔÒÁ‡Ï†¨ËÈϘ‰Ï†¨Ìψφ¨ÏÙÎ˘Ï†¨˜È˙ډφÔȇ stored in a retrieval system, photocopied or ÂÓÓ†ÌÈÚ˘†Â‡†‰Ê†¯ÙÒ†ıÈىφ‡†Ú„ÈÓ†¯‚‡Ó· transmitted in any form or by any means, ‡†ÈËÙ‡†¨È¯˘χ†¨ÈÚˆÓ‡†Ì¢·Â†‰¯Âˆ†Ì¢· electronic, mechanical or otherwise, without prior ·˙η†¯Â˘È‡†‡Ïφ®‰ËϘ‰Â†ÌÂÏȈ†˙·¯Ï©†È‡ÎÈÓ permission from Babel Publishers Ư‡φÌȇȈÂÓ‰Ó “Brunette” is published in conjunction ¯‚‰†˙˙ÂÓÚ†ÛÂ˙È˘·†¯Â‡Ï†‡ˆÂȆ¢˙¯ÂÁ¯Á˘¢ with Hagar Association. www.hagar-gallery.com Printed in Israel 2003 ≤∞∞≥†Ï‡¯˘È·†ÒÙ„ Epilogue ¯·„†˙ȯÁ‡ ¥ Joshua Simon ÔÂÓÈÒ†Ú˘Â‰È ±∞ Maria Pomiansky Ș҇ÈÓÂÙ†‰È¯Ó ±∂ Eliav Lilty ÈËÏÈφ·‡Èχ ≤¥ Zamir Shatz ı˘†¯ÈÓÊ ≤∏ Ayelet Zohar ¯‰Ê†˙Ïȇ ≥¥ Efrat Shalem ÌÏ˘†˙¯Ù‡ ¥∞ Ahlam Shibli ÈÏ·È˘†Ì‡ÏÁ‡ ¥∂ Andrea Peschel Ï˘Ù†‰‡È¯„‡ µ≤ Eyal Ben Zvi È·ˆ†Ô·†Ïȇ µ∏ Neta Harari Navon Ô·†È¯¯‰†ÚË ∂¥ Samira Wahbi È·‰Â†‰¯ÈÓÒ ∑∞ Ronit Shalev ÂÏ˘†˙ȯ ∑∂ Alice Klingman ÔÓ‚ÈϘ†ÒÈχ ∏≤ Jumana Emil ‘Abboud „·چÏÈÓ‡†‰‡ÓÂß‚ ∏∏ Sigal Eshed „˘‡†Ï‚ÈÒ π¥ Shula Keshet ˙˘˜†‰Ï¢ ±∞≤ CVs ÌÈÈÁ†˙¯˜ ±∞π List of works ˙„·چ˙ÓÈ˘¯ ±≤µ All the exhibitions were curated by Tal Ben Zvi ˙¯ˆÂ‡‰†È„ȆÏچ¯ˆ‡†˙ÂίÚ˙‰†ÏÎ except for the exhibition “13 Live Bullets” Ìȯ„Ά±≥¢†‰Î¯Ú˙φ˯نȷˆ†Ô·†ÏË curated by artist & curator Shula Keshet. Æ˙˘˜†‰Ï¢†˙¯ˆÂ‡‰Â†˙ÈÓ‡‰†Ï˘†¢ÌÈÈÁ All texts in the catalogue were written by Ô·†ÏˆȄȆÏچ·˙Ά‚ÂÏ˘·†ÌÈËҘˉ†ÏÎ Tal Ben Zvi except the texts of: Sigal Eshed, ¨„˘‡†Ï‚ÈÒ†∫Ï˘†‰Î¯Ú˙†ËÒ˜Ëφ˯نȷˆ Ayelet Zohar, Yehoshua Simon, Shula Keshet. Æ˙˘˜†‰Ï¢†¨ÔÂÓÈÒ†Ú˘Â‰È†¨¯‰Ê†˙ÏÈȇ ¯·„†˙ȯÁ‡ „ˆÓ†ÌÈ·Ò‰†¨Ï‡¯˘ÈÓ†‰Ó‡†¨ÔÈÏÂÙÓ†‰È·‡ ÏÏÁ† ÏÚÙ† ¨®≤∞∞±≠±ππ∏©† ÌÈ˘† ˘ÂÏ˘† Í˘Ó „φ¨ÈËÏÈφ·‡Èχ†Æ‰ÈÓ¯‚Ó†ÔÈÏÂÙӆ̇‰ ·ÂÁ¯·†¢Ï·†ÍȯÈȉ¢†Ô¯˜†È„¯˘Ó·†‰‚ˆ˙ ƯÈ߂χӆÂÈ·‡†¨Â˜Â¯ÓÓ†ÂÓ‡†¨Ú·˘†¯‡·· ±Æ·È·‡† Ï˙† ÊίӖ̯„·† ¨ÔÈÓÈ·† ˙ÏÁ ÂÓ‡† ¨·È·‡† Ï˙·† „φ ¨ÔÂÓÈÒ† Ú˘Â‰È ˙ÂÙ˙˙˘Ó‰† „ÈÁȉ† ˙ÂίÚ˙† ‰¯˘Ú–˘˘ ·‡‰†„ˆÓ†ÌÈ·Ò‰†¨Ï‡¯˘ÈÓ†ÂÈ·‡†¨‰È¯‚Â‰Ó ‰Ù˜˙†≤Æ≤∞∞±≠≤∞∞∞†ÔÈ·†Â‚ˆÂ‰†‰Ê†‚ÂÏ˘· ‰„φ ¨È˜Ò‡ÈÓÂÙ† ‰È¯Ó† Æχ¯˘ÈÓ ¯Á‡Ï˘†ÌÂÏ˘‰†ÈÓÎÒ‰†Ï˘†ÌÈÓÈ·†‰˙È˘‡¯˘ ¨Ï˘Ù†‰‡È¯„‡†Æ‰ÈÒ¯ӆ‰È¯Â‰†¨‰·˜ÒÂÓ· ˙ÂÓÈχφ‰˘†˙‡ÏÓ·†‰ÙÂÒ†¨ÂÏÒ‡†ÈÓÎÒ‰ ÒÈχ† ƉÈÓ¯‚Ó† ‰È¯Â‰† ¨‚¯Â·Ó‰·† ‰„Ï Æ≤∞∞±†¯·Â˘‡·†¨‡ˆ˜‡–χ†˙„‡ÙÈ˙ȇ†Ï˘ Ƙ¯ÓÓ†‰È¯Â‰†¨Ú·˘†¯‡··†‰„φ¨ÔÓ‚ÈϘ Æԯȇӆ‰È¯Â‰†›†·È·‡†Ï˙·†‰„φ¨˙˘˜†‰Ï¢ Ô¯˜†È„¯˘Ó·†‰È¯Ï‚‰†‰¯‚Ò†≤∞∞±†Íωӷ ‰È¯Â‰†¨ÈÏ·È˘†¯Ù熉„φ¨ÈÏ·È˘†Ì‡ÏÁ‡ ‰˙‡†¯·Óˆ„·Â†¨·È·‡†Ï˙·†¢Ï·†ÍȯÈȉ¢ ¨‰¯Â·„†·˘ÂÓ·†‰„φ¨ÂÏ˘†˙ȯ†ÆÔÈËÒÏÙÓ ÈÓß‚Ú†˙Â΢·†¢¯‚‰¢†‰È¯Ï‚†‰Á˙Ù†‰˘ Ï˙·† ‰„φ ¨ÌÏ˘† ˙¯Ù‡† Ƙ¯ÓÓ† ‰È¯Â‰ ˙Ù˘¢† ˘È¯ن ˙‡† ˙Á¯‡Ó† ‡È‰˘Î† ¨ÂÙÈ· ¨ı˘†¯ÈÓʆÆ˙ˆÚÂÓ‰†˙ȯ·Ó†‰È¯Â‰†¨·È·‡ ÂÂÏ˘†˙·Â˙‰Â††¢Ì‡†˙Ù˘¢†˙·˜Ú·†≥Ƣ̇ ÂÈ·‡† ¨ÔÓÈ˙Ó† ÂÓ‡† ¨˙¯ÈΆ ı·Ș·† „Ï ˙„·Úφ ˙ÙÒ† Ë·Ó† ˙„˜† ÚȈ‡† ¨ÂÈχ ƉȷËÏÓ†·‡‰†„ˆÓ†Â·Ò†¨Ï‡¯˘ÈÓ ¨‰ÓÊ·†¨‰˙ÂÂÈÏ˘†˙¢¯Ùφ¯·ÚÓ†¨‚ÂÏ˘·˘ ÆÔÓˆÚ†˙„·ډ†˙‡ Û‡·†Â‚ˆÂ‰†‡Ï†ÂÏω†˙ÂÈÙ¯‚ÂÈ·‰†˙„·ÂÚ‰ ¢ÌÈÈÁ‰†˙¯˜¢·†‡Ï†Û‡Â†˙ÂίÚ˙‰†ÔÓ†˙Á‡ Û˙¢ӆ¯Èˆ†‡È‰†¢˙‰ʉ†Ï˘†‰˜ÈËÈÏÂÙ¢‰ ÌÈ˯ى† ÔÈ·† ¨˙‡Ê† Ïη† Æԉφ ÂÂÏ˘ ·˘†ÔÙ‡·†˙‡Ë·˙Ó†‡È‰Â†¨˙„·ډ†ÏÎÏ ¢ÌÈÈÁ‰†˙¯˜¢†¯‡˘†Ôȷφ‰Ï‡‰†ÌÈÈÙ¯‚ÂÈ·‰ ¨‰¯È‚‰† È·ˆÓφ ÒÁÈ·† ÂÓˆÚ† ̘ÓÓ† ÔÓ‡‰ ˙·ÈÒ†˙‡†Û˜˘Ó˘†·Á¯Ó†ÔÓ˙ÒÓ†¨ÔÓ‡‰†Ï˘ ˙ÂÁ¯Ê‡† ¨˙·˘Â˙† ¨˙¯ʆ ¨˙ÂËÈÏÙ† ¨‰ÈÈÏÚ ¨˙ÂÈÓ‡‰Â†ÌÈÓ‡‰†Ï˘†ÌÈÈÁ‰†˙Èȉ†ÌÈÈÁ‰ ØÈχ¯˘È‰† ·Á¯Óφ ÒÁȷ† ¨„ÁÓ† ˙ïÁ‡Â ÆÌ˙ÁÙ˘Ó†È·Â†Ì‰È¯Â‰†Ï˘Â Æ̈́ȇӆÈÈËÒÏÙ ÔÈ·† ¯˘˜† ˙¯ˆÂȆ Âʆ ˙·Á¯ÂÓ† ˙¢¯Ù „·ÏÓ† ¨‚ÂÏ˘·† ÌȂȈӉ† ÌÈÓ‡‰† ÏÎ ¥ ‰Ú„Â˙†Ôȷφ(positioning)†¢Ì˜ÈÓ¢‰†˙ÏÂÚÙ È˙·†Ï˘†Ìȯ‚·†Ì‰Â†Ï‡¯˘È·†Â„φ ¨ÌÈÈ˙˘ ˙ˆÏÁÓ‰† ¨˙ÈχÈÂϘ–ËÒÂÙ† ¨˙È˙¯Â˜È· Æı¯‡·†˙ÂӇφ¯ÙÒ ¨ÌÈȯÂËÒȉ† ¨ÌÈÈÙ¯‚‡Ȃ† ·Á¯Ó† ˙Â‰Ê ¨ÌÚ¯Ù˘·† ‰„φ ¨„·چ ÏÈÓ‡† ‰‡ÓÂß‚ ‰Â‰† ¯·Ú† ÍÂ˙Ó† ¨ÌÈÈ˙·¯˙† ÌÈÈ˙¯·Á ‰È¯Â‰†¨‰„˜·†‰È¯ÂÚ†‰˙„ÏȆ·Â¯†‰Ï„‚ ¨ÌÈËÒÈχÈÂϘ† ®ÈÙ¯‚Âȷ† È·È˘Ï˜© ¨·È·‡† Ï˙·† ‰„φ ¨„˘‡† Ï‚ÈÒ† ÆÔÈËÒÏÙÓ ÆÁÂΆ„ÓÚÓ†ÈÒÁȆÈÙφÌÈÁÒÂÓ‰ „ˆÓ†ÌÈ·Ò‰†¨Ï‡¯˘ÈÓ†‰Ó‡†¨‰È˜¯ÂËÓ†‰È·‡ ı·Ș·† „φ ¨È·ˆ† Ô·† Ïȇ† ÆÔÂÂÈÓ† ̇‰ –ËÒÂÙ‰†˙È˙¯Â˜È·‰†‰Ú„Â˙‰†¨‰Ê†Ô·ÂÓ· 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