A Digital Anthology of Early Modern English Drama emed.folger.edu Discover over four hundred early modern English plays that were professionally performed in London between 1576 and 1642. Browse plays written by Shakespeare’s contemporaries; explore the repertoires of London’s professional companies; and download plays for reading and research. This documentary edition has been edited to provide an accurate and transparent transcription of a single copy of the earliest surviving print edition of this play. Further material, including editorial policy and XML files of the play, is available on the EMED website. EMED texts are edited and encoded by Meaghan Brown, Michael Poston, and Elizabeth Williamson, and build on work done by the EEBO-TCP and the Shakespeare His Contemporaries project. This project is funded by a Humanities Collections and Reference Resources grant from the NEH’s Division of Preservation and Access. Plays distributed under a Creative Commons Attribution-ShareAlike 4.0 International License. img: 1­a ismigg: :[ N1­/bA] sig: A1r ln 0001 THE ln 0002 WHITE DEVIL, ln 0003 OR, ln 0004 The Tragedy of Paulo Giordano ln 0005 Ursini, Duke of Brachiano, ln 0006 With ln 0007 The Life and Death of Vittoria ln 0008 Corombona the famous ln 0009 Venetian Courtesan. ln 0010 Acted by the Queen’s Majesty’s Servants. ln 0011 Written by JOHN WEBSTER. ln 0012 Non inferiora secutus. ln 0013 LONDON, ln 0014 Printed by N. O. for Thomas Archer, and are to be sold ln 0015 at his Shop in Pope’s head Palace, near the ln 0016 Royal Exchange. 1612. img: 2­a ismigg: :A 21­vb sig: A2r ln 0001 To the Reader. ln 0002 IN publishing this Tragedy, I do but ln 0003 challenge to myself that liberty, ln 0004 which other men have ta’en before me; ln 0005 not that I affect praise by it, for, nos haec ln 0006 novimus esse nihil, only since it was ln 0007 acted, in so dull a time of Winter, presented ln 0008 in so open and black a Theater, ln 0009 that it wanted (that which is the only ln 0010 grace and setting out of a Tragedy) a full and understanding ln 0011 Auditory: and that since that time I have noted, most ln 0012 of the people that come to that Playhouse, resemble those ignorant ln 0013 asses (who visiting Stationers’ shops their use is not ln 0014 to inquire for good books, but new books) I present it to the ln 0015 general view with this confidence. ln 0016 Nec Rhoncos metues, maligniorum, ln 0017 Nec Scombris tunicas, dabis molestas. ln 0018 If it be objected this is no true Dramatic Poem, I shall ln 0019 easily confess it, non potes in nugas dicere plura meas: Ipse ln 0020 ego quam dixi, willingly, and not ignorantly, in this kind ln 0021 have I faulted: for should a man present to such an Auditory, ln 0022 the most sententious Tragedy that ever was written, observing ln 0023 all the critical laws, as height of style; and gravity ln 0024 of person; enrich it with the sententious Chorus, and as it img: 3­a sig: A2v ln 0025 were lifen Death, in the passionate and weighty Nuntius: yet ln 0026 after all this divine rapture, O dura messorum ilia, the ln 0027 breath that comes from the uncapable multitude, is able to poison ln 0028 it, and ere it be acted, let the Author resolve to fix to every ln 0029 scene, this of Horace, ln 0030 — Haec hodie Porcis comedenda relinques. ln 0031 To those who report I was a long time in finishing this ln 0032 Tragedy, I confess I do not write with a goose­quill, winged ln 0033 with two feathers, and if they will needs make it my fault, ln 0034 I must answer them with that of Eurypides to Alcestides, ln 0035 a Tragic Writer: Alcestides objecting that Eurypides ln 0036 had only in three days composed three verses, whereas himself ln 0037 had written three hundred: Thou tell’st truth, (quoth he) ln 0038 but here’s the difference, thine shall only be read for three ln 0039 days, whereas mine shall continue three ages. ln 0040 Detraction is the sworn friend to ignorance: For mine ln 0041 own part I have ever truly cherished my good opinion of other ln 0042 men’s worthy Labors, especially of that full and heightened ln 0043 style of Master Chapman. The labored and understanding ln 0044 works of Master Johnson: The no less worthy composures ln 0045 of the both worthily excellent Master Beaumont, and Master ln 0046 Fletcher: And lastly (without wrong last to be named) the right ln 0047 happy and copious industry of Master Shakespeare, Master Decker, ln 0048 and Master Heywood, wishing what I write may be read by their ln 0049 light: Protesting, that, in the strength of mine own judgement, ln 0050 I know them so worthy, that though I rest silent in my ln 0051 own work, yet to most of theirs I dare (without flattery) fix ln 0052 that of Martial. linm 0g0:5 33­b — non norunt, Haec monumenta mori. sig: B1r wln 0001 THE TRAGEDY wln 0002 OF PAULO GIORDANO wln 0003 Ursini Duke of Brachiano, and Vittoria wln 0004 Corombona. wln 0005 Enter Count Lodovico, Antonelli and Gasparo. wln 0006 LODOVICO. wln 0007 BAnished? ANTONELLI It grieved me much to wln 0008 hear the sentence. wln 0009 LODOVICO Ha, Ha, ô Democritus thy Gods wln 0010 That govern the whole world! Courtly reward, wln 0011 and punishment. Fortune’s a right whore. wln 0012 If she give aught, she deals it in small parcels, wln 0013 That she may take away all at one swoop. wln 0014 This ’tis to have great enemies, God ’quite them: wln 0015 Your wolf no longer seems to be a wolf wln 0016 Then when she’s hungry. GASPARO You term those enemies wln 0017 Are men of Princely rank. wln 0018 LODOVICO Oh I pray for them. wln 0019 The violent thunder is adored by those wln 0020 Are pashed in pieces by it. ANTONELLI Come my Lord, wln 0021 You are justly doomed; look but a little back wln 0022 Into your former life: you have in three years wln 0023 Ruined the noblest Earldom GASPARO Your followers wln 0024 Have swallowed you like Mummia, and being sick wln 0025 With such unnatural and horrid Physic wln 0026 Vomit you up i’ th’ kennel ANTONELLI All the damnable degrees img: 4­a sig: B1v wln 0027 Of drinkings have you, you staggered through one Citizen wln 0028 Is Lord of two fair Manors, called you master wln 0029 Only for Caviar. GASPARO Those noblemen wln 0030 Which were invited to your prodigal feasts, wln 0031 Wherein the Phoenix scarce could scape your throats, wln 0032 Laugh at your misery, as foredeeming you: wln 0033 An idle Meteor which drawn forth the earth wln 0034 Would be soon lost i’ th’ air. ANTONELLI Jest upon you, wln 0035 And say you were begotten in an Earthquake, wln 0036 You have ruined such fair Lordships. LODOVICO Very good, wln 0037 This Well goes with two buckets, I must tend wln 0038 The pouring out of either. GASPARO Worse than these, wln 0039 You have acted, certain Murders here in Rome, wln 0040 Bloody and full of horror. LODOVICO ’Las they were flea­bitings: wln 0041 Why took they not my head then? GASPARO O my Lord wln 0042 The law doth sometimes mediate, thinks it good wln 0043 Not ever to steep violent sins in blood, wln 0044 This gentle penance may both end your crimes, wln 0045 And in the example better these bad times. wln 0046 LODOVICO So, but I wonder then some great men scape wln 0047 This banishment, there’s Paulo Giordano Orsini, wln 0048 The Duke of Brachiano, now lives in Rome, wln 0049 And by close pandarism seeks to prostitute wln 0050 The honor of Vittoria Corombona, wln 0051 Vittoria, she that might have got my pardon wln 0052 For one kiss to the Duke. ANTONELLI Have a full man within you, wln 0053 We see that Trees bear no such pleasant fruit wln 0054 There where they grew first, as where the are new set. wln 0055 Perfumes the more they are chafed the more they render wln 0056 Their pleasing scents, and so affliction wln 0057 Expresseth virtue, fully, whether true, wln 0058 Or else adulterate. LODOVICO Leave your painted comforts, wln 0059 I’ll make Italian cut­works in their guts wln 0060 If ever I return. GASPARO O Sir. LODOVICO I am patient, wln 0061 I have seen some ready to be executed wln 0062 Give pleasant looks, and money, and grown familiar wln 0063 With the knave hangman, so do I, I thank them, img: 4­b sig: B2r wln 0064 And would account them nobly merciful wln 0065 Would they dispatch me quickly, ANTONELLI Fare you well, wln 0066 We shall find time I doubt not to repeal wln 0067 Your banishment. LODOVICO I am ever bound to you: Enter wln 0068 This is the world’s alms; pray make use of it, Sennet wln 0069 Great men sell sheep, thus to be cut in pieces, wln 0070 When first they have shorn them bare and sold their fleeces. wln 0071 Exeunt. wln 0072 Enter Brachiano, Camillo, Flamineo, Vittoria wln 0073 Corombona. wln 0074 BRACHIANO Your best of rest. VITTORIA Unto my Lord the Duke, wln 0075 The best of welcome, More lights, attend the Duke.