Re:Search the Undergraduate Literary Criticism Journal at the University of Illinois

Re:Search the Undergraduate Literary Criticism Journal at the University of Illinois

Re:Search The Undergraduate Literary Criticism Journal at the University of Illinois Volume 5, Issue 1 | 2018 Copyright Notice Open Access This journal provides immediate open access to its content on the principle that greater dissemination of research benefits the authors and that making research freely available to the public supports a greater global exchange of knowledge. Copyright statement To properly administer the Re:Search, The Undergraduate Literary Criticism Journal at the University of Illinois, the Illinois Digital Environment for Access to Learning and Scholarship (IDEALS), and to preserve the contents for future use, the Board of Trustees of the University of Illinois on behalf of its Urbana-Champaign campus (the "University") requires certain permissions and warrants from you, the author(s) and/or copyright owner. If you are the copyright owner, by accepting this license, you still retain copyright to your work and do not give up the right to submit the work to publishers or other repositories. If you are not the copyright owner, you represent that the copyright owner has given you permission to deposit the work. By accepting (clicking through) this license, you grant to the University the non-exclusive right to reproduce, translate (as described below), and distribute the submission, including the descriptive information (metadata) and abstract, in any format or medium worldwide and royalty-free, including, but not limited to, publication over the Internet, except as provided for by an addendum to this agreement. When provided, the University will clearly identify your name(s) as the author(s) or copyright owner(s) of the submission as well as the name(s) of the copyright owner(s) if different from your name(s), include a statement of your copyright, and will not make any alteration, other than as allowed by this license, to your submission. You agree that the University may translate the submission to any medium or format for the purposes of security, back-up, and preservation. You agree that the University may make multiple copies of the submission for the purposes of security, back-up, and preservation. If you cannot make all of the following representations, contact the Undergraduate Journals Coordinator (Merinda Kaye Hensley at [email protected]) or IDEALS ([email protected] or 217-244-1331) before proceeding further. In order to make this submission, you represent that: 1. You have the right to grant the rights contained in the license. 2. This submission does not, to the best of your knowledge, infringe on anyone's copyright or other intellectual property rights. 3. If the submission does contain material for which you do not hold copyright and that exceeds fair use, you have obtained the unrestricted permission of the copyright owner to grant the University the rights required by this license and that such third-party owned material is clearly identified and acknowledged within the text or content of the submission. 4. The submission does not contain any confidential information, proprietary information of others or export controlled information. 5. There are not any restrictions or required publication delays on the distribution of the submission by the University. 6. The information you provide about the submission is accurate. You understand that if copyright terms for, or ownership of, the submission change, it is your responsibility to notify the University of these changes. You understand that you may request that the submission be withdrawn from IDEALS, and, in such an event, the descriptive information (metadata) will be retained and a copy of the submission will be retained in a 'dark archive' where it is no longer publicly accessible. If the submission is based upon work that has been sponsored or supported by an agency or organization other than the University, you must fulfill any right of review or other obligations required by the contract or agreement with such an agency or organization before depositing into IDEALS. By accepting this license, you acknowledge that you have read and agreed to the terms of this agreement and all related IDEALS and University policies. In other words: ● You retain your copyright. ● You grant to the University the following rights that are necessary to publish and preserve your work: o The right to reproduce your work; o The right to distribute your work; and o The right to migrate your work to different formats for the purpose of long term preservation and access. o You can publish your article under a Creative Commons license if you choose. See https://creativecommons.org/licenses/ o If you publish under a Creative Commons license, the University will publish your work under the rights given under the license. CONTENTS INTRODUCTION Acknowledgments........................................................................................................v Editors’ Note...............................................................................................................vi Letter from Department Head...................................................................................viii Letter from Faculty Advisor……………………………………………….……...…ix Aims & Scope..............................................................................................................x ARTICLES Hamilton’s Shoutout: On a Trope that Silences………………………………….……..1 Author: Miranda Brookshier Mentor: Derrick Spires What’s Love Got to Do with It: Intersections of the Personal and Political in The Bostonians and Obergefell v. Hodges………………………………….………..26 Author: Madeline Decker Mentor: Justine S. Murison Tanizaki’s Naomi, Nabokov’s Lolita, and Naomi’s Lolita: Exoticism of a New Era ……………….……………………………………….44 Author: Lingjun Jiang Mentor: Robert Tierney Being Within and Without: The Effects of Colonial Education and the Genre of Bildungsroman on Double Consciousness in Crick Crack, Monkey.....................................................................................72 Author: Agatha Miodowski Mentor: Ramon Soto Crespo Folk Conversations with Bob Dylan: Modern Traditions in “Love and Theft”…………………………………………………………….85 Author: Casey Mulvany Mentor: Steve Davenport Visual Spaces and Modern Subjectivity in the Big City………………………...97 Author: Sophie Rodgers Mentor: Tim Newcomb Gender Performance and Identity Formation in A Portrait of the Artist as a Young Man………………………………………………113 Author: Taylor Wegner Mentor: Vicki Mahaffey ACKNOWLEDGEMENTS EXECUTIVE BOARD COVER ART & DESIGN Hannah Downing, Co-Editor in Chief Brandon Murphy Zoe Stein, Co-Editor in Chief Jesse Tamayo, Managing Editor COPY EDITORS Jessica Berbey, Journal Technician Brandon Murphy, Graphic Designer Amanda Watson, Assistant Managing Editor Kait Boehm, Secretary Nikki Burdyn Kelda Habing Caroline Hsu FACULTY ADVISORY BOARD Luke Misiak Danny Oster Lori Humphrey Newcomb, English Vicki Mahaffey, Head, Department of English Harriett Green, Head of Scholarly Communications and FORMAT EDITORS Publishing Merinda Kaye Hensley, Digital Scholarship Liaison and Salma Aldaas Assistant Journal Technician Instruction Librarian Nikki Burdyn Kelda Habing GRADUATE ADVISORS Caroline Hsu Nora Halleran Brandon Jones, English Luke Misiak Brandon Murphy SPECIAL THANKS TO FACULTY MENTORS Anna Ivy, English Kirsten Wilcox, English Steve Davenport, English Kristine McCoskey, English Vicki Mahaffey, English Nancy Rahn, English Justine Murison, English Michael Chan, Former Co-Editor in Chief Tim Newcomb, English Nick Millman, Former Co-Editor in Chief Michelle Martinez, English Ramon Soto Crespo, English Wendy Truran, English Derrick Spires, English Robert Tierney, East Asian Languages and Culture PEER REVIEWERS SPONSORS Re:Search Executive Board Members Madeline Brown Department of English Nikki Burdyn Office of Undergraduate Research, Provost’s Office Lingjun Jiang Scholarly Commons, University Library Christine Pallon E. Veda Streitmatter & Arlys Streitmatter Conrad Fund Cathlin Rosean Taylor Wegner Elli Wills PRINTING Daniel Zolecki Illini Union Document Services Volume 5, Issue 1 | 2018 v EDITOR’S NOTE The fifth year of Re:Search, the Undergraduate Literary Criticism Journal at the University of Illinois has now come to an end, and we could not have been luckier to act as the leaders of such an unforgettable year for the journal. This issue passed through many hands as the year progressed, with each person involved making a critical contribution to the final result that you’re reading today. We would first like to thank our executive board; without their hard work, we would have no copy editors or a way to format the journal, nor would we have had any organized events like we did this year. Of course, without our dedicated authors, we would not have a journal to present to you. Their interests and the passion through which they pursue them is what keeps this journal full every year. From the first concepts in their proposals to the final edits, we have truly enjoyed working with them and seeing their hard work culminate in such profound ways. Just as important as our authors, we would like to thank every faculty member who has helped us this year. From the faculty members who took time to offer personalized advice to our authors to our very own Lori Newcomb, who has been guiding this journal since its inception in 2014. Our graduate advisor, Brandon Jones, and Professor Newcomb contribute greatly every year to our copy editing process and beyond. Their guidance has helped us in creating a journal worthy of praise year after year. This

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