I L N O I S UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. University of Illinois Graduate School of Library and Information Science University of Illinois Press 4 . $ 4 *. *"From the intriguing title to the final page, layers of cynical wit and care- ful choracter development occumulate achingfy in this beautfully rafted emotionally charged story" --Starred review, ScholLbary ornl *"Readers will take heart from the way Steve grows post his rebellion as they laugh at the plethora of comic situations and saply set up, welC executed punchllnes. "-Pointered review, Kirkus Reviews *"lt's Thomas's first novel and he has such an accurate voice that it screams read me now while I am hot and hot it is."-Starred review, VOYA 0689-80207.2 * $17.00 US/$23.O0 CAN (S&S BFYR) 0-689.80777-5 * $3.99 US/$4.99 CAN (Aladdin Ppoprboekst ALADDIN PAPERBACKS SIMON &f SCHUSTER BOOKS FOR YOUNG READERS Imtprints of Simron &'P Schuster Children's Publishing· Division 1230 Avenue of the Americas * New Yorkr, NV 10020 THE B UL LE T IN OF THE CENTER FOR CHILDREN'S BOOKS September 1996 Vol. 50 No. 1 A LOOK INSIDE 3 THE BIG PICTURE American Fairy Tales: From Rip Van Winkle to the Rootabaga Stories comp. by Neil Philip; illustrated by Michael McCurdy 5 NEW BOOKS FOR CHILDREN AND YOUNG PEOPLE Reviewed titles include: 5 * The Story ofLittle Babaji by Helen Bannerman; illus. by Fred Marcellino 11 * The Abracadabra Kid by Sid Fleischman 16 * How to Make Holiday Pop-Ups by Joan Irvine; illus. by Linda Hendry 25 * A Pizza the Size of the Sun by Jack Prelutsky; illus. by James Stevenson 28 * The Twelve Days of Christmas: A Pop-Up Celebration illus. by Robert Sabuda 34 * On Board the Titanic by Shelley Tanaka; illus. by Ken Marschall 40 PROFESSIONAL CONNECTIONS 41 SUBJECT AND USE INDEX EXPLANATION OF CODE SYMBOLS USED WITH REVIEWS * Asterisks denote books of special distinction. R Recommended. Ad Additional book of acceptable quality for collections needing more material in the area. M Marginal book that is so slight in content or has so many weaknesses in style or format that it should be given careful consideration before purchase. NR Not recommended. SpC Subject matter or treatment will tend to limit the book to specialized collections. SpR A book that will have appeal for the unusual reader only. Recommended for the special few who will read it. The Bulletin ofthe Centerfor Children'sBooks (ISSN 0008-9036) is published monthly except August by the Graduate School of Library and Information Science (GSLIS) of the University of Illinois at Urbana-Champaign and the University of Illinois Press, 1325 S. Oak, Champaign, IL 61820. STAFF Janice M. Del Negro, Editor (JMD) Deborah Stevenson, Assistant Editor (DS) Betsy Hearne, Consulting Editor and Faculty Liaison (BH) Elizabeth Bush, Reviewer (EB) Pat Mathews, Reviewer (PM) Susan S. Verner, Reviewer (SSV) Amy E. Brandt, Graduate Research Assistant (AEB) Lisa Mahoney, Graduate Research Assistant (LM) Reviewers' initials are appended to reviews. SUBSCRIPTION RATES 1 year, institutions, $40.00; individuals, $35.00. In countries other than the United States, add $7.00 per subscription for postage. Japanese subscription agent: Kinokuniya Company Ltd. Single copy rate: $4.50. Reprinted volumes 1-35 (1947-1981) available from Kraus Reprint Co., Route 100, Millwood, NY 10546. Volumes available in microfilm from University Microfilms, 300 North Zeeb Road, Ann Arbor, MI 48106. Complete volumes available in microfiche from Johnson Associates, P.O. Box 1017, Greenwich, CT 06830. Subscription checks should be made payable to the University of Illinois Press. All notices of change of address should provide both the old and new address. Postmaster: Send address changes to The Bulletin of the Center for Children's Books, University of Illinois Press, 1325 S. Oak, Champaign, IL 61820. Subscription Correspondence. Address all inquiries about subscriptions and advertising to University of Illinois Press, 1325 S. Oak, Champaign, IL 61820. Editorial Correspondence. Review copies and all correspondence about reviews should be sent to Janice Del Negro, The Bulletin of the Center for Children's Books, Children's Research Center, 51 Gerty Drive, Champaign, IL 61820. Periodicals postage paid at Champaign, Illinois © 1996 by The Board of Trustees of the University of Illinois Drawings by Debra Bolgla. This publication is printed on acid-free paper. Cover illustration by Michael McCurdy, from American Fairy Tales: From Rip Van Winkle to the Rootabaga Stories ©1996 and used by permission of Hyperion Books for Children. SEPTEMBER 1996 * 3 THE BIG PICTURE American Fairy Tales: From Rip Van Winkle to the Rootabaga Stories comp. by Neil Philip; illustrated by Michael McCurdy A new collection of fairy tales is not unique. We get new collections nearly every month, every week. They are, with a few forgettable exceptions, relatively well- written, and they are often beautifully illustrated examples of bookmaking. The best of them have an inner logic that connects the tales to one another, making the book more than just a collection of individual stories but a unified whole with a unique perspective. Philip accomplishes this in a distinctly American anthology of a dozen fairy tales (or, as he says in his afterword, wonder tales, for not all of them contain fairies) and in the process has given an overview of the American impulse for creatively adapting the traditions of the European fairy tale to a robustly Ameri- can context. These fairy tales march through one hundred years of American history. In the opening story, Washington Irving's Rip Van Winkle wakes to find his old country gone and a new country risen, while in the closing tale, Carl Sandburg's "How They Broke Away To Go To The Rootabaga Country," Gimme An Ax and his tough son and daughter, Please Gimme and Ax Me No Questions, sell all and buy a ticket to "ride to where the railroad tracks run off into the blue sky and then forty ways farther yet." In between these two tales, the first set in an America that is sleepily (and somewhat crankily) awakening, the last in an America that's wide awake and traveling, are stories about the transition between the two. The authors of these tales consciously transplanted the traditions of the western European fairy tale to American soil and nurtured a unique hybrid of fairy-tale motifs and Ameri- can whimsy, optimism, and exaggeration. These tales differ from their European ancestors not only in the less ornamental style of their language but in their inher- ent values, having a cheerfully red-blooded belief in self-direction and a distinct distrust of wealth as a measure of a man's value. Philip scatters uncommon gems among some well-known American jew- els. Tales such as Frank Stockton's "The Bee Man of Orn" and Howard Pyle's "Apple of Contentment" nestle comfortably beside Helen Plumly Thompson's "The Princess Who Could Not Dance" and Louisa May Alcott's "Rosy's Jour- ney." From Thompson's take on the ritual fairy tale opening ("Oh once--oh, once, dears and ducks, there was a beautiful princess who could not dance! Think of it!") to Alcott's Rosy and her father happily ending her quest on the backs of (American) eagles ("away they flew to a great city, where the little girl and her father lived happily together all their lives"), the language of the tales is a treat, both accessible and invigorating. Each story opens with a short introduction that places it in its historical and literary context. Philip's afterword, an overview of "the coming of age" of the 4 * THE BULLETIN American fairy tale, traces the genre's growth from derivation to original creation. He also provides a solid list of sources and background material as well as some inviting suggestions for further reading. Michael McCurdy's woodcuts are stylis- tically suitable for these tales, their confident black-and-white drama providing a sturdy visual connection to Philip's selections. Text and woodcuts are nicely jux- taposed on pages with a generous amount of white space. Stars, stripes, and McCurdy's handcolored engravings on the book's jacket employ a red, white, and blue palette, and, along with the rich red binding, gold letters, and dark blue end- papers, contribute a patriotic flavor most appropriate to the book's theme and content. Examining the table of contents, one might frown over names of authors recalled from very long afternoons in American literature classes and wonder about the book's appeal for younger readers, or even older ones, for that matter. There is something delightful in discovering that one's first, off-the-cuff impression is not to be trusted. There is something delightful about rediscovering that notable Ameri- can authors are not irrelevant relics to be relegated to a dusty classroom shelf or research library, but storytellers who revel in universal themes and emotional nu- ance, tongue-in-cheek humor, and engaging plots and who still have appeal across a wide range of age groups. It's been a long time since there's been a representative collection like this one. Making it widely available may well be a patriotic duty. (Imprint information appears on p. 25.) Janice M. Del Negro, Editor A MMAJn TM(T1~alEM'T AUlllIN UI CNLVILINI1 It is an honor and a pleasure to assume the editorship of The Bulletin ofthe Center for Children'sBooks in its fiftieth volume year. One of the major strengths of this journal is its traditional reviewing process: reviewers meet several times monthly, all books reviewed are seen by all the reviewers, and everyone has a chance to comment--on books, on reviews, on clarity.