EDITORIAL COMMITTEE Charles Avery Art Historian specializing in European Xavier F. Salomon Peter Jay Sharp Chief Curator, The Frick Sculpture, particularly Italian, French and English. Collection, New York. Colin Bailey Director, Morgan Library and Museum, New York. Salvador Salort-Pons Director, President & CEO, Detroit Francesca Baldassari Art Historian. Institute of Arts. Piers Baker-Bates Visiting Research Associate in Art History, Jack Soultanian Conservator, The Metropolitan Museum of Colnaghi Studies Journal is produced biannually by the Colnaghi Foundation. Its purpose is Art, New York. The Open University. to publish texts on significant pre-twentieth-century artworks in the European tradition Bruce Boucher Director, Sir John Soane’s Museum, London. Nicola Spinosa Former Director of Museo di Capodimonte, Naples. that have recently come to light or about which new research is underway, as well as Till-Holger Borchert Director, Musea Brugge. Carl Strehlke Adjunct Emeritus, Philadelphia Museum of Art. on the history of their collection. Texts about artworks should place them within the Antonia Boström Keeper of Sculpture, Metalwork, Ceramics Holly Trusted Senior Curator of Sculpture, Victoria & Albert broader context of the artist’s oeuvre, provide visual analysis and comparative images. & Glass, Victoria & Albert Museum, London. Museum, London. Edgar Peters Bowron Former Audrey Jones Beck Curator of Manuscripts may be sent at any time and will be reviewed by members of the journal’s Benjamin van Beneden Director, Rubenshuis, Antwerp. European Art, The Museum of Fine Arts, Houston. Editorial Committee, composed of specialists on painting, sculpture, architecture, Mark Westgarth Programme Director and Lecturer in Art History Xavier Bray Director, The Wallace Collection, London. conservation, decorative arts, and the history of collecting, covering a wide range and Museum Studies, School of Fine Art, University of Leeds. Xanthe Brooke Curator of Continental European Art, Walker of periods and geographical areas. Texts should be between 1000 and 10,000 words Betsy Wieseman Chair of European Art from Classical Art Gallery, Liverpool. Antiquity to 1800 and Paul J. and Edith Ingalls Vignos, Jr. (including endnotes) and include five to ten illustrations depending on the length of the Christopher Brown Art Historian specializing in Dutch and Curator of European Paintings and Sculpture, 1500-1800, article, with at least two images of the object itself and appropriate comparative images. Flemish Seventeenth-Century Art, former Director, Ashmolean The Cleveland Museum of Art. Museum, Oxford. Matthias Wivel Curator, Sixteenth-Century Italian Paintings, The Colnaghi Foundation is a platform for realizing a variety of projects in Caroline Campbell The Jacob Rothschild Head of the The National Gallery, London. collaboration with scholars, museums, and educational institutions worldwide. These Curatorial Department and Curator of Italian Paintings before Yao-Fen You Associate Curator of European Sculpture and include organizing exhibitions and other educational events, supporting scholarly 1500, The National Gallery, London. Decorative Arts, Detroit Institute of Arts. research, and publishing Colnaghi Studies Journal as well as other monographs, conference Ignacio Cano Conservador & Jefe Departamento Difusión, Dimitrios Zikos Curator of Sculpture working with the Museo Museo de Bellas Artes de Sevilla. proceedings, and catalogues. Nazionale del Bargello, Florence. Peter Cherry Assistant Professor, Trinity College Dublin. Rosario Coppel Art Historian specializing in Spanish Sculpture. Christina Currie Head of Scientific Imagery at the Royal EDITORS Institute for Cultural Heritage (KIK/IRPA), Brussels. Nicola Jennings, Jeremy Howard and José Gómez Frechina Gail Feigenbaum Associate Director, Getty Research Institute, Los Angeles. Associate Editor: Irene Brooke MANUSCRIPT GUIDELINES FOR THE COLNAGHI STUDIES JOURNAL Peter Humfrey Emeritus Professor, School of Art History, University of St. Andrews. Submissions should be emailed to: [email protected]. reference the first time it appears, and then an abbreviated Paul Joannides Emeritus Professor of Art History, University of Project Director: Ricardo Fernández-Deu version which includes only the last name(s) of the author or Cambridge. Manuscripts are reviewed by the Journal’s Editorial Commitee. authors and the date of publication and a short title. When Designer: Laura Eguiluz de la Rica They may be submitted, complete including illustrations, at any time. Kirstin Kennedy Curator of Silverwork, Metalwork, Victoria & submitting manuscripts, authors should include a PDF of all Project coordinators: Sarah Gallagher and Hector San José Albert Museum, London. illustrations. Authors are encouraged to include dates and Picture researcher: Elisa Salazar and Sarah Gallagher Authors will have the opportunitiy to review their texts after Alastair Laing Former Curator of Pictures and Sculpture at the editing. The honorarium for research expenses is Euros 1,000, dimensions of works within captions; the editors will not National Trust. and each author will receive a hard copy of the volume in which include this information unless it is provided by the author on Published by the Colnaghi Foundation Barbara Lasic Lecturer in Art History, University of Buckingham. his or her article appears. submission. Please do not embed images within text documents. Copyright Colnaghi Foundation If the manuscript is accepted, the author is expected to Riccardo Lattuada Full Professor of Art History of the Manuscripts should be submitted as double-spaced Word files. provide publication-quality images as well as copyright Modern Age, Università degli studi della Campania “Luigi Please direct all subscription enquiries and back issue requests to: In addition to the text, the manuscript must include endnotes, Vanvitelli”, Naples. The Colnaghi Foundation, 26 Bury Street, London SW1Y 6AL permissions to reproduce them in both the print and electronic captions for illustrations, photographic credits, and a 200-word editions of the Journal. Patrick Lenaghan Curator of Prints and Photographs, The abstract. Each part of the article should be in a separate file Hispanic Society of America, New York. except the endnotes, which should be linked to and appear at the Height precedes width and then depth in dimensions cited. Patrice Marandel Former Chief Curator/Department Head of end of the text file. Copyright notice European Painting and Sculpture, Los Angeles County Museum of Art. The Journal requires either digital scans of at least 300 dpi at For the style of captions and bibliographic references in endnotes, 3,000 pixels wide, colour transparencies (preferably 203 x 254 cm The Colnaghi Foundation endeavours to respect copyright in Jennifer Montagu Art Historian specializing in Italian Baroque. authors are referred to the Chicago Manual of Style and a manner consistent with its nonprofit educational mission. If but 102 x 152 cm is also acceptable), or glossy black-and-white Larry Nichols William Hutton Senior Curator, European and instructions on the Colnaghi Foundation’s website: you believe any material has been included in this publication photographs (preferably 203 x 254 cm with white borders) of American Painting and Sculpture before 1900, Toledo Museum improperly, please contact the Foundation. www.colnaghifoundation.org/journal good quality and in good condition. of Art, Ohio. Please provide a list of all bibliographic citations that includes, Gianni Papi Art Historian specializing in Caravaggio. All rights reserved. No part of this publication may be In a separate Word file, please indicate the figure number, the reproduced or transmitted in any form or by any means, for each title: full name(s) of author or authors; title and subtitle picture’s orientation, and any instructions for cropping. 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For citations in notes, please cite the full photographic material and reproduction rights. 8 CHAPTER X / Xxxxxx Xxxxx CONTENTS Two newly-discovered paintings of The Return of the Prodigal Son “The volatile and vivacious connoisseur of the old school”: a portrait 10 by Mattia Preti 88 of the Victorian art dealer Martin Colnaghi (1821-1908) and his KEITH SCIBERRAS relationship with the National Gallery, London SUSANNA AVERY-QUASH A new Holy Family by the Spanish Renaissance master 22 Joan de Joanes Titian’s Unidentified Donor Presented to the Virgin and Child by Saint Luke JOSÉ GÓMEZ FRECHINA 114 at Hampton Court PAUL JOANNIDES An unpublished Vanitas painting by Andrés De Leito 36 FERNANDO COLLAR DE CÁCERES The Sutherland Gallery at Stafford House: contents and display 126 PETER HUMFREY Luis Quijada: Pompeo Leoni’s Portrait of a Knight of the Order 56 of Alcántara or Calatrava identified Three pictures by G.C. Procaccini at Colnaghi: The Agony in the Garden; ROSARIO COPPEL 156 Christ Meeting his Mother on the Road to Calvary; The Holy Family HUGH BRIGSTOCKE A rediscovered painting