LET's LOOK LET's LOOK AGAIN WOMAN's HAT Imagine Seeing

LET's LOOK LET's LOOK AGAIN WOMAN's HAT Imagine Seeing

WOMAN’S HAT Imagine seeing someone wearing this hat. What do you think your reaction would be? Hats often call attention to themselves and their wearers, turning the heads of passersby who want a second look. Although they can serve practical purposes, hats allow for great 1988 Pink synthetic satin and freedom in their design and can become wearable works of art. black synthetic velvet Maximum width: 23 inches (58.4 cm) This dramatic hat, which was probably worn in a fashion show, HUBERT DE GIVENCHY is about twenty inches wide, bright pink, and in the shape of an French, born 1927 undulating wave. The pink satin covers a stiffer material that was molded into this fabulous shape. At the sides of the hat, the wave LET’S LOOK tapers into expressive, pointed ends. The hat seems to magically Describe the color and shape of this hat. What do they hover above the person’s head, but it is actually secured by small remind you of? combs inside the black skullcap that attach to the wearer’s hair How is this hat similar to and to keep it in place. different from hats you have seen or worn? The French fashion designer Hubert de Givenchy (GEE-vohn-she) designed this hat in 1988. As a boy, Givenchy discovered a love LET’S LOOK AGAIN Imagine an occasion when you of fashion by looking through his mother’s style magazines and would wear this hat. Where would it be and what would you do? admiring his grandmother’s collections of old costumes. After working for several designers in Paris, Givenchy opened his own How do you think others would respond if you wore this hat? fashion house in 1952. His designs became well-known when the How would you feel if you famous actress Audrey Hepburn wore them in movies such as wore it? Serious? Playful? Funny Face (1957) and Breakfast at Tiffany’s (1961). Givenchy gained Glamorous? recognition for his simple, elegant clothing designs that featured beautiful lines rather than elaborate decoration. He is also admired for his sense of fantasy and whimsy, especially seen in his headwear. Philadelphia Museum of Art: Purchased with funds contributed by an anonymous donor, 1993-52-3 Looking to Write, Writing to Look | Education | .

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