January 2001 BAMcinematek 2001 Spring Season BAM Spring Season sponsor: PH I L I P MORRIS ~lAGfHll CO M PANIES INC. That little black bag you've seen all over town ... it's Macy's Visitors Center's free* gift to you! Downtown, midtown, uptown... Macy's tote bag and backpack just seem to be part of the New York scene! How can you get one? Just bring this ad to the Visitors Center on the 34th Street Balcony, along with your current receipt for any Macy's Herald Square purchase of $35 or more, it's yours, lutely free! BAI\11 StagPhill Contents • January 2001 Threehundredsomething 8 The Glyndebourne production of Leos Janacek's The Makropulos Case, directed by Nikolaus Lehnoff, comes to BAM. By Tom Sutcliffe Jacobean Mayhem 22 John Webster's bloody The White Devil is staged at BAM by the Sydney Theatre Mike Hoban Company and Gale Edwards. By Bryce Hallett Program 17 Upcoming Events 46 BAMdirectory 54 Robert McFarlane BA 1\11 Co\LAr Arti't Andres Serrano was born in New York City in 1950 and studied art at the Brooklyn Museurn Art School from 1967 to 1969. His artworks have been exhibited in galleries and institutions around the world. He has had numerous one-person exhibitions including "Body and Soul," a traveling exhibition seen in Norway, Germany, and England, and mid-career retro­ spectives at The Institute of Contemporary Art/Philadelphia and the Groninger Museum/The Netherlands. His photographs have been included in many group shows, with recent exhibitions at the Aldrich Museum of Contemporary Art/Ridgefield, Connecticut; New Museum of Contemporary Art/New York City; the Serpentine Art Gallery/London; and the Victoria & Albert Museum/London. He is represented by Paula Cooper Gallery, New York City. Andres Serrano Hooded Warbler II, 2000 20' X 24' Courtesy Paula Cooper Gallery, New York For BAMart information, contact Deborah Bowie at 718.636.4111 x380. 4 Table for two. Courtesy of Nextel. WI RELESS INTERNET SERVICES You receive a two-way text message from your broker saying, "Stock doubled. Congratulations.· After a short preprogrammed reply of "Wow, • you go to your MSN Hotmail account and email friends. "Can't make the game, something's come up. • NEX TEL DIRECT CONNECT• Using the digital. two-way radio feature, you ask your assistant to call Roberto and reserve the best table in the house. DIGITAL CELLULAR You call your wife and invite her to celebrate. BUSINESS JUST GOT EASI ER . THANKS TO NEXTEL'S WIRELESS INTERNET SERVICES, YOU HAVE EVEN MORE WAYS TO KEEP YOU CONNECTED TO THE CRITICAL INFORMATION YOU NEED TO DO BUSINESS SETTER AND FASTER. More ways than anyone to communicate with everyone."' Nextel phones are manufactured by Motorola, Inc. Nextel. How business gets done. 1-800-NEXTEL 9 nextel.com Check for Nextel Online availability in your area. You can use Nextel Online anywhere in your Nextel Direct Connect service area. To sign up for Nextel Online services, you must also have Nextel digital cellular service. Plus series phones purchased prior to 12/1/99 may require a free software upgrade to take full advantage of Nextel Online. For more details, v1sit your local Nextel service center or go to nextel.com for a list of service centers near you. ©2000 Nextel Communications, Inc. All rights reserved. Nextel, the Nextel logo, Nextel Direct Connect, Nextel Online, and How business gets done are trademarks and/or service marks of Nextel Communications, Inc. MOTOROLA, The Stylized M Logo and all other trademarks indicated as such herein are trademarks of Motorola, Inc. Reg. U.S. Pat. & Tm. Off. Alf other product names and services are the property of their respective owners. Promo: NXNY00-1 06-263 JOSEPH VOLPE ROCKWELL BLAKE Master of Ceremonies STEPHANIE BLYTHE GREGORY lURAY DWAYNE CROFT 2000 Richard Tucker Award Winner MARCELLO GIORDAN I PAUL GROVES JULIUS RUDEL JENNIFER LARMORE Conductor APRILE MILLO MEMBERS OF THE PATRICIA RACETTE METROPOLITAN OPERA ORCHESTRA SAMUEL RAMEY RUTH ANN SWENSON THE NEW YORK CHORAL SOCIETY DOLORA ZAJICK Sunday, February 4, 2001 at 7:00pm Avery Fisher Hall, Lincoln Center GALA TICKETS: S750 per person, including post-performance Artists' Dinner Performance only: Orchestra S3 50, S175 and S100 For information or to reserve tickets, phone the Foundation at 212/757-2218 The Richard Tucker Music Foundation is a non-profit organization founded in 1975 to perpetuate the memory of America's greatest tenor through projects in support of gifted young American opera singers. ADVERTISING Senior SJIC"s Dirt:ctor Frede rick W. 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Thomas t..pointe (New Yortc:), Dorothy Hine (Atlanta), Corpor.uc Dc:vc:lopmcnt Robert Lilley Andrea Mallory (Chicago), Lee Churchman (Philadelphia) Crc.ui,·c ~-c-lopment OiKctor J..C Su.res MARKETING ART & EDITORIAl Director of M:art.cting Jackie Snyder Editor in crucf/Scnior V.r., Venues John lstel Marketing Assoc:iuc Jill Britton F...recutivc &htorjV.P., Venue! Robert Sandia Man.eting Coord.in,.tor Jim S.ggellnk Senior .Managing Editor Tricla Maher-Miller Muteting Desig.ncr Karen Hefntz·Marron Associ.nc ManJging editor Ben Mattison Public Rduion~ Maury Rogoff Senior &litor Robert HIHerty ADMINISTRATION A.~i.uc Editor A.ncty Buck Oim:tor of Human Raoun.""O ;md AdnurusU"Jtivc Senices Janmarfe Tracey AssociJte Editor, Special ProJ«U Belinda Yong ChicfTcclmolOS) Officer George Wortey Art Director Claudia Snipes A.ssisu.m Conuollt'r Howard Kass man Gr:aphic De.sig.ucr K e ..er Thibert Exccuri,·c A.~ist:mt tO the President/CEO Jttfy luen Digjr.tJ Imaging Allct. QU Adl'crtising CoordinJtor Robert Padovano Contributing Photosnpher .Jill Kremenb Credit Manager Loretta DoiMw PROGRAMS Accounts Pay:~blc Flora Gist Man.1.ging Editor Katherine Hughes Sa.lcs Mist.uns Sally Mendonca, Ellen Planthaber, Senior Progr.un Editor Lfaa Yel on Corle Zlnaane,....n, Nicole Ross (L.A.) ProgrJm Editon. .J. Adams Holman, Claire Mangan Office Assisum Jorge Sou Assist.un ProgrJm Editors Will Nolan , Susan Yudt Editorial Assist.uu Jake Qoahert PRODUCTION STAGEBILL is published monthly in Atlanta, Chicago, New York, Production DirectOr Maude Popkin San Francisco, Southern California, and Washington, D.C. Other StagebiJI ManufJcturing Dire(tOr Wil liam Marin editions are published in Dallas, Detroit, Houston, Philildelphia, and St. Senior Production Manager Kathy Copeland Louis. Copyright 2001 StagebiU, Inc. All rights reserved. Printed in USA. Producrion Manager Gillian J. Moran 144 East 44th Strt.'et, Nt'w York, N.Y., 10017 (212) 476-0640 (ax: (212) Tr:affic Coordimnor Catherine Endy 983-5975 www.atageblll.com Secured acquisition financing. Financed an aquarium and a golf course. Enabled a S10 million foreign currency purchase. Lowered interest costs with Bankers' Acceptances. Helped maximize investments via Controlled Disbursement. Opened an asset-based line of credit. Provided working capital to a swimwear company. Used tax-free bond financing to lower a mortgage rate. Integrated 3 banking services into 1 operation. Mastered the art of customer focus. All part of the job for an EAB Relationship Manager. 1-888-0NLY EAB Member ABN AMRO Group EAB. There's a reason people bank here~ All mortgage products offered through EAB Mortgage Company, Inc., a wholly owned subsidiary of EAB. C>2000 EAB: M ember FDIC. Equal Opportun;ty Lender. www.eab.com Glorified at Glyndebourne, Composers Leos Janacek and Benjamin Britten both tackled stories and ideas that had scarcely been ex­ Nikolaus Lehnoff's production of plored by opera before. While Britten concentrated The Makropulos Case--Leas on the theme of the sexual outsider (drawing on his life experience), Janacek explored the realms of fem­ Janacek's brilliant meditation on inism and religion, driven by his sympathy for those like himself whom life (and the ancient rules of the mortality and morality-comes Church) had cheated of the fundamental experience to BAM. By Tom Sutcliffe of love. The Czech composer's marriage was a wasteland (however much his poor wife wished to sustain it), and his transfiguration after he met his Anjua Silja in The Makropulos Case beloved soul mate, Kamila Stosslova, clearly ac­ Photo by Mike Hoban counts for the extraordinary creative flourish of his 8 WHY. HOW. I n t r 0 d U C i n g A C u r a M D X . 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