Hidden Passage the journal of glen canyon institute Issue XXIII, Fall 2017 Editor's Introduction Glen Canyon Institute by Wade Graham President As this issue was going to press, the news of Katie Lee’s passing, at her home in Richard Ingebretsen Jerome, Arizona at the age of 98, rippled out through the river community and far beyond. To most of us, Katie needs no introduction. She was among the first, most Board of Trustees eloquent, most tireless, most inspiring, and without rival the fiercest, defender of Scott Christensen Glen Canyon ever since she witnessed its attempted murder by the US Bureau of Ed Dobson Reclamation (which she unforgettably named, in her songs and stories, the Wreck- David Wegner the-nation Bureau). She defined the wild recesses of the Glen not just as an incom- Wade Graham parable river wilderness that we must fight to reclaim and restore, but as something Tyler Coles far more important because it was magical, moving, alive, capable of reaching us in Lea Rudee spiritual and other ways. Glen brought forth a deeper humanity in those who were Mike Sargetakis open to experiencing it. She talked of the canyons in the most lyrical and vivid voice. Of the torture of watching the reservoir first fill with fetid “spinach water,” she wrote: Executive Director “Some of the first to go under were in the Wild Secret Heart of the Glen—Dungeon, Eric Balken Grotto, Dangling Rope, Balanced Rocks, Little Arch, Cathedral, Driftwood, Mystery, Music Temple and Hidden Passage—those fluid, heart-stopping, erotic sinuosities; Special Projects Coordinator the sequestered gracilities (anything but a slot)—the Eros-Apollo, phallic protru- Michael Kellett sions, and all those lounging beds of tits and bums.” Outreach Coordinator & Office Manager In her twinkling, brilliant way, she understood that our relationship with the natu- Jack Stauss ral world is personal, and flows both ways. She wrote: “Often someone will ask how I got to the river. I usually smile because they never ask the important question: How did the river get to me?” Advisory Committee Dan Beard Katie was the muse, and sometimes scourge, of this organization, Glen Canyon Roy Webb Institute, always leading from the front, never standing for equivocation or half- Bruce Mouro measures. Anyone who heard her talk or sing was invariably brought to tears—and Tom Myers to righteous indignation at what our society has allowed to happen to its natural Carla Scheidlinger patrimony in the name of material progress. She wrote: “Witnessing the asphyxiation Bill Wolverton of Glen Canyon—slowly, inch by inch—acted like a brand on my soul, burning in my anger, my contempt for those who killed it. Anger—an emotion as powerful as love— 429 East 100 South can be used as a stimulant, exciting and creative, a force. I would wear my anger like Salt Lake City, Utah 84111 a crown!” And she did, the irascible and irreverent River Queen, until the last. We tel (801) 363-4450 mourn her passing and revel in her life. fax (801) 363-4451 Back in the canyons, there is change. In spite of last year’s relatively wet winter, [email protected] reservoir storage on the Colorado continues its downward trend, and flushing of www.glencanyon.org sediment and reviving of native ecosystems continues apace. A recent study antici- pates that Lake Powell could reach minimum power pool in six years—leaving a Hidden Passage surface area less than one-third as large as at full pool, shrunken down to the narrow Issue XXIII Fall 2017 confines of the river channels themselves, in the process uncovering many thousands Editor of acres of land. How to manage this dramatic drawdown and return of inundated Wade Graham landscapes is a critical question. In keeping with GCI’s mission of supporting science, [email protected] we are helping to initiate a study of sediment flushing and the potential for restora- tion in the Glen’s side canyons by Utah State University, and will participate in a biological survey led by Brigham Young University, next spring. And GCI’s Fill Mead printed on 100% recycled paper First proposal continues to shape the conversation about how best to manage our dwindling water resources on the Colorado River. Good data is required, and in acknowledgment that its numbers are scant and out of date, the Bureau of Reclamation is moving to more accurately measure evaporation rates at Lake Cover: White Canyon, where Bears Ears meets Glen Canyon. Photo by Ray Powell—an important step forward on the road to a free-flowing river in Glen and Bloxham/SUWA. Grand Canyons. page 2 Farewell Katie Lee, Glen Canyon's Original Champion by Eric Balken a part of who she was, describing it as heaven on earth. A place by which no one could help but be inspired if they made the journey. In 1956, when it was announced that a dam would be con- structed in Glen Canyon, Katie’s passion for the river turned into a fiery opposition against it and the Bureau of Reclamation who would build it. She became one of the most outspoken op- ponents of the dam, writing songs and books that would epito- mize the fight against Glen Canyon Dam’s ecological destruc- tion. After Glen Canyon was flooded, her works became the underpinnings of the Glen Canyon restoration movement. It became her life’s work to fight for a free-flowing river in Glen Canyon. She was a driving force that galvanized Glen Canyon as a nationally recognized issue among an emerging national environmental movement. When GCI’s president and founder Rich Ingebretsen set out to organize a non-profit with a mission to restore the river in the 1990’s, he knew he had to call Katie Lee. Ingebretsen re- calls, “When we started to organize, I wanted to get everyone that had ever floated Glen Canyon to come to our first meeting. Katie was vital to GCI’s formation, bringing with her a huge fol- lowing of the most vocal and passionate restoration advocates.” On November 1st, 2017, Glen Canyon Institute and the river community lost a friend, muse, and river-running icon, the legendary Katie Lee. Katie passed away in her sleep just a few weeks after celebrating her 98th birthday at her home in Je- rome, Arizona. Katie was an integral part of the movement to restore Glen Canyon, becoming an outspoken opponent of the dam, and later helping with the formation of GCI in 1996. In the 1950’s, Katie was pursuing a career as a singer and ac- tress in Hollywood when she was invited on a Grand Canyon trip with friend and river guide Tad Nichols. She immediately fell in love with the Colorado River, beginning a lifelong obses- sion with the Grand Canyon and Glen Canyon. She was one of the first women to work for river guide companies, and made it a personal mission to explore as many of the side canyons and grottoes in Glen as she could. Katie found deep emotional connection and artistic inspi- ration in Glen Canyon, making sixteen trips down the river. She would write songs, stories, and poetry, taking pictures and video—famously wandering throughout the canyons in the most humanly natural way, bare naked. Glen Canyon became page 3 In a visceral and fervent way, Katie captured the emotional loss of Glen Canyon like no other artist or author could. She shared this experience with a broad audience in her books Glen Canyon Betrayed and All My Rivers Are Gone, as well as her unforgettable folk music albums Glen Canyon River Journeys and Colorado River Songs. These works of art would become centerpieces in the collective memory of Glen Canyon before it was dammed. While her body began to age in her later years, Katie’s intel- lect and passion never faded. She became a nationally-recog- nized icon of environmentalism, inspiring thousands of young people across the country to be loud, speak their minds, and fight for flowing rivers and wild places. She was prominently featured in the award-winning 2014 film DamNation, once again winning the hearts of audiences with her unforgiving love for Glen Canyon. Photo by Michael Brown. GCI hosted a number of events with Katie over the years, usually culminating with audiences succumbing to tears. Katie We hosted our last event with Katie in the fall of 2016, pre- would swear, crack jokes, and spontaneously break into song, miering the documentary Kick Ass Katie Lee by George and provoking emotions for the river many didn’t know they had. Beth Gage. After the film, there was a Q&A session with Katie This was her magic: she was so transformed by her connection fielding questions over the phone. Despite an imperfect form of to Glen Canyon, and was able to convey that connection to communication, she brought the audience to tears with her everyone else through her words and music. No one else could passion, authenticity, and sheer love for the canyons. In classic capture the emotional and spiritual significance of the Glen like form, Katie ensured there wasn’t a dry eye in the house. she did. In one of our last conversations with Katie, we left her with a In her later years, Katie stayed in close touch with GCI, regu- promise. That we would never stop fighting for the river and larly checking in to see what we were up to and always sending for Glen Canyon. Katie’s passion now lives in all of us, and it is eager young activists our way.