Wilkie Collins and I

Wilkie Collins and I

Wilkie Collins: Biography + Bibliography Graham Law GSICCS Waseda University A Victorian Novelist? William Wilkie Collins (1824-1889) Queen Victoria (1837-1901) Topics Collins’s Family Collins’s Friends Collins’s Lovers Collins’s Writings ‘The Black Cottage’ Collins’s Family Father - painter Brother - William Collins painter & writer Charley Collins Mother - confidante Harriet Collins Collins’s Friends Writers Charles Dickens Charles Reade Painters Holman Hunt John Millais Collins’s Lovers Caroline Graves (1830-1895) Martha Rudd (1845-1919) Collins’s Writings Fiction Journalism – Over twenty novels – Dickens’s magazines – 6 novellas – Travel writings – 5 collections of tales Letters and Memoirs Plays – Life of his father – With Dickens – c. 3500 personal letters – Adapted from novels What Kind of Stories? Sensation Fiction * 1860s - Miss Braddon - Mrs Henry Wood Everyday Settings Mysterious Events Dubious Sources - Bourgeois homes - Violence - Sunday Newspapers - Conventional Familes - Sex - Penny Dreadfuls - Insanity ‘The Black Cottage’ 1) Publication A. First published unsigned in the New York monthly Harper’s New Monthly Magazine (February 1857) B. Next published with nine other tales in Collins’s second short story collection The Queen of Hearts (3 vols, October 1859) C. Later reprinted in many collections, including The Complete Shorter Fiction of Wilkie Collins, ed. J. Thompson (1995) ‘The Black Cottage’ 2) Pictures ‘The Black Cottage’ 3) Textual Differences HNMM: Frame narrative (3 paras at start, 1 at end) addressed by the narrator in middle-age to a curious young lady QofH: New general frame narrative encompassing all ten stories stories, with an elderly guardian and his two brothers telling stories each day to detain the beautiful young ward; specific preamble of lottery, Brother Owen at London church, and narrative in letter from married lady CSF: No frame narrative, apart from fragmentary remains in final paragraph Wilkie Collins Any questions? Any comments? .

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