Scholars Journal of Arts, Humanities and Social Sciences ISSN 2347-5374 (Online) Sch

Scholars Journal of Arts, Humanities and Social Sciences ISSN 2347-5374 (Online) Sch

Thinkwell Ngwenya.; Sch. J. Arts. Humanit. Soc. Sci. 2015; 3(2C):510-515 Scholars Journal of Arts, Humanities and Social Sciences ISSN 2347-5374 (Online) Sch. J. Arts Humanit. Soc. Sci. 2015; 3(2C):510-515 ISSN 2347-9493 (Print) ©Scholars Academic and Scientific Publishers (SAS Publishers) (An International Publisher for Academic and Scientific Resources) Circum Atlantic Space and Class Identity Formation and Transformation: The Case of The European, The African and The American in The English Novel Thinkwell Ngwenya Great Zimbabwe University, Faculty of Arts, Department of English and Media Studies, Masvingo, Zimbabwe *Corresponding Author: Thinkwell Ngwenya Email: [email protected] Abstract: The argument in this paper says identities are not given but they keep changing particularly in ―The New World‖ and this paper looks at English literature, Daniel Defoe‘s Robinson Crusoe and Alexander Exquemelin‘s The Buccaneers of America. Defoe shows the new avenues and possibilities of self exploration offered by the New World. In this book the concept of identity will be discussed vis-à-vis the ship, the sea, and the island chronotopes. The contention being that these alternative spaces exert certain demands and expectations on individuals which make constant adjustments and metamorphosis inevitable for both Robinson Crusoe and Friday, his servant. Meanwhile, Alexander Exquemelin‘s portrays the Atlantic world with its connecting link, the ship as elastic space which can be exploited, manipulated, appropriated, and utilized for self creation, agency and subjectivity. Both Robinson Crusoe and The Buccaneers of America deal with the issue of economic subjectivity: i.e. the romanticized and idealized homo- economicus of Robinson Crusoe in his utopian island and the real world of conspiracy and piracy, extravagancy, debauchery, and waste of the buccaneers. The two texts show the honorific and the horrific ways of material accumulation and identity formation and transformation which the Atlantic space made possible from the seventeenth right up to the early nineteenth centuries. The two novels in contention show two contradictory manifestations of the ‗imperial identity‘ namely the noble merchant and the despicable pirate‘s quests for bullion and status.. Keywords: English literature, noble, Robinson Crusoe DISCUSSION romanticized and idealized homo-economicus of In the light of Paul Gilroy and Alan Karras‘ Robinson Crusoe in his utopian island and the real theoretical assumptions about identity formation and world of conspiracy and piracy, extravagancy, transformation in the Atlantic liminal space this paper debauchery, and waste of the buccaneers. The two texts seeks to analyze two texts which privilege Atlantic show the honorific and the horrific ways of material space, circulation, interaction, and identity issues. accumulation and identity formation and transformation Daniel Defoe‘s Robinson Crusoe shows the new which the Atlantic space made possible from the avenues and possibilities of self exploration offered by seventeenth right up to the early nineteenth centuries. the New World[3]. In this book the concept of identity The two novels in contention show two contradictory will be discussed vis-à-vis the ship, the sea, and the manifestations of the ‗imperial identity‘ namely the island chronotopes. The contention being that these noble merchant and the despicable pirate‘s quests for alternative spaces exert certain demands and bullion and status. expectations on individuals which make constant adjustments and metamorphosis inevitable for both As already implied both Gilroy and Karras Robinson Crusoe and Friday, his ―inferior other‖ or argue that Atlantic America should be studied as a subaltern. In a similar vein Alexander Exquemelin‘s single unit connected by the ocean, the ship, and The Buccaneers of America portrays the Atlantic world seaborne trade. Gilroy‘s noble project[7], The Black with its connecting link, the ship as elastic space which Atlantic: Modernity and Double Consciousness forces can be exploited, manipulated, appropriated, and us to rethink of the Middle Passage, i.e. the liminal utilized for self creation, agency and subjectivity. The oceanic space between Europe, Africa, and the deck of a pirate ship, it has been observed, was the most Americas as, inter alia a cultural melting pot. A space of empowering place for low class people including blacks fusion, cultural cross-fertilization, syncretism, within the eighteenth century white man‘s world. Both eclecticism, cultural exchange, hybridity, and Robinson Crusoe and The Buccaneers of America deal intermixture of ideas, ―instability and mutability of with the issue of economic subjectivity: i.e. the identities which are always unfinished, and always Available Online: http://saspjournals.com/sjahss 510 Thinkwell Ngwenya.; Sch. J. Arts. Humanit. Soc. Sci. 2015; 3(2C):510-515 being remade‖ (xi). He forces us to rethink identity, symbols of freedom, limitlessness, and absence of nationality, and ethnicity not in essentialist terms which differentiation for the claustrophobic Crusoe who is privilege purity, origin, roots, and homogeneity. Gilroy against the rigid patriarchal hierarchies and structures deliberately shifts from ―roots‖ as the epicenter of inherent in the English society of his day. For a start the origin and authentic identity; a trope popularized by ship represents alternative space with different Alex Hailey‘s famous book, Roots, which elevates expectations and status markers. It is more than just a Africa to the ideal and uncontaminated origin of black vessel of economic trade, contact, education, and culture and stable identities. He rather opens up these cultural exchange but opens a world of possibilities for terms and sees the Middle Passage as the central Crusoe. metaphor of ―cross cultural circulation‖ and privileges roots‘ homonym routes, which is loaded with such Prior to the Guinea voyage we should concepts as mobility, transition, fluxes, change, and remember that the rebellious Crusoe is hardly a transformation. In this logic he sees identities of blacks seafarer, has no trade or apprentice, has no fortune or which are his primary concern as constantly being name but the ship space, i.e. the time spent on the ship formed and performed, as temporal processes, as itself en route to Guinea and the activities and negotiations with space and place, geography and interactions in it go a long way into preparing him for history rather than as permanent, stable, and static the twenty-eight years of isolation on the remote island. products. As he goes on board the Guinea-bound ship Crusoe, who is a nonentity outside the confines of the ship, Gilroy urges ―cultural historians‖ to ―take the joyfully contemplates the possible ranks or identities Atlantic as one single, complex unit of analysis in their that await him in the ship: ―... yet at the same time I had discussions of the modern world and use it to produce learned the duty and office of a fore-mast man; and in an explicitly transnational and intercultural time might have qualified myself for a Mate or perspective‖(15) . He wants us to understand modernity Lieutenant, if not for a Master: …‖ (15). As expected in from the onset of plantation slavery, and hence any the ship to Guinea, Crusoe makes new contacts, new discussion of the modern world and modern identities friends, and new acquaintances as he travels as the should put due weight on the liminal space of the Captain‘s ―mess-mate and companion‖ and this shows Atlantic in forming and transforming identities of both that the ship is an alternative social space. The trade or slaves and masters. It is not Europe, or Africa which economic functions of the ship are underlined by the should be the central focus of the modern identity as fact that Crusoe points to the ―toys and trifles‖ he both places represent old and finite selves but the carried to Africa as exchange items and the fortune of Atlantic world which represents the alternative space, ―5.9 ounces of gold dust‖ he brought back. The the alternative identities, and infinite possibilities. Alan mathematically precise mechanic and accountant we Karras‘s book[8] Atlantic American Societies: From later encounter in the island of isolation was trained and Columbus through Abolition, 1492-1888 concurs with nurtured in this very ship‘s space and duration of travel Gilroy and adds that the ―discovery‖ by Christopher and not in any sophisticated academic institution as we Columbus in 1492 ended the geographical, cultural, learn: political, and economical isolation of the now This was the only voyage which I may say Americas. Karras aptly puts it: ―Columbus‘ first was successful in all my adventures, and voyage, in 1492, serves as an historical reference point. which I owe to the integrity and honesty of From this moment in time forward, the histories of my friend and Captain, under whom also I Europe, America, and Africa became inextricably got knowledge of mathematicks and the rules linked. Peoples and cultures began to interact regularly‖ of navigation, learned how to keep an [1]. He argues that from 1492 to 1888 there was so account of the ship‘s course, … in short, to much movement and interactions among people, understand some things that were needful to cultures, economies, and environments of disparate be understood by a sailor: For, as he took places and dissimilar peoples within the region so much delight to introduce me, I took delight to that it makes great academic sense to

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    6 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us