Things Fall Apart" by Chinua Achebe

Things Fall Apart" by Chinua Achebe

DOCUNENT RESUME k2 P 21) 189.003 SO 012 698 AUTHOR Talley, Odessa B. .TITLE The Igbc People of Nigeria at Seen Through "Things Fall Apart" by Chinua Achebe. An Instructional Unit . 4. for Tenth Grade English. INSTITUTION Illinois Univ., Urbana. African Studies Program. .SPONS AGENCY National Endogment for the Humanities (NFAH), Washington, to.c. PUB DATE Jul 78 NOTE 14.: For related documenti, see SO 012 684-703. Not available in paper copy due to poor, reprodwcibility of original document. EDRS PPICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS *African Culture: *Area Studies: Cross Cultural Studies: *Cultural Awareness: Educational Objectives; *English Instruction: Folk Culture: Grade 10: *Igbo: Instructional Materials: Learning Activities: Literature Peviews: Minicourses: Secondary Education: Teacher Developed Materials: Teaching Guides: . Teaching Methods IDENTIFIERS Nigeria ABSTRACT This teaching guide isiniendedto aid tenth grade English classroom teachers as they develop and implementeducational programs on the Igbo-speaking people ofNigeria. The source materi%ll for this unit is "Thineys Pall Apart," byChinUa Achebe. The guide is a product.of an interdisciplinary summerworkshop for teachers on development of Africa-related curriculum. It isintended as the basis of a minicourse to be taught within 15 classpe'riods of 55 minutes each. Students learn specific facts about the lobo people, read critically and develop interpretative skills, and compare and contrast the.values of American and African cultures.Activities involve students in answering (orally and inwriting) discussion and study questions which are presented for each of the25 chapters of "Things Fall Apart:" To answer the questions, students usevarious tasic reading skills, including quick recall, interuretation,and analysis. Also, students compare African and AmericA3values and behaviors. Also included in the guide are background and resource bibliographies for teachers and students, objectives, and tips to teacfiers on hew to introduce questions to the class more effectively. (DE1 *********************************************************************** * Reproductions supplied by EDP'S are the best that can be made * * from the original document. * *********************************************************************** "PERMISSION TO REPRODUCETHIS U.S DEPARTMENT OF HEALTH, EDUCATION WELFARE MATERIAL INMICROFICHE ONLY NATIONAL INSTITUTE OF HAS BEEN GRANTED BY EDUCATION THIS DOCUMENT HAS BEENREPRO- _Odessa & Ted/ey DUCED EXACTLY AS RECEIVEDFROM THE PERSVA OR ORGANIZATIONORIGIN- ATING IT J1NTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILYREPRE SENT OFFICIAL NATIONAL INSTITUTEOF TO THE EDUCATIONAL RESOURCES EDUCATION POSITION OR POLICY INFORMATION CENTER (ERIC)." BESTCOPY AVAILABLE "THE IGBO PEOPLE OF NIGgRIA AS SEEN THROUGH THINGS FALL APART BY CHINUA ACHEBE" An Instructional Unit for Tenth Grade English by Odessa B. Talley Central High School Little Rock, Arkansas This teaching unit on Africa was developed au part of an inter- disciplinary workshop project in African curriculum development held on the University of IllinoW Urbana-Champaign campus in the summer of 1978. The workshop project, which was funded by the Nationdl Endowment for the Humanities, was carried out from 1977-80 and was integrated into anon-going program of outreach services offered to teachers nationwide. For further information on teaching aids available through outreach services, contact: ^ltreach Director African Studies Program 1208 West California, #101 Urbana, Illinois 61801 1 BRINGING INTO FOCUS THE TRADITIONAL CULTURE OF THE IGBO PEOPLE Preface Statement This unit is designed to give students an insightinto the culture of the Igbo-speaking people of Nigeria. The source material for this unit is Things Fall Apart by Chinua Achebe. Through a critical reading of this novel, students will learn manyfacts about the Igbo people--how the Igbo make a living, howthey govern themselves, how the family is founded, how the network ofkinship functions, and haw the Igbo have responded to contact withEuropean culture. With these facts, students will make cross-cultural com- parisons thus becoming more perceptive about their ownculture as* well asthat of another one. Grade Level and Course This unit is designed for tenth gradeEnglish classes that are composed of regular and below regular students. Time Allotment It is designed to be taught within fifteenfifty-five (55) minute periods. Ten days will be devoted to readingand discussing the novel, and five days will be devoted topreparing and sharing enrichment activities. General Objectives 1. To learn specific facts about theIgbo people. 2. To read critically and develop interpretativeskills. 3. To compare and contrast the values of ourculture with those of another. 2 Skills the facts about Students willbe able to integrate 1. topography, economy, andculture of a the climate, texture of tiv-ir distant land,the people and the lives. several parts 2. Students will beable to exylain how of the culture arerelaterriTi: marriage and family relations,child rearing andpersonality structure,etc.) Students will beable to compare andcontrast the idealIgbo 'malepersonslitY-MT-the ideal American male personality. contrast the 4. Students will beable to compare and causes andeffects of culturalchange-TE-Erilfrican and an Americansociety. ths traits vf the 5 Student; will beable io point map libocultare that made itparUcularly euseeptibie'to change as a consequenceof contact withEuropean culturs. data an 6. Students will be able toMatItrelevant the majorstructures of Igbo society. Selected Bibliogramhy Teachers: -Bohannan,\Paul and Phillip Curtin. Africa. and. Atricane. Garden City, New York: The NaturalHisfory Press, 1971. introduction to Recommended readingfor a simple traditional societiesan& African history. Houghton Mifflin Co. Burke, Fred. Africa. Boston: (WOrldHee:aria:Studies) to the history A general,balanced introduction of Africa, for useat the highschool level. time of the,early Covers Africanhistory, from the civilizations throughthe demise ofcolonial rule and problemsof nation-building. Civilization. Murphy, E.Jefferson. History of African New York: Crowe11,77372. This book issuitable for teaeherz'backgrourWL pre-colonial African reading. The emphasis is on history. 3 Uchendu, Victor C., The Igbo of Southeast Nigeria. New York: Holt, Rinehart, and Winston, 1965. This case study is written by an Igbo about his own people. It penetrates to the heart of the Igbo culture and social system. Mr. Uchendu shows how the people in Nigerian society think about the world around them and how they conceiveof their own social system and its workings. Students Ademola, Frances. Reflections: Nigerian Prose and Verse. Lagos: African University Press, 1962. A sood collection of African stories and poems for high school. Barnes, Gregory.-A. Wind of Change. New York: Lothrop, Lee, and Shepard, 1968. This book follows the thoughts of a 16 year-old West African boy who is torn between furthering his education and con- foTming to traditionalevalues. Bleeker, Sonia. The Igbo of Biafra. New York: Marrow, 1970. This book gives a description of Igbo existence frombirth to death. It gives essential details on child rearing, market trading, home life, religion, and arts. W.etz, Betty and Olatunji, M.B. Musical Instruments of Africa. New York: Day, 1965. A discussion of different kinds of music aridtheir functions in African societies. Includes a record illustrating the -instruments described and directions for learningAfrican rhythms. Forman, Brenda and Harrison. The Land and People of Nigeria. New York: Lippincott, 1964. The Foremans describe the progress being madetaward national unity and toward full realization of Nigeria's richhuman and economic potential. Glubock, Shirley. The Art of Africa. New York: Harper, 1965. Photographs of well-known types of African art removedfrom their cultural contexts; accompanied by brief descriptions. Johnston, Rhoda 0Iyabo of Nigeria. Claremont Graduation Schoo1,1973. Fictional biography of a Yoruba girl in contemporaryNigeria which contains many realistic details about lifefrom child- hood to marriage. Latchem, Colin. Looking at Nigeria. Philadelphia:"Lippincott, 1976. Social studies survey with striking color photosof contemporary life. Lumley, Frederick. Nigeria, The Land, Its Art and Its People. London: Studio Vista, 1974. This book captures the spirit and ethos of anation--Nigeria, its people and its places. It is a microcosm of differentfamilies which make,up the teeming population of a country. 4 Mbiti, John S. African Religions and Philoso hies. Garden City, : Doubleday, General survey of major questions associated with African religions by a leading authority. Okofor-Omali, Dilim. A Nigerian Villager in Two Worlds. London: Faber and Faber, 1965. The author presents an interesting account of Igbo life in the early part of the century in this account of his father's life in an Eastern Nigerian village. The problems itre- conciling traditional attitudes to family, educati94 and customs with the new values brought by the white7ftn are central to the book. Warren,Lee. The Dance of Africa; an Introduction. Englewood-Cliffs: Prentice Hall, 1972. Different hinds of African dances and occasions when they are performed are described. Directions for learning four dances are inclueo,d. Audio-Visual Materials Film Omowale: The Child Returns Home This)-film is narrated by John A. Williams, the Black American writer who makes a

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    18 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us