resignation?’” he laughs. co-president. But luckily the team He returned to London and of people we had was amazing…” played the demos to Louis Bloom, The next phase of Beese’s whose reaction convinced him he remarkable career was just about had to stay. to begin… “I said, ‘I ain’t going anywhere’,” he says. “How different the world he first couple of years could have been!” of co-presidency, Beese Back To Black came out in 2006 admits, were difficult. and went on to sell 12 million “The hangover of the copies, although Winehouse’s Tcouple of years before meant that problems with drink and drugs and our roster was kind of nowhere. status as tabloid catnip meant it It didn’t have a core to it and me was a far from easy ride. and Ted – and I think he would “You couldn’t rein her in, you agree with me – struggled for the couldn’t tame her and there was first couple of years, in terms of no point in trying,” Beese says. restocking the larder.” “She wouldn’t comply. I know that But slowly they turned it around. some of the product managers They forged a relationship with that worked with her were trying Roc Nation, signed Florence + The to apply their opinions but you Machine, Mumford & Sons and would basically just lose her trust. Ben Howard and started to hit big She was one of those artists where with North American imports such you just had to get out of her way. as Drake. Some people need hands-on, they “The next three, four, five years need leading and some artists were just rocket fuel,” he says. don’t, you’ve just got to get out of “Everything came together, the the way – and that’s what I did team came together, me and Ted with Amy.” had a yin and yang relationship Beese expected Winehouse to where it worked perfectly. The “have an impact on people” but even team at the time were brilliant and The Beese team: (clockwise he was taken aback by “the ripple effect” of her superstardom. from top left) with mum we just went on this run. Then the records started to go round the That success sent Beese from “cold” to becoming the hottest A&R Barbara Beese; with dad world, so we were having global success. You’re hoping not to be man on the planet… Darcus Howe; receiving his brought down to earth with a bump and then Amy passed. “I was like a pig in shit!” he laughs. “But there was a culture that OBE; as a young DJ “And then,” he adds, ruefully, “You’re spun back into reality. manifested itself at Universal that came from Lucian [Grainge, “It was just an awful time,” Beese says today of Winehouse’s then Universal Music UK boss, now chairman/CEO of Universal tragic 2011 death. “Someone that you’d worked with and knew, Music Group] that was about not resting on your laurels. You passing away so tragically, that was rough. She was a musical couldn’t spend your time looking in the rear view mirror. So, as genius but, at the heart of it, she was a normal human being that much as it was a huge success, it was like, ‘What’s next’? That had problems from a young age. The pressures of the business sharpened me up for what was to come later in terms of running a from all quarters took their toll and it’s good to see the business record label. But as an A&R person, the failures that I had set me learn lessons from that. You hear the words ‘well-being’ and ‘duty up for the successes. And I thank Island and Universal for allowing of care’ a lot more now, and that’s a good thing.” that process to happen.” Universal ultimately reclaimed Winehouse from her media More success followed with the likes of Taio Cruz (whose “My whole mantra, demonisation with the 2015 Oscar and Grammy-winning Amy film. 2009 US No.1 Break Your Heart meant “another box ticked on “I remember [Universal UK chairman/CEO] David Joseph the bucketlist of things to be achieved by the time you get fired”), all my career, has saying to me that it was important that her legacy should be Dizzee Rascal (who presented Beese with The Strat at the awards been: ‘Don’t get preserved and that people should know the real Amy,” says Beese. last week) and Keane. fired!’ And the only “People should know the genius that she really was and not just Such was the success that, when Island president Nick Gatfield this tabloid pin-up, which wasn’t Amy – that was the drugs.” left for EMI in 2008, Beese and Ted Cockle (now president of way to do that is By then, Cockle had departed for Virgin EMI and Beese was in Virgin EMI) were made co-presidents, much to Beese’s surprise. to stay relevant sole charge. The hits kept on coming – Beese catapulted Drake to a “There was a point when I must have been that hot that people and hopefully be record-breaking No.1 with One Dance and scored success with an were saying to me, ‘When are you going to run the label?’” he says. eclectic roster ranging from Will Young to PJ Harvey and Ariana “I would look at them going, ‘What do you mean? Why would they indispensable” Grande to Catfish & The Bottlemen – even though Beese admits he even think about me doing that?’ I never had the ambition and I’d initially struggled with the responsibility. never seen anybody that looked like me running labels, outside of DARCUS BEESE “I remember when the news came out that Ted was going to the American model of head of urban.” ISLAND RECORDS Virgin – for all the highs and lows, we worked really well together. Beese says he had “always fought against being pigeon-holed Before, when I looked to my right, Ted was there and, when I into black music” but says his education had led him to believe looked to my left, the rest of my team were there. All of a sudden, that leadership wasn’t for him. Ted wasn’t going to be there, I had to manage it all by myself and “I had no ambition, it hadn’t been cultivated apart from my it was a question of, ‘Could I?’ But while you’re having a crisis of Mum and Dad saying, ‘Son, don’t worry about it, you’re a leader’,” confidence internally, you’ve got to show outwardly to the people he says. “So I didn’t ever see myself as president and when I was you’re leading that everything’s going to be OK. And obviously I offered it, it shook me up. I almost didn’t want it because with was very good at that!” it comes responsibility, and responsibility for other people, the Beese set about retooling Island for the streaming age, artists’ careers and the people that work for you’s lives. I was the establishing partnerships with the likes of PMR and Communion happiest, most selfish A&R person, I had my little roster and at and setting up the first UK major label urban division. But, when that moment in time I was basically bulletproof. And then all of a Joseph called him into his office one morning to tell him Universal sudden I had to lay myself bare and learn what it was to be a wanted him to go and run Island US, Beese (who, in 2016, told 22 | Music Week 13.05.19 musicweek.com.