CHANGELINGS: HIGH SCHOOL PERFORMANCE EDITION Written by Reina Hardy Reinahardy.com 312-330-3031 [email protected] For whatsoever from one place doth fall, Is with the tide unto another brought: For there is nothing lost, that may be found, if sought. -The Fairy Queen, Edmond Spenser Forget about the baby. -Labyrinth, David Bowie Note: This version of the script takes place in Austin, TX, but could be adapted to any city with at least one university. ii. Casting Information Humans, in order of appearance The Young Mother- female Luther Powers- male, early 20s. Has a habit of holding eye contact with others for entirely too long. Megan Powers- His sister. Female, early 20s. Knows she is pretty. Timothy Stamp- Her fiance. Male, early 20s. Magus Kemp- any gender, but male is preferred. A grandiose and talkative wizard. Angus Powers- male, 30s-40s. A less than ideal father from the Elizabethan era. Fairies, in order of appearance (note, with the exception of the Wicked Child and Pandora, the gender casting for fairies is quite flexible. Adjust pronouns as needed.) The Wicked Child/Elizabeth- female, appears around 13. A whimsical, dangerous fairy princess with a habit of stealing babies. The Whiteling- any gender, sort of a mother of pearl gargoyle thing. The Mysterious Figure/Pandora- female. An immensely powerful and scary fairy queen. The Luck Angel- any gender. A very kind and pretty fairy. Luwis- any gender. A fairy janitor. Grunts. Bantam Beth- a little girl who is also a fierce fighter. Bantam- the same person as Bantam Beth, but a large burly dude. Things get confusing in fairyland. The Sphinx- any gender- an ancient riddle master The Butt Part of the Sphinx- any gender- this should be self explanatory. The Duelist-any gender- a flamboyant fighter in a variety of styles. Nightshade- any gender. The duelist's acolyte. Morning Glory- any gender. The duelist's other acolyte. Nursey- a very strange caretaker. "Movement chorus” of fairies. This chorus can be double cast with the smaller roles, and can be used to create magical effects with mime, dance and spectacle. Gender breakdown for speaking roles 11 any gender 4 female 4 male Largest roles: Luther, Megan, Timothy, The Wicked Child/Elizabeth, Magus Kemp Good-sized roles: Pandora, Whiteling Smaller Roles: Luck Angel, Luis, Bantam Beth and Bantam One-scene roles: The Young Mother, Angus Powers, The Sphinx, The Butt Part of the Sphnix, The Duelist, Nightshade, Morning Glory, iii. Nursey. PROLOGUE A park somewhere, on the first nice day of the year. People are laughing, it’s sunny. A mother drinks coffee and coos at her baby. A young man sits with a guitar. He picks at the strings, but can’t seem to make any kind of tune. His name is Luther, and he’ll be important. Someone starts to hum, a simple children’s tune. This seems to terrify and enrage Luther, but he can’t move. Elizabeth enters, smiles at Luther, and puts her fingers to her lips before approaching the baby. ELIZABETH Hi baby! Hi! You have such beautiful eyes. MOTHER His name is Joshua. ELIZABETH He's your firstborn, right? MOTHER That obvious? He likes you! ELIZABETH I like him too. Do you want to come home with me, baby? MOTHER (laughing) Take him, I haven’t slept all week. Elizabeth reaches towards the baby, to pick him up. MOTHER (CONT’D) Oh, careful- (She wants to stop Elizabeth but she’s holding her coffee.) He usually cries if a stranger picks him- She puts her coffee down. Then she looks up. The girl has vanished. So has the child 2. MOTHER (CONT’D) Where - She tries to run but she doesn’t know which way. Bystanders move around her. No-one sees. No-one helps. MOTHER (CONT’D) Joshua. (screaming) Joshua! Music is coming from everywhere now, wild and thrilling and lovely, and the baby is gone, gone, gone. Exeunt. ACT 1 SCENE 1- “WHAT ARE YOU DOING IN A TUXEDO STORE?” Tuxedo store. Sappy music. Timothy, an eager if not particularly dashing groom, is changing behind a curtain. TIMOTHY Hey Megs! Sweetie? Megan? Enter Megan Powers. She's about twenty-one and knows she is pretty. TIMOTHY (CONT’D) You wanna come take a look at this one? MEGAN Baby, it's bad luck... Tim enters. Megan puts her hands over her eyes. TIM That's only for brides. Look, I think the cut adds about 3 inches to my height. Take your hands away. Your eyes are still closed. MEGAN What are you going to do about it? He kisses her. Blue (mm/dd/yyyy) 3. TIM Hey listen, they’re playing our song. MEGAN Our song is a saxophone cover of “Such Great Heights”? TIMOTHY THEY WILL SEE US COMING FROM SUCH GREAT HEIGHTS... MEGAN Shut up shut up shut up! TIM * Are you crying? MEGAN No. I'm just covering my eyes so I don't look at you. TIM Wait here. I'll try on the other jacket, so you can not look at that one too. He exits. A bell rings. Megan looks around. Luther comes into the shop. LUTHER Megan? MEGAN Luther? What are you doing here? / Are you following me? LUTHER I need to talk to you. MEGAN (overlapping) You can't follow me, you can't stalk me, don't touch me- LUTHER It happened again. MEGAN Yeah. So? Pause. 4. LUTHER What are you doing in a tuxedo store? Pause. Timothy enters, cheerfully pulling at his cuffs. TIMOTHY So, this one is double-breasted.... It’s sort of dapper... but am I pulling it off, or is it wearing me..... He registers Luther. TIMOTHY (CONT’D) Hey sweetie. Who's this? MEGAN Tim. This is Luther, my brother. Luther. This is Timothy. My fiance. LUTHER Your fiance? MEGAN Yes. My fiance. We're getting married tomorrow. TIMOTHY So this is Luther. I'm sorry, I thought you were overseas. LUTHER Megan, I need to talk to you. TIMOTHY That's a great idea! Let's all go get coffee- we can talk, get to know each other- LUTHER Now, Megan. TIMOTHY Or a drink- maybe we could all go get a drink- MEGAN There's no time for that. TIMOTHY I mean, things are a little hectic but we definitely want you to be involved- 5. MEGAN Let me handle this TIMOTHY I mean, I'm marrying your sister tomorrow LUTHER NO. You are not getting married tomorrow You are not getting married. You can't. Pause. TIM Ok. I'm going to let you two have some family time. Because, obviously that's been missing, at some point. But Megan, I will be right outside, waiting for you. The second you need me, call. I will never go away. He exits. He comes back on. TIM (CONT’D) I can't leave the store wearing this. Excuse me. He goes into the dressing room. LUTHER That is your FIANCE? MEGAN Keep your voice down. LUTHER At half-past two today, a year-old child named Joshua Black vanished from his stroller- MEGAN He was a relative, I assume? LUTHER Nephew of a second cousin. She did it right in front of me. MEGAN She always liked you. Blue (mm/dd/yyyy) 6. LUTHER You know what you're risking. Do you want to end up like Mom and Dad? What are you * going to do if you get pregnant? MEGAN Take care of it. LUTHER I don't know what that means. MEGAN Luther, trust me. I have this under control. What happened to Eileen is not going to happen to my baby. LUTHER What do you mean, your baby? Does he know? MEGAN Of course he doesn’t know. LUTHER I'm going to tell him. MEGAN Go ahead. “Hi, I'm some big crazy dude you've never met. You can't marry my sister because she has a strong genetic tendency to have her children stolen by a fairy. You can't stop us, Luther. He loves me. LUTHER Do you love him? There is an awful silence. A new, terrible song begins. Megan runs out of the shop, slamming the door. TIM Meggy? Timothy comes in from the changing room, adjusting his sweater. TIM (CONT’D) Is she ok? 7. LUTHER She said that you and I could talk. TIM Oh. Good. Because I have something to say. Luther, I know you don't trust me, and I can't blame you. Because it looks like I'm the guy who snuck up out of nowhere and swept your sister off her feet. But believe me, I'm not that guy. I could never be that guy, people would laugh at me. If anything, I'm the one who's upside down, and totally irrational because I really, and I truly, I love Megan Powers. She just destroys me. Every bone in my body wants to protect her. I feel like there isn't enough in this world to protect her from, I'm just going to want to prove too much and keep on talking like an idiot about it. Which - Look, the upshot is, I don't care if you don't like me. I just want you to know that this is real. LUTHER I like you. TIMOTHY What? LUTHER I like you. I like you very much. TIMOTHY You don't seem very happy about it. LUTHER People tell me I'm hard to read. (Pause). How did she meet you? TIMOTHY It was like fate.