Index A 658 B 658 120 Years of Electronic Music ............. 21 4C ..........................................................622 3DIS ......................................................... 68 4X ...........................................................480 C 659 D 659 A E 660 Accompanist gesture ............................ 28 Alonso, S. ..............................................622 Ars Electronica ..................................... 621 F 660 Acousmonium .......................481, 489, 497 Alternate controller .............................516 Arti Visive 2 .......................................... 475 ACROE .................................... 47, 308, 764 Alternate Mode ....................................505 Asher, D. ................................................. 69 G 660 Advanced Telecommunications Research American Academy in Rome ................15 Atelier d'Exploration Harmonique .... 548 H 660 Institute ............................................ 347 Ancillary gesture ....................................28 Audio Playground Synthesizer Museum 18 ADXL ..................................................... 439 Anderson, L. .........................................249 Audities Foundation .............................. 23 I 661 Aetherphone ............................................ 7 APBTools ...............................................490 Autonomy .....................................231, 235 J 661 Affective computing ........................... 247 Apd (absolute pointing device) ..........516 Auzet, R. ........................................530, 544 AGE ....................................................... 152 Appleton, J. ..........................................622 Le Cirque du Tambour ......................... 597 K 661 Air Drums .............................................. 160 Arfib, D. .................................................548 OROC.pat .......................................... 604 661 Allegro ................................................... 156 Arp ...........................................................17 aXiO ...................................................... 330 L M 662 B N 662 Babbage, C. .............................................. 6 Bell Laboratories .............................17, 622 Boeuf, G. .............................................. 480 O 663 Babbitt, M. ............................................. 13 Berio, L. ...................................................13 Boie, R. .................................................. 249 663 Baldé, F. ................................................ 624 Cronaca del Luogo ...............................474 Boisvert, J.-G. ................................... 48, 50 P Bank of Sweden Tercentenary Foundation Berkeley (UC) ................................ 514, 655 Bongers, B. ............................250, 308, 362 R 663 189 Bernot, M. .............................................564 Borsboom, T. ........................................ 362 Barany, T. .............................................. 189 Bertolotti G. ..........................................517 Bos A. ...................................................... 47 S 664 Betts, A. ......................................... 122, 243 Bargar, R. ...................................... 122, 244 Boston Conservatory ....................252, 255 T 664 Barrière, J.-B. ........................................ 492 Bezoen, S. .............................................155 Boulez, P. Barthes, R. .............................................. 73 Bigelow Rosen, L. ...................................10 Domaines ..................................48, 49, 52 U 665 Battier, M. ......................................... 79, 83 BigEye ............................ 147, 304, 439, 455 Répons .............................................. 480 V 665 Mixed Media .................................. 48, 50 BioControl Systems ..............................358 Brain Opera .......................................... 627 Bauman M. ............................................. 23 BioMuse ................................ 249, 304, 355 Bruintjes J. .............................................. 20 W 665 Bayle, F. ................................................. 481 Bionic Media .........................................516 Buchla ..................................................... 23 Beauregard, L. ...................................... 623 Boddendijk, F. ............................... 153, 162 Buchla 100 ............................................. 14 X 666 Buchla and Associates ........................ 508 Behaving Virtual Musical Objects ...... 580 BodySuit ........................................ 432, 437 Y 666 Belar, H. .................................................. 13 BodySynth ..................................... 249, 304 Buchla, D. ................................14, 298, 332 Bug-Mudra ........................................... 626 Z 666 Burton, G. ............................................. 507 Busoni F. ....................................................6 BVMO .................................................... 595 A 658 C B 658 C 659 C .............................................589, 591, 594 Choi, I 13 659 Cadoz C. ............................................... 386 Machine Child .....................................210 Common Lisp ....................................... 495 D Cadoz, C. .......................308, 434, 449, 623 Choi, I. ...................................................346 Computational space ............................ 95 E 660 Cage, J. ................................................... 13 Machine Child .....................................211 Computer human interface ............... 354 Rolling Stone .......................................210 Variation V ......................................... 454 Computer Music Journal ........................ 5 F 660 Chowning, J. ........................................484 Cahill, T. ................................................ 6, 7 Conductor’s Jacket ......................252, 255 Turenas ..............................................486 G 660 Calvert, T. ............................................. 347 Coniglio, M. ......................................... 752 Chromasone ................................. 135, 139 Camurri, A. ........................................... 304 Convergent Mapping ......................... 389 H 660 Cicerone Robot ....................................473 Cardini, M. ........................................... 614 Cook, P. ................................................ 243 Cité de la Musique .................................19 I 661 Carosi, P. ............................................... 613 Coordinome ........................................... 15 Città dei Bambini .................................473 Carpenter, J. ......................................... 244 CORDIS-ANIMA ................................... 308 J 661 Civica Scuola di Musica .......................474 CAVE ....................................................... 94 COSMO ................................................. 591 Clavette .................................................146 661 CCRMA ................................... 23, 250, 358 Cospito, G. ........................................... 474 K Clavier Retroactif Modulaire ...... 308, 764 Chadabe, J. ................................... 126, 623 Cowell, H. ............................................... 19 Clavivox .....................................................7 L 661 Solo ..................................................... 67 CrackleBox ........................................... 624 Clynes, M. ............................... 76, 146, 249 Chafe, C. .............................................. 308 Cunningham, M. ................................. 454 M 662 CNMAT .......................................... 305, 764 Chamberlain ........................................... 23 CyberBoots ........................................... 218 CNUCE ...................................................304 N 662 Chant .....................................211, 237, 243 Cycling'74 ............................................ 310 Coletta, P. .............................................475 Chino, S. ............................................... 516 O 663 Choi I. ...................................................... 38 Columbia University ..............................13 Columbia-Princeton Electronic Music Studio P 663 R 663 D S 664 Damiens, A. ...................................... 48, 49 Demeyer, T. ..........................................439 Divergent Mapping ............................. 389 T 664 DanceWeb ............................................ 155 Depalle, P. ...............................................48 DK2 (EMS) .............................................. 16 Daniélou, A. ........................................... 10 Deutsch, H. .............................................13 Donzel-Gargand, B. ............................ 491 U 665 Dapelo, R. ..................................... 474, 475 Deutsches Museum .........................12, 18 Drum Machine Museum ...................... 20 665 Dataglove ...............................153, 339, 608 Di Cicco, G. ...........................................475 Dudas R. ........................................514, 516 V DataSuit ................................................ 432 Di Giugno, G. .......................................622 Dudon, J. .............................................