H-Film Asian Cinema 30.1 is now available Discussion published by Tessa Mathieson on Thursday, May 9, 2019 Intellect is excited to announce that Asian Cinema 30.1 is now available! For more information about the issue, click here >> https://www.ingentaconnect.com/content/intellect/ac/2019/00000030/00000001 Aims/Scope Asian Cinema is a peer-reviewed seminal journal, which was published from 1995 by the Asian Cinema Studies Society under the stewardship of Professor John Lent. From 2012 Asian Cinema has been published by Intellect as part of our film studies journal portfolio. The journal currently publishes a variety of scholarly material – including research articles, interviews, book and film reviews and bibliographies – on all forms and aspects of Asian cinema. The journal’s broad aim is to advance understanding and knowledge of the rich traditions of the various Asian cinemas, thereby making an invaluable contribution to the field of film studies in general. Issue 30.1 Articles Passionate agendas: Melodrama in the work of Yoshimura Kozaburo Earl Jackson It’s tough being a humanist: Yo-ji Yamada, the cynical company man Kenta Kato Kurosawa’s Rashomon, re-viewed R. J. Cardullo Resisting age-ratings in China: The ongoing prehistory of film classification Liam Grealy, Catherine Driscoll, Bin Wang and Yongchun Fu From affective space to performative depth: Spatial aesthetics in 3-D wuxia filmsFlying Swords of Dragon Gate (2010) and Sword Master (2016) Zeng Li Translocal female subjectivity: Notes on Ann Hui’s The Golden Era Zeng Hong Asghar Farhadi’s nuanced feminism: Gender and marriage in Farhadi’s films fromDancing in the Dust to A Separation Mostafa Abedinifard Citation: Tessa Mathieson. Asian Cinema 30.1 is now available. H-Film. 05-09-2019. https://networks.h-net.org/node/14467/discussions/4082694/asian-cinema-301-now-available Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 1 H-Film The first screenings of Lumière films in China: Conjectures and new findings Sheldon Lu Making the most of an MOOC on Asian film: Hong Kong Cinema Through a Global Lens: A Massive Open Online Course at the University of Hong Kong Gina Marchetti, Aaron Han Joon MagnanPark and Stacilee Ford Review Dialectics of the Goddess in Japanese Audiovisual Culture, Lorenzo J. Torres Hortelano (ed.) (2018) Marcos P. Centeno Martín For more information about the journal and calls for papers, click here >> https://www.intellectbooks.com/asian-cinema Citation: Tessa Mathieson. Asian Cinema 30.1 is now available. H-Film. 05-09-2019. https://networks.h-net.org/node/14467/discussions/4082694/asian-cinema-301-now-available Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 2.