Link a Pagine Sulla Letteratura Fantastica

Link a Pagine Sulla Letteratura Fantastica

LINK A PAGINE SULLA LETTERATURA FANTASTICA GOTICO, HORROR &C. a cura di Gaetano Lo Monaco 7/3/2019 Female Virtue In Gothic Literature 1780-1810: http://hdl.handle.net/10026.1/5285 The Gothic Mode and a Borderless Literature: http://bdigital.uncu.edu.ar/6837 The Gothic in Contemporary Literature and Popular Culture: http://epubs.surrey.ac.uk/567467/3/Edwards%20JD%202012%20The%20Gothic%20in%20Contemporary% 20Literature%20ABSTRACT%20and%20TC.pdf How the Gothic Reared its Head in Dutch Literature: http://hdl.handle.net/2066/99165 The beautiful Gothic: an investigation into the use and development of the beautiful and death in Gothic literature: http://gala.gre.ac.uk/8240/1/Paul_OBrien_2006.pdf Representations of gothic abbey architecture in the works of four romantic-period authors: Radcliffe, Wordsworth, Scott, Byron: http://etheses.dur.ac.uk/2564/1/2564_575.pdf Gothic Scholars Don’t Wear Black: Gothic Studies and Gothic Subcultures: http://ddd.uab.cat/pub/artpub/2002/116270/gotstu_a2002v4n1p28iENG.pdf The Gothic Tradition in H.P. Lovecraft: An Analysis of “The Call of Cthulhu”: http://uvadoc.uva.es:80/bitstream/10324/19076/1/TFG_F_2016_33.pdf Gothic Slumming: Realist Writers and Gothic Texts in Progressive Era America: http://creativecommons.org/licenses/by-nc-nd/3.0/ Female identity and landscape in Ann Radcliffe’s Gothic Novels: http://etd.uwc.ac.za/xmlui/bitstream/11394/2800/2/Davids_ma_arts_2008.pdf Ann Radcliffe’s The Mysteries of Udolpho and the Function of Landscapes in Gothic Fiction: http://hdl.handle.net/1887/45784 ‘This is a dark story’: representations of the past in eighteenth-century Gothic literature (1764 1794): https://dspace.lboro.ac.uk/2134/9900 The presentation of emotion in the English Gothic novels of the late eighteenth and early nineteenth centuries, with particular reference to Ann Radcliffe’s “Mysteries of Udolpho”, M. G. Lewis’s “Monk”, Mary Shelley’s “Frankenstein”, C. R. Maturin’s “Melmoth the Wanderer”, Charlotte Bronte’s “Jane Eyre”, Gaetano Lo Monaco – Link a pagine sulla letteratura fantastica 1/10 – http://www.superzeko.net and works by the minor Minerva Press novelists Regina Maria Roche and Mary Anne Radcliffe: https://repository.royalholloway.ac.uk/items/b329f3c3-84ba-4a8d-91a9-e9692da80cc4/1/10096750.pdf Monstrous desire: Frankenstein and the queer Gothic: http://orca.cf.ac.uk/56070/1/U584824.pdf Dracula’s Inky Shadows: The Vampire Gothic of Writing: http://etheses.dur.ac.uk/12317/ Victorian Gothic Materialism: Realizing the Gothic in Nineteenth-Century Fiction: http://hdl.handle.net/1794/13423 The origins of Turkish Gothic: the adaptations of Stoker’s Dracula in Turkish literature and film: http://eprints.lancs.ac.uk/77216/4/Tugce_Bicakci_Studies_in_Gothic_Fiction_Revised_by_author.pdf De la tradición gótica en la literatura hispanoamericana: “La granja blanca”, de Clemente Palma: https://ddd.uab.cat/pub/brumal/brumal_a2014v2n2/brumal_a2014v2n2p177.pdf La mujer inmortal: Sexualidad y terror en “Ligeia” de Edgar Allan Poe y en “Leyendas de Hascischs” de Clemente Palma: http://uvadoc.uva.es:80/bitstream/10324/17357/1/ES-2008-29-LaMujerInmortal.pdf Exegesis: my hideous progeny: Kazuo Ishiguro’s Never Let Me Go as an evolution of Mary Shelley’s Frankenstein analysed through the lifecycle of the scientifically created human monster. Creative project: The Isis Club (a novel): http://researchbank.rmit.edu.au/view/rmit:13376 LiminAnimal: The Monster in Late Victorian Gothic Fiction: https://hcommons.org/deposits/download/hc:10438/CONTENT/ejes-article.pdf/ The Monsters Within: Gothic Monstrosity in Dracula, Frankenstein, and Strange Case of Dr Jekyll and Mr Hyde and its Role in Nineteenth Century English Society: http://hdl.handle.net/10810/21432 The satiric grotesque in Poe’s Tales of the Grotesque and Arabesque: http://dspace.bsu.edu.ru/bitstream/123456789/13629/1/Soofastaei_The_satiric_15.pdf Gothic in British Comics: http://eprints.bournemouth.ac.uk/25999/3/MistyFinalpaper.pdf The Suicide Question in Late-Victorian Gothic Fiction: Representations of suicide in their historical, cultural and social contexts: https://lra.le.ac.uk/bitstream/2381/36617/1/-2015_BENYON-PAYNE_DMR_PhD.pdf The Gothic threshold of Sabine Baring-Gould: a study of the Gothic fiction of a Victorian squarson: http://wrap.warwick.ac.uk/35652/1/WRAP_THESIS_White_2010.pdf The mysterious case of Aafia Siddiqui: Gothic intertextual analysis of neo-Orientalist narratives: https://dx.doi.org/10.1177/0305829816647120 ‘The Darkness is the Closet in Which Your Lover Roosts Her Heart’: Lesbians, Desire and the Gothic Genre: http://vc.bridgew.edu/cgi/viewcontent.cgi?article=1309&context=jiws Sapphic Spectres: Lesbian Gothic in Interwar German Narratives: http://orca.cf.ac.uk/64363/1/H%20OConnor%20MPhil%20Thesis%20FINAL%20Amended.pdf Gaetano Lo Monaco – Link a pagine sulla letteratura fantastica 2/10 – http://www.superzeko.net Novas perspetivas da literatura gótica norte-americana: o contributo de A. M. Homes: http://hdl.handle.net/10174/10920 Bernice M. Murphy, The Rural Gothic in American Popular Culture, Backwoods Horror and Terror in the Wildernes: http://dx.doi.org/10.4000/ejas.11395 Exorcising the Past: History, Hauntings and Evil in Neo-Gothic Fiction: http://vital.seals.ac.za:8080/vital/access/services/Download/vital:2333/SOURCEPDF Development of the Gothic romance: https://www.ideals.illinois.edu/bitstream/handle/2142/52021/developmentofgot00myer.pdf?sequence=2 “Gothic” elements in Seneca’s tragedies: http://creativecommons.org/licenses/by-sa/3.0/pl/legalcode The Poe Phenomenon and Cthulhu Mythos - A Cross-Cultural Genre Comparison in the Japanese Afterlives of Poe and Lovecraft: http://hdl.handle.net/1887/34264 Dystopia and Doppelgangers: the Gothic indictment: http://hdl.handle.net/11693/18463 Vampires in the sunburnt country: adapting vampire Gothic to the Australian landscape: http://eprints.qut.edu.au/16668/ Versions of the Gothic in Margaret Atwood’s fiction: http://eprints.utas.edu.au/19613/1/whole_FriesenGailFrances1993_thesis.pdf Gothic and symbolism in american literature: http://eprints.zu.edu.ua/21062/1/%D0%9B%D0%B5%D0%B2%D1%87%D0%B5%D0%BD%D0%BA%D0 %BE.pdf The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature: https://serval.unil.ch/resource/serval:BIB_CDC54765E223.P001/REF.pdf Solving Misconceptions About American Gothicism: a Journey Through Charles Brockden Brown, Nathaniel Hawthorne and Edgar Allan Poe’s Most Representative: http://uvadoc.uva.es:80/bitstream/10324/18896/1/TFG_F_2016_61.pdf Psychological Reflections on Post - Modernist Gothic Literature: http://hdl.handle.net/10536/DRO/DU:30063309 Gothic, Gender and Regenerationism in Emilia Pardo Bazán’s Galicia: http://hdl.handle.net/10871/15516 The Grave affair and other Gothic romances: http://krex.k- state.edu/dspace/bitstream/2097/23837/1/LD2668R4SPCH1988R89.pdf Degeneration in Three Fin-de-Siècle Classics of Gothic Fiction: Lombrosean Monsters, Scientific Turmoil and Gothic London: http://hdl.handle.net/1887/32622 Gaetano Lo Monaco – Link a pagine sulla letteratura fantastica 3/10 – http://www.superzeko.net The transforming muses: stage appropriations of the gothic novel in the 1790s: http://theses.gla.ac.uk/1473/1/2009sagginiphd.pdf Politics and power in the Gothic drama of M.G. Lewis: http://eprints.soton.ac.uk/350637/1/Politics%20and%20Power%20in%20the%20Gothic%20Drama%20of%2 0MG%20Lewis.pdf Beyond ‘Monk’ Lewis: http://etheses.whiterose.ac.uk/17458/ Macabre Short Stories by Edgar Allan Poe and Roald Dahl: http://okina.univ- angers.fr/publications/ua18424/1/caieteechinox35-2018-pp.25-47.pdf Les « procédés de distanciation »: une rupture nécessaire à la fiction brève d’horreur: http://okina.univ- angers.fr/publications/ua18425/1/les_nouvelles_de_roald_dahl_casulli.pdf Une poétique de l’histoire d’horreur: la vision de l’écriture et de l’horreur de Stephen King à partir d’écriture: mémoire d’un métier et d’anatomie de l’horreur: http://semaphore.uqar.ca/1260/1/Francis- Adrien_Morneault_septembre2016.pdf GOTHIC LANGUAGE STYLE IN CHARLOTTE BRONTE’S JANE EYRE (A Stylistics Approach): http://eprints.uns.ac.id/3158/1/165280109201011031.pdf The subjection of men: the domestication and embourgeoisement of the Gothic villain-hero in three Brontë novels: http://hdl.handle.net/10388/etd-09132010-203515 From the sublime to the numinous: a study of Gothic qualities in the poetry and drama of Shelley’s Italian period: http://ir.canterbury.ac.nz/bitstream/handle/10092/11870/Percival_thesis.pdf?sequence=1&isAllowed=y Shakespeare as Predecessor of Gothic Fiction: the Female Figures in Hamlet: https://ddd.uab.cat/pub/tfg/2016/169360/TFG_xeniaserra.pdf Impersonating Spirits: The Paranormal Entertainer and the Dramaturgy of the Gothic Séance: http://www.hud.ac.uk/ourstaff/profile/index.php?staffuid=smusnat Gothic chiaroscuro in nathaniel hawthorne’s the house of the seven gables and Toni Morrison’s Beloved: http://hdl.handle.net/10550/23473 The significance of Catholicism in gothic novels, 1790-1816: a revaluation: http://etheses.whiterose.ac.uk/10978/ The intensifying vision of evil: the Gothic novel (1764-1820) as a self-contained literary cycle: http://vital.seals.ac.za:8080/vital/access/services/Download/vital:2274/SOURCEPDF “Pursuing nature to her hiding-places”: gothic ecofeminism in Frankenstein: http://hdl.handle.net/10388/ETD-2011-10-150 Gaetano Lo Monaco – Link a pagine sulla letteratura fantastica 4/10 – http://www.superzeko.net The Role of the Monk in the English Gothic Romance 1762-1826: http://creativecommons.org/licenses/by-

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    10 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us