Commerce in the Gilded Age, Part 2

Commerce in the Gilded Age, Part 2

Art of the United States March 2, 2017 Lecture 8: Art & Commerce in the Gilded Age, Part 2 Gilded Age Environments, Domestic & Public Eastman Johnson, Christmastime – The Blodgett Family, 1864. Oil on canvas. Eastman Johnson, Not at Home, 1873. Oil on canvas. Left: Mary Cassatt, Little Girl in a Blue Armchair, 1878. Oil on Canvas. Right: Mary Cassatt, Woman and a Girl Driving, 1881. Oil on canvas. John Singer Sargent, Madame X, 1883-84. Oil on canvas. John Singer Sargent, Mr. and Mrs. I. N. Phelps- Stokes, 1897. Oil on canvas. Childe Hassam, Washington Arch, Spring, 1890. Oil on canvas. William Merritt Chase, In the Studio, c. 1880. Oil on canvas. Thomas Dewing, After Sunset (Summer Evening), 1892. Oil on canvas. James Abbott McNeill Whistler, Arrangement in Gray and Black (Portrait of the Artist’s Mother), 1871. Oil on canvas. Architectural Revivalism Henry Hobson Richardson, Trinity Church, Boston, Massachusetts, 1875. Frank Furness and George W. Hewitt, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, 1871-76. John A. Roebling, Brooklyn Bridge, New York, 1869-83. Above left: Richard Morris Hunt, Biltmore, Asheville, North Carolina, 1895. Below left: James Abbott McNeill Whistler, Harmony in Blue and Gold: The Peacock Room, 1876-77. The White City William Le Baron Jenney, Home Insurance Building, Chicago, Illinois, 1884-85. Henry Hobson Richardson, Marshall Field Warehouse, Chicago, Illinois, 1885- 87. William Holabird and Martin Roche, Tacoma Building, Chicago, Illinois, 1887-89. Daniel Burnham and John Wellborn Root, Monadnock Building, Chicago, Illinois, 1884-92. Left: Louis Sullivan, Wainwright Building, St. Louis, Missouri, 1890-91. Center: Louis Sullivan, Carson Pirie Scott Store, Chicago, Illinois, 1899-1904. Right: Louis Sullivan, architectural detail, Carson Pirie Scott Store, Chicago, Illinois, 1899-1904. Adler and Sullivan, Entrance to the Transportation Building, Chicago, Illinois, 1893. World’s Columbian Exposition, Chicago, Illinois, looking west (seen from rear, Daniel Chester French’s Republic; in the distance Frederick William MacMonnies’s The Triumph of Columbia), 1893..

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