HA2D7: Modern Art and Modernism (Term 2) (2015/16)

HA2D7: Modern Art and Modernism (Term 2) (2015/16)

09/25/21 HA2D7: Modern Art and Modernism (Term 2) | University of Warwick HA2D7: Modern Art and Modernism (Term View Online 2) (2015/16) [1] Adam, P. 1992. The arts of the Third Reich. Thames and Hudson. [2] Ades, D. et al. 1995. Art and power: Europe under the dictators 1930-45 : the XXIII Council of Europe exhibition. Hayward Gallery. [3] Ades, D. 1986. Photomontage. Thames and Hudson. [4] Andy Jones 2000. Reading August Sander’s Archive. Oxford Art Journal. 23, 1 (2000), 3–21. [5] Ankum, K. von 1997. Women in the metropolis: gender and modernity in Weimar culture. University of California Press. [6] Anna Rowland 1988. Business Management at the Weimar Bauhaus. Journal of Design History. 1, 3 (1988), 153–175. 1/25 09/25/21 HA2D7: Modern Art and Modernism (Term 2) | University of Warwick [7] Atzmon, L. 1996. The Scarecrow Fairytale: A Collaboration of Theo Van Doesburg and Kurt Schwitters. Design Issues. 12, 3 (1996). DOI:https://doi.org/10.2307/1511700. [8] Baker, G. 1996. 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From Faktura to Factography. October. 30, (1984). DOI:https://doi.org/10.2307/778300. [26] Bullivant, K. and Thomas, R.H. 1977. Culture and society in the Weimar Republic. Manchester University Press (etc.). [27] Bürger, P. 1984. Theory of the avant-garde. Manchester University Press. [28] Bürger, P. 1984. Theory of the avant-garde. Manchester University Press. [29] Carol McKay 1993. Modernist Primitivism?: The Case of Kandinsky. Oxford Art Journal. 16, 2 (1993), 21–36. [30] Christina Kiaer 1996. Rodchenko in Paris. October. 75, (1996), 3–35. 4/25 09/25/21 HA2D7: Modern Art and Modernism (Term 2) | University of Warwick [31] Clement Jewitt 2000. Music at the Bauhaus, 1919-1933. Tempo. 213 (2000), 5–11. [32] Cornelius Borck ‘Sound Work and visionary prosthetics: artistic experiments in Raoul Hausmann’. Papers of Surrealism. no. 4. [33] Crockett, D. 1999. German post-expressionism: the art of the great disorder, 1918-1924. Pennsylvania State University Press. [34] Deamer, P. 2014. 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[42] Éva Forgács 2010. Between the Town and the Gown: On Hannes Meyer’s Dismissal from the Bauhaus. Journal of Design History. 23, 3 (2010), 265–274. [43] Fabre, G.C. and Wintgens Hötte, D. 2009. Van Doesburg and the international avant-garde: constructing a new world. Tate. [44] Forgács, É. 1995. The Bauhaus idea and Bauhaus politics. Central European University Press. [45] Foster, H. 1994. What’s Neo about the Neo-Avant-Garde? October. 70, (1994). DOI:https://doi.org/10.2307/779051. 6/25 09/25/21 HA2D7: Modern Art and Modernism (Term 2) | University of Warwick [46] Friedman, M.S. and Walker Art Center 1982. De Stijl: 1917-1931 : visions of utopia. Phaidon. [47] Galvez, P. 2000. Self-Portrait of the Artist as a Monkey-Hand. October. 93, (2000). DOI:https://doi.org/10.2307/779159. [48] Gordon, D.E. 1966. Kirchner in Dresden. The Art Bulletin. 48, 3/4 (Sep. 1966). DOI:https://doi.org/10.2307/3048390. [49] Gordon, D.E. 1966. On the Origin of the Word ‘Expressionism’. 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