A Microsociological View of Durkheim's Suicide Seth Abrutyn

A Microsociological View of Durkheim's Suicide Seth Abrutyn

The Socioemotional Foundations of Suicide: A Microsociological View of Durkheim’s Suicide∗ Seth Abrutyn, The University of Memphis Anna S. Mueller, The University of Memphis Citation: Abrutyn, Seth, and Anna S. Mueller. 2014. "The Socioemotional Foundations of Suicide: A Microsociological View of Durkheim's Suicide." Sociological Theory 32(4):327-351. Abstract: Durkheim’s theory of suicide remains one of the quintessential “classic” theories in sociology. Since the 1960s and 1970s, however, it has been challenged by numerous theoretical concerns and empirical dilemmas, particularly the large number of cases that do not appear to fit Durkheim’s general model. The paper below elaborates Durkheim’s macro-level typology of suicide by sketching out the socioemotional structure of suicide that undergirds why social integration and moral regulation matter to suicidality. Beginning with Durkheim’s own insights on the Individual Forms of suicide, we integrate social psychological, psychological, and psychiatric advances in emotions and argue that (1) egoistic, or attachment-based suicides, are driven primarily by sadness/hopelessness, (2) anomic/fatalistic, or regulative suicides, are driven by shame, and (3) mixed-types exist and are useful for developing a more robust and complex multi-level model of suicide that highlights the experience of multiple aspects of social reality. INTRODUCTION Durkheim’s Suicide is a classic in sociology for its methodological ingenuity, theoretical import, and inspired sociological imagination; it is also one of sociology’s most visible works for non-sociological social scientists. Like most classics, in addition to praise, it has drawn criticism on epistemological (Douglas 1967), methodological (Pope 1976; Kushner 1994), and theoretical (Johnson 1965) grounds, and some exasperated sociologists have even questioned its contemporary utility (Nolan, Triplett, and McDonough 2010). One persistent limitation to Durkheim’s theory is that even though it was meant to be a general theory— and unfortunately, ∗ This paper will be appearing in Sociological Forum and thus quotations and citations are expressly prohibited without the consent of the author(s). Please address all correspondence to Seth Abrutyn via phone (901) 678-3031 or email: [email protected] at the Department of Sociology, Clement Hall 231, The University of Memphis, Memphis, TN 38152-0001. We would like to thank the editor and three anonymous reviewers for their comments and suggestions. 1 is still often taught as such— it is not (for a recent review, see Wray, Colen, and Pescosolido 2011). For example, four decades of research on the spread of suicide via role models (Thorlindsson and Bjarnason 1998; Gould 2001; Bearman and Moody 2004; Stack 2005, 2009; Romer, Jamieson, and Jamieson 2006; Abrutyn and Mueller 2014a)—something Durkheim deliberately excluded from his theory—have taxed the explanatory power of Durkheim’s theoretical model. Despite this limitation, the primary thesis of Suicide remains startlingly relevant and insightful for understanding suicide (Pescosolido 1990; Joiner 2007; Wray et al. 2011). As such, sociology’s contribution to the study of suicide would benefit greatly not from dismantling Durkheim, but from elaboration and extension of his theory in light of the robust literature on the social contagion of suicide and a century’s worth of advances in social psychology and emotions. With this manuscript, we offer an elaboration of Durkheim’s sociological theory of suicide by focusing on the socioemotional structure or foundations that underlies both the protective and harmful sides of human interactions. As such, this theory will encompass two of sociology’s most important contributions to suicidology: the protective sides of moral regulation and social integration and the potential for suicides to spread through the social ties Durkheim theorized as protective. We begin by preserving the two essential principles of Durkheim’s original thesis (Pescosolido and Georgianna 1989; Pescosolido 1990; Bearman 1991; Abrutyn and Mueller 2014a): (1) the structure of any social pathology, suicide included, is directly related to the structure of social relationships; (2) the two central dimensions governing the structure of social relationships are integration and (moral) regulation. Next, inspired by insights from Durkheim’s larger body of work, where he acknowledges the important role emotions play in defining how social relations are experienced, we situate Durkheim’s basic principles within a 2 socioemotional theory of suicide. As such, we explore the diversity of social emotions that may motivate individuals to die by suicide, as well as the relationship between one type of emotion and the structural and, importantly, cultural conditions in which it is likely to be formed and expressed. This theoretical strategy makes sense given the growing body of research demonstrating the role emotions play in shaping cognition, meaning, decision-making, and action (Damasio 1994; Camerer 2007; Turner 2007; Franks and Turner 2013), as well as their role in building and maintaining social attachments between people, between people and groups (Collins 2004; Mackie, Maitner, and Smith 2009), and between people and cultural systems (Lawler, Thye, and Yoon 2009; Abrutyn 2014). The article contributes to the sociological study of suicide and to theory more broadly, then, in several ways. First, by systematically bringing Durkheim’s theory into dialogue with the social psychological literature on emotions, as well as the various strands of research on suicide that consider emotions, we can move toward a more robust and comprehensive sociological theory of suicide. A socioemotional theory pushes emotions and culture to the foreground in a way that can supplement and complement the structural insights made by scholars integrating network language and methods with Durkheim’s original thesis (Pescosolido 1990; Baller and Richardson 2009). In a sense, emotions become the bridge between the individual and his or her decision-making and the larger social milieu in which he or she is located. Second, because emotions are powerful motivating and regulating forces for all sorts of action (Hatfield, Cacioppo, and Rapson 1994; Collins 2004; Turner 2007, 2010; Lawler et al. 2009),1 even suicide (Shneidman 1993; Kral 1994; Abrutyn and Mueller 2014b), we can better tease out the differences between integration (structural dimensions of groups) and regulation (socioemotional 1 Social emotions, like shame, pride, and guilt, are especially efficacious mechanisms regulating one’s own and other’s behavior (Goffman 1967; Kemper 1978; Summers-Effler 2004). 3 and cultural dimensions of groups). Third, suicidology has been quick to recognize the importance of “sadness” emotions, like desperation and grief, as motivation for individuals to die by suicide (Weersinghe and Tepperman 1994; Joiner 2007; Walls, Chapple, and Johnson 2007; Pestian, Matykiewicz, and Linn-Gust 2012); however, a burgeoning body of literature emphasizes shame as a key emotional motivation for suicide (Breed 1972; Baumeister 1990; Mokros 1995; Lester 1997; Kalafat and Lester 2000; Adinkrah 2012; Cleary 2012). Durkheim (1897 [1951]:277-94), who actually wrote an insightful, though little read, chapter on the link between emotions and the meso or macro level in which they are experienced, provides the key to understanding how various social emotions can be linked to suicide, particularly when considered in relation to larger social structures or cultures. We begin with a brief overview of Durkheim’s Suicide and the specter of emotions that acts as the foundation for the theoretical work. THEORETICAL BACKGROUND Durkheim’s Le Suicide As noted previously, the core of Durkheim’s theory revolves around two simple tenets: (1) the structure of social relationships shapes the structure of suicide, and (2) the central structural dimensions of social relationships of note are integration and regulation. For our purposes, we conceptualize integration as the quantity and quality of social ties, and regulation as the clarity of norms and sanctions governing those ties. Simply put, Durkheim believed that individuals subject to too little/too much integration (egoism/altruism) or too little/too much 4 regulation (anomie/fatalism), by way of the group or groups they belonged to (or did not, in the case of pure egoism), would be less protected against the impulse toward pathological behavior. In essence, societies—or, more precisely, groups within societies—that fostered fewer social relationships or had weak collective consciences were unhealthier, and suicide rates were but one piece of the empirical evidence. It is conventionally assumed, although remains an open question, that Durkheim saw integration and regulation as independent of each other, but in empirical reality—and in his brief treatment of the “mixed-types” (Durkheim [1897] 1951:287ff.)—they often intersect. Arguably, it is the ambiguity surrounding these two dimensions that undergird the theoretical and methodological critiques leveled against Durkheim (Johnson 1965; Pope 1976; Breault 1994; Nolan et al. 2010). The two underlying issues stem from (1) the tacit use of functionalist imagery when Durkheim sometimes implies there is an “equilibrium” point for being appropriately integrated and regulated (see also Bearman 1991), and (2) his tendency to sometimes separate the two dimensions, and sometimes see them as interdependent. How, for instance, can Durkheim

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    45 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us