22–25 September 2010 pe Institute of Art History, Academy of Sciences of the Czech Republic – Academic Conference Center, Husova 6, Prague 1 International conference organized in association with Suermondt-Ludwig-Museum, Aachen – Administration of Prague Castle – Kunsthistorisches Museum in Wien contact: [email protected], www.udu.cas.cz in the transfer of artistic ideas into Central Euro Hans von Aachen and new research Hans von PROGRAM SCHEDULE pe Wednesday, 22 September 10:00 – 11:00 Registration of conference participants 11:00 – 12:30 Section I: Introducing Hans von Aachen and His Time 11:00 – 11:30 Lubomír Konečný (Institute of Art History, Academy of Sciences of the Czech Republic) Hans von Aachen 1604–2010: Four Centuries of „fortuna critica“ between Art and Politics 11:30 – 12:00 Dirk Jacob Jansen (Maastricht) Taste and Thought: Jacopo Strada and the Development of a Cosmopolitan Art 12:00 – 12:30 Joaneath Spicer (Walters Art Museum, Baltimore, MD) Drawing „from Life“ at the Court of Rudolf II: Mapping the Life Cycle of a Term 12:30 – 14:30 Lunch break 14:30 – 17:00 Section II: Hans von Aachen and Italy 14:30 – 15:00 Isabella Di Lenardo (Università degli Studi di Verona) The “Oltramontani” Network in Venice: Hans von Aachen in Context 15:00 – 15:30 Bernard Jan Hendrik Aikema (Università degli Studi di Verona) Hans von Aachen and Italy: A Reappraisal 15:30 – 16:00 Coffee break 16:00 – 16:30 Eliška Fučíková (Prague) Hans Speckaert, Hans von Aachen and Artists around them 16:30 – 17:00 Eva Jana Široká (Princeton, N.J.) A Fresh Glance at Speckaert’s Drawings 17:00 – 17:30 Edgar Lein (Institut für Kunstgeschichte der Karl-Franzens-Universität Graz) Hans von Aachen und die italienische Skulptur des Manierismus After 17:30 Welcoming reception in the transfer of artistic ideas into Central Euro Hans von Aachen and new research Hans von Thursday, 23 September pe 9:30 – 12:20 Section III: Profane and Sacred 9:30 – 10:00 Lars Olof Larsson (Universität Kiel) Ernst und Humor in den mythologischen Darstellungen der rudolfinischen Künstler 10:00 – 10:20 Michael Niekel (Universität Bamberg) Die Tugend im Focus: Überlegungen zu Hans von Aachens Allegorie in der Stuttgarter Staatsgalerie 10:20 – 11:00 Coffee break 11:00 – 11:30 Abigail Dorothy Newman (Princeton University, Princeton, N.J.) Reconsidering the Recto and Evaluating the Verso of Hans von Aachen’s “Moses Parting the Red Sea” in Princeton 11:30 – 12:00 Štěpán Vácha (Institut für Kunstgeschichte, Akademie der Wissenschaften der Tschechischen Republik) Der Hauptaltar für den Veitsdom aus dem Jahre 1598: Eine kaiserliche Kunststiftung im Sakralbereich 12:00 – 12:20 Alena Volrábová (National Gallery in Prague) Child in the Cradle, Child Saviour 12:20 – 14:30 Lunch break 14:30 – 16:30 Section IV: Dissertations in Progress 14:30 – 14:50 Eliška Zlatohlávková (Charles University in Prague) The Iconography of Emperor Rudolf II 14:50 – 15:10 Sarvenaz Ayooghi (Institut für Kunstgeschichte an der RWTH Aachen) Späher im Dienste des Kaisers: Aquisitionsstrategien und Netzwerk der rudolfinischen Kunstagenten in Italien um 1600 15:10 – 15:30 Markéta Ježková (Charles University in Prague) Rudolf II and the Collection of the De Granvelle Family 15:30 – 15:50 A short coffee break 15:50 – 16:10 Ivana Horacek (University of British Columbia, Vancouver, BC) The Art of the Gift: The “Objects” of Geopolitics at the Court of Emperor Rudolf II 16:10 – 16:30 Joan Boychuk (University of British Columbia, Vancouver, BC) Between Naturalia and Artificialia: The Works of Joris Hoefnagel and the Rudolfine Milieu in the transfer of artistic ideas into Central Euro Hans von Aachen and new research Hans von 17:30 – 19:30 Group visit to exhibition Hans von Aachen: Court Artist in Europe pe at the Picture Gallery of Prague Castle (guided by Eliška Fučíková) 20:00 – 20:45 Concert with Rudolfine music performed by the vocal ensemble Octopus Pragensis (artistic director Petr Daněk) with a small surprise at the Augustinian Hermits Monastery, in the chapel of St. Barbara, Lesser Town of Prague Friday, 24 September 9:30 – 12:00 Section V: Painters and Portraits 9:30 – 10:00 Blaise Ducos (Musée du Louvre, Paris) Mantua and Prague as Rivals: Hans von Aachen and Frans Pourbus the Younger 10:00 – 10:30 Evelyn Reitz (Freie Universität Berlin / Goethe-Institut) Die Gestik in der Bildsprache Hans von Aachens als Ausdruck einer europäischen Hofkunst 10:30 – 11:00 Coffee break 11:00 – 11:30 Andrew John Martin (München) Kaiser, Kaufmann, Kammermaler: Rudolf II., Hans Jakob König, Hans von Aachen und die Prager Kunstsammlungen 11:30 – 12:00 Stephanie S. Dickey (Queen’s University, Kingston, ON) Strategies of Self-Portraiture from Hans von Aachen to Rembrandt 12:00 – 14:00 Lunch break 14:00 – 16:30 Section VI: Issues of Transfer 14:00 – 14:30 Dorothy Limouze (St. Lawrence University, Canton, N.Y.) The Muses and the Liberal Arts: Two Allegories Observed Through a Technological Lens 14:30 – 15:00 Thea Vignau-Wilberg (München) Triumphs for Rudolf: Jacob Hoefnagel, New Aspects 15:00 – 15:30 Coffee break in the transfer of artistic ideas into Central Euro Hans von Aachen and new research Hans von 15:30 – 16:00 Angelica Dülberg (Landesamt für Denkmapflege Sachsen, Dresden) pe Der sächsische Stipendiat Hans Christoph Schürer in der Werkstatt des Hans von Aachen: Entdeckung seiner Gemälde im Schloss Hof bei Oschatz und in der dortigen ehemaligen Schlosskirche 16:00 – 16:30 Thomas DaCosta Kaufmann (Princeton University, Princeton, N.J.) Closing Word After 18:00 Farewell reception at the Villa Lanna Saturday, 25 September In the morning Optional excursions to Prague Castle, Wallenstein Palace, or to the Summer Castle Hvězda Note: Each presentation has a duration of 20 minutes (the shorter one only 10 minutes) and will be immediately followed by a short discussion (no more than 10 minutes). in the transfer of artistic ideas into Central Euro Hans von Aachen and new research Hans von.