PRESS 2012 Nick Clark, 'Antony Gormley Warns Arts Cuts Britain Is In

PRESS 2012 Nick Clark, 'Antony Gormley Warns Arts Cuts Britain Is In

PRESS 2012 Nick Clark, 'Antony Gormley warns arts cuts Britain is in danger of becoming a 'society of robots'', The Independent Online, London, England, 17th December 2012 Various, 'Halt this savage attack on the arts', The Guardian, London, England, 16th December 2012 Rachel Spence, 'Gormley breaks free from the figure', The Financial Times, London, England, 5th December 2012 Nigel Farndale, 'I Feel Terribly Misunderstood', The Sunday Telegraph Seven Magazine, London, England, 2nd December 2012 Rachel Campbell-Johnston, 'Step Inside the Body Beautiful', The Times, London, England, 28th November 2012 Mark Brown, 'The Show That Really Gets Inside Gormley's Work', The Guardian, London, England, 27th November 2012 Howard Halle, 'Antony Gormley 'Bodyspace'', Time Out New York, New York, U.S.A., 12th November 2012 Dorothy Spears, 'Gallery as Museum, Art Dealer as Curator', The New York Times, New York, U.S.A., 26th October 2012 Kat Austen, Liz Else & Sumit Paul-Choudhury, 'Engineer of Experience', New Scientist, London, England, 13th October 2012 Von Hanno Rauterberg, 'Hier ist das Leben!', Die Zeit, Hamburg, Germany, 20th September 2012 Chesney Hearst, 'The Forms of Antony Gormley Art in Rio', The Rio Times, Rio de Janeiro, Brazil, 18th September 2012 'Antony Gormley', The Art Newspaper Online, London, England, 18th August 2012 Ben Luke, 'Antony Gormley: Still Standing, White Cube (Hoxton Square) - review', Evening Standard, London, England, 14th August 2012 Florence Woodfield, 'Interview: Antony Gormley', Time Out Rio de Janeiro, Rio de Janeiro, Brazil, 5th August 2012 Richard Wilson, 'Angel Artist and Baltic Founders Made Honorary Freemen of Gateshead', ITV News Online, 25th July 2012 Anna Sansom, 'Standing Tall, Antony Gormley in the Landscape', DAMn Magazine, Gent, Belgium, 1st July 2012 Barbara Hein, 'Die Meta-Ebene', Art-Kunstmagazin, Berlin, Germany, 1st July 2012 Anna Sansom, 'Antony Gormley', Noblesse Magazine, 1st July 2012 Sophie Gilbert, 'Antony Gormley on Drawing', The Washingtonian, Washington D.C., U.S.A., 6th June 2012 Gilberto Scofield Jr, 'Os Corpos Dramaticos de Antony Gormley', O Globo, Rio de Janeiro, Brazil, 13th May 2012 Eduardo Graca, 'Britanico Manipula espaco public com suas esculturas', Valor Economico, Sao Paulo, Brazil, 10th May 2012 Tom Allsop/Claire Rigby, 'Art on a Human Scale', Time Out Sao Paulo, Sao Paulo, Brazil, 10th May 2012 Camila Molina, 'Corpos de Gormley na Cidade', O Estado de Sao Paulo, Sao Paulo, Brazil, 9th May 2012 Paolo Russo, 'Antony Gormley e Nikhil Chopra l'arte è un viaggio nello spazio', La Repubblica Firenze, Florence, Italy, 4th May 2012 Rodrigo Russo, 'Antony Gormley espalha homens nus no centro de SP', Folha de Sao Paulo Ilustrada, Sao Paulo, Brazil, 3rd May 2012 Camila Belchior, 'Questao de espaco', Bamboo, 1st May 2012 Sabine Danek, 'Erhabener Nervenkitzel', Szene Hamburg, Hamburg, Germany, 1st May 2012 Michele Robecchi, 'Antony Gormley: Corpi Come Vascelli', Flash Art Italy, 30th April 2012 Julika Pohle, 'Uberm Horizont geht's weiter', Die Welt, Germany, 27th April 2012 Katja Engler, 'Selbster fahrung auf schwarzem Spiegel', Welt am Sonntag, 22nd April 2012 Pia Capelli, 'Un bel corpo a corpo con Gormley', Il Sole 24 Ore, Italy, 22nd April 2012 Dina Medland, 'Good Head For Figures Takes Sculptor to the Top', The Financial Times (Exec Appointments), London, England, 19th April 2012 Mike Dixon, 'Antony Gormley', Tanz, 1st April 2012 Louise Jury, 'Never again, says Antony Gormley's wife after they create first joint artwork', The Evening Standard, London, England, 20th March 2012 Sarah Phillips, 'How We Made?Bed', The Guardian, London, England, 8th February 2012 Alex Needham, 'Antony Gormley: Don't Criminalise Squatting', The Guardian, London, England, 31st January 2012 Anon, 'Eisenmanner bleiben hartes Thema', Vorarlberger Nachrichten, 23rd January 2012 Kate Kellaway, 'Exhilaration in the Eye of A Roaring Soundscape', The Observer, London, England, 15th January 2012 Mark Monahan, 'Linked by a love of Bodies', The Telegraph Review, London, England January, 7th 2012 2011 Libby Powell, 'Interview with Antony Gormley', New Internationalist Website, England, November 2011 Dr Janet MacKenzie, Studio Visits No 2: Antony Gormley, Studio International, November 2011 Nancy Durrant, 'We Were in Winter Now It's Spring', The Times, London, England, 25th October 2011 Author Unknown, 'Antony Gormley at Le Moulin, L'Espace Plus Que Le Corps', Amateur D'art par Lunette Rouges, France, 24th October 2011 Alastair Sooke, 'Playing with Marbles', RA Magazine, London, England, Winter 2011/12 Michael Glover, 'Of Gods and Men in St Petersburg', The Independent (Arts & Books Section), London, England, 23rd September 2011 Richard Smirke, 'Body Works', The Big Issue in the North, Manchester, England, 5th September 2011 Peter Aspden, 'Gormley on the Loose at the Hermitage', Financial Times Weekend Magazine, London, England, 17/18 September 2011 Jonathan Gawthorpe, 'Brick Man's Return', The Yorkshire Post, England, 3 September 2011 Paul B. Franklin, 'Antony Gormley, Thaddaeus Ropac', Art in America, USA, September 2011 Antony Gormley, 'Louder Than Words', Resurgence, Devon, England, September 2011 Elizabeth Lynch, 'Antony Gormley: Transport', Sculpture Magazine, July/August 2011 MJP, 'Antony Gormley', The Art Economist, USA, July 2011 Finn Skarderud, 'Den fenomenale kroppen', Journal of the Norwegian Psychological Association, July 2011 Colin Coyle, 'DDDA sculpture left high and dry', The Sunday Times, London, England, 2 May 2010 Richard Lord, 'Bodies at Work', Asia Tatler, Hong Kong, May 2011 Robert Nelson, 'Robotic adventures in existential despair', The Age, Sydney Australia, 23 March 2011 Jutta Berger, 'Aufi zu den Eisenmannern!', Der Standard, Vienna, Austria, 15 March 2011 'Antony Gormley's rooftop sculptures are making New Yorkers jumpy', Times Online, 12 March 2010 Dan Rule, 'One man among many', The Saturday Age, The Age, Sydney, Australia, March 5 2011 Eelco de Winter, 'Van draadmodel tot polderreus', Bouwen Met Staal, Zoettermeer, The Netherlands, February 2011 Herbert Volker, 'Art in the Open', The Red Bulletin (in association with the Sunday Telegraph), London, England, February 2011 Nancy Durrant, 'After Angel of the North, a body of nails in a cathedral', The Times, London, England, 31 January 2011 Richard Cork, 'New light through old windows', Financial Times, London, England, 29 January 2011 Samira Shackle, The NS Interview, New Statesman, London, England, 17 January 2011 2010 David Bullock, 'Inconceivable Border', Zeitraum, Lech Zurs am Arlberg, Austria, Winter 2010 Belinda Fiebiger, 'Gedanken, so biegsam wei hei ßes Eisen', Next Art, 2010 Door Rudi Fuchs, 'Kijken', De Groene Amsterdammer, 11 November 2010 Achille Bonito Oliva, 'Antony Gormley: Cosi un disegno si trasforma in scultura', la Repubblica, 6 November 2010 Rachael Barrett, 'Figuring it Out', Apollo Magazine, London, England, November 2010 Stuart Isacoff, 'Moving Toward the Modern', Wall Street Journal, New York, USA, 1 November 2010 Martin Herbert, 'Plinthers - on and off stage', The Daily Telegraph, London, England, 30 October 2010 Han Ceelen, 'Wachten op de sterren', De Morgen op Zaterdag, Brussels, Belgium, 18 September 2010 Sandra Smets, 'Poepende man peinst over het artificiele land', NRC Handelsblad, Rotterdam, Holland, 18 September 2010 Arnoud Breitbarth, 'Knielende man in Lelystad', De Telegraaf, Amsterdam, Holland, 17 September 2010 Charlotte Higgins, 'Gormley's squatting man bemuses Dutch', The Guardian, London, England, 28 August 2010 Koos de Wilt, 'De hurkende reus van Lelystad', FD Persoonlijk, Het Financieele Dagblad, Amsterdam, Holland, 28 August 2010 Jean West, 'Space man', The Big Issue in the North, Manchester, England, 9 - 16 August 2010 Peter Aspden, 'High Concept', Financial Times, London, England, 7 August 2010 Peter Aspden, 'Angel of the North creator to give BBC Radio 4 Reith lectures', Financial Times, London, England, 7 August 2010 Antony Gormley, 'The Iron Men', Review, The Guardian, London, England, 7 August 2010 Edith Schlocker, 'Rostige Wachter der Hohen', Die Presse, Vienna, Austria, 2 August 2010 David Bullock, 'Exploring the Field', Zeitraum Magazine, Lech Zurs am Arlberg, Austria, Summer 2010 Anne Katrin Febler, 'Blutende Stellvertreter des Menschen', Kulture, Der Standard, Vienna, Austria, 31 July 2010 Mark Brown, 'Antony Gormley poses lofty questions in the Austrian mountains', The Guardian, London, England, 30 July 2010 Interview with Antony Gormley, 'Bikes for hire!', Time Out, London, England, 29 July 2010 Brian Carter, 'Anchorage, Alaska, US - Antony Gormley's statue gazes out at the Alaskan wilderness', Architectural Review Online, 27 July 2010 Alice Jones, 'The hills are alive', The Independent Magazine, London, England, 24 July 2010 Antony Gormley, 'This site is a real challenge to artists', The Independent, London, England, 20 July 2010 Stuart Jeffries, 'Nothing to see here', G2, The Guardian, London, England, 12 July 2010 Dalya Alberge, 'Gormley's human figures make their last stand high in the Austrian Alps', The Observer, London, England, 4 July 2010 Peter Jackson, 'Indentities', Introducing Human Geographies, 2010 Koos de Wilt, Interview with Antony Gormley, Hollands Diep, Amsterdam, Holland, July/August 2010 Martin Wainwright, 'Trees obscure sculpture', The Guardian, London, England, 28 June 2010 Tim Cornwell, 'Antony Gormley comes to the Water of Leith - for 1,000 years', The Scotsman, Edinburgh, UK, 23 June 2010 Phil Miller, 'Gormley bares all for sake of secret river

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    9 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us