84 READING LIST Only critical works directly relating to Doctor Faustus are included. Place of publication is London where not stated. Asterisks denote works represented in Jump's Casebook on the play. Nigel Alexander, 'The Performance of Marlowe's Dr Faustus', Proceedings of the British Academy, 57 (1971) pp. 331-49. Erudite stage-centred discussion of play's impact. Max Bluestone, 'Libido Speculandi: Doctrine and Dramaturgy in Contemporary Interpretations of Marlowe's Doctor Faustus', in N. Ribkin (ed.), Reinterpretations of Eli~abethan Drama (New York and London, 1969) pp. 33-88. Impressive survey demonstrating impossibility of simplistic readings of play . .1. P. Brockbank, Marlowe: Dr Faustus (1962). Incisively compact introduction. * Nicholas Brooke, 'The Moral Tragedy of Doctor Faustus', Cambridge Journal, 5 (1951-2) pp. 662-87. Brilliant analysis of playas 'inverted morality'. * Cleanth Brooks, 'The Unity of Dr Faustus', inJ. Lawlor and W. H. Auden (eds), To Nevill Coghill from Friends (1966) pp. IIG-24. Defends integrity of the whole work. * Wolfgang Clemen, English Tragedy before Shakespeare, trs. T. S. Dorsch (1961). Places the accent on dramatic speech. Douglas Cole, Suffering and Evil in the Plays of Christopher Marlowe (Princeton, NJ, 1962). Ch. 5 relates Faustus to religious and dramatic traditions of its day. T. W. Craik, 'Faustus' Damnation Reconsidered', Renaissance Drama, 2 (1969) pp. 188-96. Verna Ann Foster, 'Dr Faustus on the Stage', Theatre Research, 14 (1974) pp. 18-44. Invaluable survey of productions 189~1968. W. W. Greg, 'The Damnation of Faustus', Modern Language Review, 41 (1946) pp. 97-107. Staunch support for damnation as attendant on copulation with demon. * Michael Hattaway, Eli~abethan Popular Theatre (1982). Illuminates Faustus in context of stage conditions of the period. Pauline Honderich, '.John Calvin and Dr Faustus', Modem Language Review, 68 (1975) pp. 1-13. Sees Faustus's inability to repent as influenced by Calvinistic determinism. JohnJump (ed.), Marlowe: Dr Faustus, Macmillan Casebook (1969). Alvin Kernan (ed.), Two Renaissance Mythmakers: Christopher Marlowe READING LIST 85 and Ben Jonson (1977). Includes Edward A. Snow's 'Marlowe's Dr Faustus and the Ends of Desire'. Nicholas Kiessling, 'Doctor Faustus and the Sin of Demoniality', Studies in English Literature 1500-1900, 15 (1975) pp. 205-11. Takes issue with Greg, above. Leo Kirschbaum, 'Marlowe's Faustus: A Reconsideration', Review of English Studies, 19 (1943) pp. 225-41. Argues for orthodox Christian interpretation. * Harry Levin, The Overreacher (Cambridge, Mass., 1952; London, 1954). Respected study, seeing Faustus's as 'the atheist's tragedy' but perhaps an arbitrary one. * Charles G. Masinton, Christopher Marlowe's Tragic Vision: A Study in Damnation (Athens, Ohio, 1972), esp. ch. 6: 'A Devilish Exercise: Faustus and the Failure of Renaissance Man'. J. C. Maxwell, 'The Sin of Faustus' , The Wind and the Rain, 4 (1947) pp. 49-52.* Robert Ornstein, 'The Comic Synthesis in Doctor Faustus', English Literary History, 22 (1955) pp. 165-72. Makes excellent case for relevance of comic scenes. * Michael Scott, Renaissance Drama and a Modern Audience (1982). Ch. 2 discusses the modernity of Doctor Faustus. James Smith, 'Marlowe's Doctor Faustus', Scrutiny, 8 (1939-40) pp. 36-55. Pioneering essay on the playas a morality. * Robert Speaight, William Poel and the Eli:;:.abethan Revival (1954). Discusses (pp. 113-19) the productions of 1896 and 1904. J. B. Steane, Marlowe: A Critical Study (Cambridge, 1964). Arbitrates sensibly between rival extremes. * Judith Weil, Christopher Marlowe: Merlin's Prophet (Cambridge, 1976). Sees irony at heart of Marlowe's attitude to his protagonists. Robert H. West, 'The Impatient Magic of Dr Faustus', English Literary Renaissance, 4 (1974) pp. 218-40. Reviews recent work, attempting to resolve the question of Faustus's tragic fall. The Tulane Drama Review, 8:4 (Summer 1964), devoted to Marlowe, contains G. K. Hunter on Faustus's five-act structure, C. L. Barber's 'The Form of Faustus' Fortunes Good or Bad', and Jerzy Grotowski on staging the play in Poland, as well as stimulating general essays by Harry Levin, Jo'm Russell Brown and Jocelyn Powell. 86 INDEX OF NAMES ACTORS Brooke, Nicholas 18, 21, 25, :H, .12, Alleyn, Edward 15 79 Aubrey, James 50,57,63-4 Brown, Ivor 58 Burton, Richard 49,57,60,63,80,81 Clemen, Wolfgang 40 Carter, Huhert 57 Cox,John 61,71 Daneman, Paul 49,54,57,59,60,64, Craik, T. W. 20 80--1 Cunningham, Francis 17 Dohtcheff, Vernon 60-1,80 Ellis, Havelock 17 Eadie, Dennis 65 Ellis-Fermor, Una 17 Eddison, Rohert 48, 49, 66, 74 Ervine, St John 65,69 Goodliffe, Michael 49, 66 Evans, Gareth Lloyd 49, 62, 66, 72 Griffith, Hugh 48, 65-6 Fleming, Peter 58 Hardiman, Terrence 66 Foster, Verna Ann 66, 79 Hardwicke, Sir Cedric 48,58,81 Greg, Sir Walter 16, 19,45, 79 Harris, Rohert 48, 53, 58-9, 62 Grein,J. T. 57 Howard, Alan 50 Hazlitt, William 1:1 Ingleton, George 65 Holland, Mary 61, 74, 76 .I ames, Emrys 66--7 Honderich, Pauline 29 Kingsley, Ben 50,57,64,81 Hope-Wallace, Philip 59, 70 McKellen, Ian 50, 57, 62-:l, 64, 66, Jeflrey, Francis 17 72, 75, 82 Kiessling, Nicholas 20 Magee, Patrick 50, 66, 67 Kingston, .Jnemy 67 Mannering, D. L. 57,81 Kirschbaum, Leo 19, 79 Maxwell, .lames 50 Maitland, Henry 16 Porter, Eric 49,53,57,59,61-2,66, Marshall, Norman 69 76,81 Maxwell, .1. C. 20 Rappaport, Da\·id 75,82 Montague, C. E. 65, 70, 74 Scofield, Pa ul 48 O'Connor, Garry 6:1 Swinley, Ion 47,57,58 Pendry, E. D. 27, :n, :>6 Taylor, Elizaheth 49 Santayana, George 17 Teuber, Andreas 49 Scott, Michael 67 Thesiger, Ernest 65 Shaw, George Bernard 57,65, 6ll-9, Waller, David 50 75 Anatomie of the World, An (Donne) 22 Shorter, Eric 61, 76 Annals, Michael (designer) 72 Shulman, Milton 62 Ashmore, Basil 52 Smith,James 19,79 Astrologaster (Melton) 42 Speaight, Robert 57 Symonds, J. A. 17 Trewin,.J. C. 58, 59, 62, 65, 66 Birde, William 16,32, :n, 45 Turgeon, Thomas 64 Wagner, Wilhelm 19 Clark, Lord Kenneth 22 Wardle, Irving 60,61,64,67, 76 Cook, Kandis (designer) 72 Culture and Anarclry (Arnold) 26 CRITICS Agate, James 58,65,69, 74 Alexander, Nigel 71-2 Dido Queen of Carthage (Marlowe) 37 Barber, John 63, 64, 78 DIRECTORS Billington, Michael 63, 76 Barton,John 50,52,54--5,62,63,72, Boas, F. S. 17 74, 75, 76, 77-8,81-2, ll:l INDEX OF NAMES 87 DIRECTORS - continued ]Ol'RNALS AND NEWSPAPERS Benthall, Michael 49, 53, 7G-I, 72, Daily Herald 48 74,75, 8G-1, 83 Daily Telegraph 49,57,61,63,64,65, Burrell, John 48 72,76,77 Coghill, Nevill 49,50,60,71,75,80, Evening Standard 62 81 Guardian 59,62,63,66,67, 70, 72, 73, Fwes, Christopher 50, 54, 67, 74-5, 76 76-7,82,83 Illustrated London News 62 Grotowski, Jerzy 50 Morning Post 68 Houseman,John 47-8,69 New York Herald Tribune 69 Hudd, Walter 48,53,59,71,74,79 Observer 58, 59, 65 ~farowitz, Charles 50 Plays and Players 63, 72 ~fonck, Nugent 47,69, 79 Punch 59,66,67, 70, 74, 76 ~Iorgan, Gareth 50, 73 Queen 61, 74, 76 ~ohle, Adrian 50, 74 Saturday Review 57, 58, 69 Poe!, William 46-7,52,53,57,68-9, Shakespeare Survry 49, 66, 72 70. 7J-4, 75, 79, 80, 82 Spectator 58, 66 Wade, Allan 47.52.53,69, 79 Sunday Telegraph 60, 70 Welles. Orson 47-8.52,57.69,76 Sunday Times ,17 Williams. Clifford 49.50.53, 71, 74. Tatler 70 76. 77. 81. 83 Theatre Journal 64 Times 58,59,60,61,64,65,67,74,75, Ere~vman 47.49 76.77,82 Farrah. ,\hd' Elkader (designerl 72 Moore, Riette Sturge (designer) 71 Faust. Johann 23 Pilgrim's Progress, The (Bunyanl 29 Gorboduc (Sachille and Norton) :1I Pope, Alexander 31 Greene. Robert 13-14 Guthrie. Sir Tyrone 78 Richard III 45 Rowley, Samuel 16,32, :n. 45 Hamlet II. 34 Henslowe. Philip 15, 16 Sea and the Mirror, The (Auden) :1I Historia l'on D,Johann Fausten 24 Stran~f/"I "lid Bmthen (Snow) :lO Historie rif the damnable life (P. F. Gentl 24.34.50,55 Tamburlaine (Marlow) 23, :1I, :l3, 37, 44 Johnson, Dr Samuel 36 Wilde, Oscar 83 Jones, Richard (publisher) :B-4 Wilkinson, Norman (designer) 69 FOR READER'S NOTES .